Real-time Image and Video Processing in GEM

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1997, Pages

  Danks, Mark ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; IMAGE PROCESSING; MULTIMEDIA SYSTEMS; VISUAL LANGUAGES;

DIGITAL AUDIO; GRAPHIC ENVIRONMENT; IMAGE AND VIDEO PROCESSING; INTEGRATED VISUAL; PROGRAMMING ENVIRONMENT; REAL TIME COMPUTER GRAPHICS; REAL-TIME IMAGE PROCESSING; REAL-TIME VIDEO PROCESSING; VISUAL PROGRAMMING LANGUAGES;

VIDEO SIGNAL PROCESSING;

EID: 85040067967     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. Danks, M. 1996. “The Graphics Environment for Max,” Proceedings of the 1996 ICMC, San Francisco, CA: International Computer Music Association, pp. 67-70.
2. Puckette, M. 1996. “Pure Data: another integrated computer music environment,” The 2nd InterCollege Computer Music Concerts, Kunitachi, Japan, pp. 37-41.
3. Puckette, M. 1997. “Pure Data,” Proceedings of the 1997 ICMC, San Francisco, CA: International Computer Music Association.
4. Kilgard, M. 1996. OpenGL Programming for the X Window System, Reading, Mass.: Addison-Wesley.
5. Danks, M. 1996. headingsouth, San Diego.
6. Neider, J., T. Davis, and M. Woo 1993. OpenGL Programming Guide, Reading, Mass.: Addison-Wesley.
7. Foley, J., A. van Dam, S. Feiner, and J. Hughes 1990. Computer Graphics: Principles and Practice, 2d ed., Reading, Mass.: Addison-Wesley.
8. Jain, A. 1989. Fundamentals of Digital Image Processing, Englewood Cliffs, New Jersey: Prentice-Hall.
9. Haeberli, P., and M. Segal 1993. “Texture Mapping as a Fundamental Drawing Primitive,” Proceedings of the Fourth Eurographics Workshop on Rendering, Paris, France.