Australian hip hop: a sociolinguistic investigation

Australian Journal of Linguistics

Volumn 26, Issue 2, 2006, Pages 193-209

  O'Hanlon, Renae ^a  

^a UNIVERSITY OF QUEENSLAND   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85044809052     PISSN: 07268602     EISSN: 14692996     Source Type: Journal    
DOI: 10.1080/07268600600885528     Document Type: Article

References (62)

1. Alim, HS. 2002. ‘Street-conscious copula variation in the Hip Hop nation’. American Speech, 77: 288–304.
2. Allen H, 1989 ‘Hip-hop madness’ Essence April: 78–80; 114; 117; 119.
3. Bennett, A. 2001. Cultures of popular music, Buckingham: Open University Press.
4. Biographies 2003 retrieved 8 August 2003 from http://www.johnbutlertrio.com/bio.htm.
5. Borowsky, T. 2001. “ ‘The vocalization of dark l in Australian English’ ”. In English in Australia, Edited by: Blair, D, and Collins, P. 69–88. Amsterdam: John Benjamins.
6. Bucholtz, M. 1999. ‘You da man: Narrating the racial other in the production of White masculinity’. Journal of Sociolinguistics, 3: 443–460.
7. Carlsson, CJ. 2001. ‘The way they sing it: Englishness and pronunciation in English pop and rock’. Moderna Sprak, 95: 161–168.
8. Chambers, JK. 2003. Sociolinguistic theory, second edition, Oxford: Blackwell Publishers.
9. Cutler, C. 2000. ‘“Chanter en yaourt”: Pop music and language choice in France’. Popular music and Society, 24: 117–133.
10. Cutler, CA. 1999. ‘Yorkville crossing: White teens hip hop and African American English’. Journal of Sociolinguistics, 3: 428–442.
11. de Vaus, D. 2001. Research design in social research, London: Sage Publications.
12. Desert Hip Hop Project (nd) retrieved 4 May 2003 from http://www.triplej.abc.net.au/desertrap/default.htm.
13. Gladney, MJ. 1995. ‘The black arts movement and hip-hop’. African American Review, 29: 291–301.
14. Groove On Forum 2003 Aust Hip Hop artists on blazin’ 2 retrieved 6 August 2003 from http://www.grooveon.com.au/forum/textthread.cfm?catid=6&threadid=3913.
15. Horvath, BM, and Horvath, RJ. 2001. “ ‘A Geolinguistics of short A in Australian English’ ”. In English in Australia, Edited by: Collins, P, and Blair, D. 341–355. Amsterdam: John Benjamins.
16. Horvath, BM. 1985. Variation in Australian English: The sociolects of Sydney, Cambridge: Cambridge University Press.
17. Hudson, RA. 1996. Sociolinguistics, second edition, Cambridge: Cambridge University Press.
18. Knight B, 2001 Aussie accent buried in country music retrieved 6 August 2003 from http://www.abc.net.au/rural/telegraph/stories/s313235.htm.
19. Lee, D. 1989. Sociolinguistic variation in the speech of Brisbane adolescents. Australian Journal of Linguistics, 9: 51–72.
20. Lee, E. 1982. “ ‘The foremost medium—the voice’ ”. In Pop Rock and Ethnic Music in School, Edited by: Vulliamy, G, and Lee, E. 102–126. Cambridge: Cambridge University Press.
21. Maxwell, I. 1994. ‘True to the music: Authenticity articulation and authorship in Sydney Hip Hop culture’. Social Semiotics, 4: 117–137.
22. Maxwell, I. 1997. ‘On the flow: Dancefloor grooves rapping “freestyle” and “the real thing”’. Perfect Beat, 33: 15–27.
23. Maxwell, I. 2001. “ ‘Sydney Stylee: Hip-Hop down under comin’ up’ ”. In Global noise: Rap and Hip Hop outside the USA, Edited by: Mitchell, T. 259–279. Middletown, CT: Wesleyan University Press.
24. Mitchell T, (ed.) 2001 Global Noise: Rap and Hip-Hop outside the USA Wesleyan University Press Middletown, CT.
25. Mitchell, T. 1999. ‘Another root: Australian Hip Hop as a “glocal” subculture’. The UTS Review, 5: 126–141.
26. Mitchell, T. 2003. “ ‘Doin’ damage in my native language: The use of “Resistance Vernaculars” in Hip Hop in France, Italy, and Aotearoa/New Zealand’ ”. In Global Pop Local Language, Edited by: Berger, HM, and Carrol, MT. 3–17. Jackson, MI: University Press of Mississippi.
