Concert hall acoustics and audience perception (Application corner)

IEEE Signal Processing Magazine

Volumn 24, Issue 2, 2007, Pages 126-131

  Griesinger, David ^a  

^a Harman Specialty Group   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC FIELDS; ACOUSTICS; AUDITORIUMS; DIGITAL SIGNAL PROCESSING; RECEPTION QUALITY; REVERBERATION;

AUDIENCE PERCEPTION; CONCERT HALL ACOUSTICS;

ACOUSTIC PROPERTIES;

EID: 85032751952     PISSN: 10535888     EISSN: None     Source Type: Journal    
DOI: 10.1109/MSP.2007.323277     Document Type: Article

References (11)

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3. L. Beranek, Acoustics. New York: McGraw-Hill, 1954.
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5. D. Griesinger, "The psychoacoustics of apparent source width, spaciousness and envelopment in performance spaces," Acta Acustica, vol. 83, no. 4, pp. 721-731, 1997.
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7. M. Morimoto and Z. Maekawa, "Effects of low frequency components on auditory spaciousness," Acustica, vol. 66, pp. 190-196, 1988.
8. L. Beranek, "Concert halls - 1992," J. Acoust. Soc. Am., no. 1, pp. 1-39, 1992.
9. L. Beranek, Concert Halls and Opera Houses: Music, Acoustics, and Architecture. New York: Springer, 2004.
10. M. Morimoto and C. Posselt, "Contribution of reverberation to auditory spaciousness in concert halls," J. Acoust. Soc. Jpn, vol. 10, no. 2, pp. 87-92, 1989.
11. L. Beranek and D. Griesinger, "Listening to concert halls," presented at the New York Convention of the Acoustical Society of America, Nov. 2004 [Online]. Available: www.theworld.com/~griesngr