27. Morgan, M. 2001. “ ‘“Nuthin’ but a G thang”: Grammar and language ideology in Hip Hop identity’ ”. In Sociocultural and historical contexts of African American English, Edited by: Lanehart, SL. 187–209. Amsterdam: John Benjamins.
28. New Zealand Music Forum (NZMF) 2002 Nz music/American accents retrieved 6 August 2003 from http://www.nzmusic.com/topic.cfm?I=2135&start=21.
29. O'Hanlon R, 2003 ‘“Gather round for some true Aussie underground”: A comparative study of the language of Hip Hop and other youth music genres in Australia’ Unpublished Honours Dissertation University of Queensland Brisbane.
30. Palmer, C, and Kelly, MH. 1992. ‘Linguistic prosody and musical meter in song’. Journal of Memory and Language, 31: 525–542.
31. Pollard M, 2003 ‘Australian Hip Hop’ Ministry Magazine 4.
32. Roca, I, and Johnson, W. 1999. A course in phonology, Oxford: Blackwell Publishers.
33. Self Service Science Forum (SSSF) 2000 Accents retrieved 6 August 2003 from http://www.2abc.net.au/science/k2/stn/august2000/posts/topic108655.shtm.
34. Shusterman, R. 1991. ‘The fine art of rap’. New Literary History, 22: 613–632.
35. Simpson, P. 1999. ‘Language culture and identity: With another look at accents in pop and rock singing’. Multilingua, 18: 343–367.
36. Smitherman, G. 1997. ‘“The chain remain the same”: Communicative practices in the hip hop nation. Journal of Black Studies, 28: 3–25.
37. Sussex, R. 1978. ‘North American English as a prestige model in the Australian media’. Talanya, 5: 36–41.
38. Sussex, R. 1989. “ ‘The Americanisation of Australian English: Prestige models in the Media’ ”. In Australian English: The language of a new society, Edited by: Collins, P, and Blair, D. 158–168. St Lucia: University of Queensland Press.
39. Sweetland, J. 2002. ‘Unexpected but authentic use of an ethnically-marked dialect’. Journal of Sociolinguistics, 6: 514–536.
40. Trudgill, P. 1983. “ ‘Acts of conflicting identity: The sociolinguistics of British pop- song pronunciation’ ”. In On Dialect, Edited by: Trudgill, P. 141–160. Oxford: Basil Blackwell.
41. Whiteoak, J, and Zumeris, B. 2003. “ ‘Since 1990’ ”. In Currency Companion to music & dance in Australia, Edited by: Whiteoak, J, and Scott-Maxwell, A. 536–538. Sydney: Currency House.
42. Wilson, P. 1997. The Singing Voice: An Owner's Manual, Sydney: Currency Press.
43. Winer, L. 1990. ‘Intelligibility of Reggae Lyrics in North America: Dread ina Babylon’. English World-Wide, 11: 33–58.
44. Yasin JA, 1997 ‘In yo’ face! Rappin’ beats comin’ at you: A study of how language is mapped onto musical beats in rap music’ PhD Thesis Columbia University.
45. Zwicky AM, 1976 ‘Well this rock and roll has got to stop Junior's head is hard as Rock’ Papers from the Twelfth Regional Meeting Chicago Linguistics Society 676–697.
46. Amiel 2003 Audio Out Festival Mushroom Records.
47. Augie March 2002 Strange Bird BMG Australia Limited.
48. Bainbridge, M 2003 Girl Next Door (single) 001 Productions.
49. Campbell, D 2003 When She's Gone (single) Sony Music Australia.
50. Chambers, K 2001 Barricades and Brickwalls EMI Music Australia.
51. Corporation.
52. George 2002 Polyserena Mushroom Records Pty Ltd.
53. Killing Heidi 2001 Reflector Sony Music Australia.
54. Lloyd, A 2001 Watching Angels Mend EMI Music Australia.
55. Minogue, D 2003 Neon Nights Warner Music Australia.
56. Powderfinger 2000 Odyssey Number Five Grudge Records Australia.
57. Sandrine 2003 Trigger Sony Music Australia.
58. The Herd 2003 An Elefant Never Forgets Elefant Traks.
59. Various Artists 2002 Culture of Kings: Volume Two Obese Records.
60. Various Artists 2002 Obese City Obese Records.
61. Various Artists 2003 Neighbours: The Music Sony Music Australia.
62. Various Artists 2003 Triple J Hottest 100: Volume 10 Australian Broadcasting