Diversificazione musicale e mercato discografico negli Stati Uniti, 1955-1990

Rassegna Italiana di Sociologia

Volumn 41, Issue 2, 2000, Pages 223-264

  Dowd, Timothy J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85032022244     PISSN: 04860349     EISSN: None     Source Type: Journal    
DOI: 10.1423/2539     Document Type: Review

References (115)

1. Abbot, A. e A. Hrycak 1990 An Optimal Matching of Musicians' Careers, in «American Journal of Sociology», XCVI, pp. 144-185.
2. Adams, W. e J. W. Brock 1986 The Bigness Complex, New York, Pantheon.
3. 1991 Antitrust Economics on Trial, Princeton, Princeton University Press.
4. Adorno, T. W. 1941 On Popular Music, in «Studies in Philosophy and Social Sciences», IX, pp. 17-48.
5. Album Network, The 1994 The Yellow Pages of Rock, Burbank, Calif., The Album Network.
6. Alexander, P. J. 1990 Concentration and Product Diversity in Culture-Based Industries, Tesi non pubblicata, University of Massachusetts.
7. 1994 New Technology and Market Structure, in «Journal of Cultural Economics», XVIII, pp. 113-123.
8. 1996 Entropy and Popular Culture, in «American Sociological Review», LXI, pp. 171-174.
9. Allmender, J. e J. R. Hackman 1995 A Four-Nation Study of the inclusion of Women in Symphony Orchestras, in «Social Forces», LXXIV, pp. 423-460.
10. Anand, N. e R. A. Peterson 1997 When Market Information Constitutes Fields, presentato a The Management of Cultural Industries Conference, New York, New York.
11. Anderson, B., Hesbacher, P., Hetzkorn, K. P. e R. S. Denisoff 1980 Hit Record Trends, 1940-1977, in «Journal of Communications», VI, 2, pp. 11-24.
12. Aschaffenburg, K. e I. Maas 1997 Cultural and Educational Careers, in «American Sociological Review», LXII, pp. 573-587.
13. Bagdikian, B. H. 1997 The Media Monopoly, Boston, Beacon Press.
14. Bain, J. S. e P. D. Qualls 1987 Industrial Organization, Greenwich, Conn., Jai Press.
15. Becker, H. 1982 Art Worlds, Berkeley, University of California Press.
16. 1992 Review of Music as Social Text, in «Contemporary Sociology», XXI, pp. 528-529.
17. Bielby, W. T. e D. D. Bielby 1999 Talent Agencies and the Careers of Screenwriters, in «American Sociological Review», LXIV, pp. 64-85.
18. Bennett, H. S. 1980 On Becoming a Rock Musician, Amherst, University of Massachusetts Press.
19. «Billboard» 1950 Decca's Sales up 25 to 30%, 11 feb., p. 14.
20. 1953a Columbia's Epic to Bow with Classic, Pop, Line, 19 sett., p. 14.
21. 1953b More Promotions, Less Releases '54 Coral Aim, 26 dic., p. 15.
22. 1954a Cap's Kenton Presents Jazz Line Headed by a Note Leader, 5 giu., p. 14.
23. 1954b Teen-Agers Demand Music with a Beat, Spur Rhythm-Blues, 24 apr., pp. 3, 18.
24. Black, M. e D. Greer 1987 Concentration and Non-Price Competition in the Recording Industry, in «Review of Industrial Organization», III, pp. 13-37.
25. Bowman, R. 1995 The Stax Sound, in «Popular Music», XIV, pp. 285-320.
26. Brooks, T. 1978 Columbia Records in the 1890's, in «Arsc Journal», X, 1, pp. 5-29.
27. Bryson, B. 1996 Symbolic Exclusion and Musical Dislikes, in «American Sociological Review», LXI, pp. 884-899.
28. Burnett, R. 1992 The Implications of Ownership Changes on Concentration and Diversity in the Phonogram Industry, in «Communication Research», XIX, pp. 749-769.
29. Burnett, R. e R. P. Weber 1990 Concentration and Diversity in the Popular Music Industry, presentato all'American Sociological Association, San Francisco.
30. Cerulo, K. 1988 Analyzing Cultural Products, in «Social Science Research», XVII, pp. 317-352.
31. Clevo, J. e E. Olsen 1993 Networking in the Music Industry, San Diego, Calif., Rockpress Publishing.
32. Cohen, W. M. e R. C. Levin 1989 Empirical Studies of Innovation and Market Structure, in R. Schmalensee e R. D. Willig (a cura di) Handbook of Industrial Organization, Amsterdam, North-Holland, vol. II, pp. 1059-1107.
33. Corse, S. M e M. D. Griffin 1997 Cultural Valorization and African American Literary History, «Sociological Forum», XII, pp. 173-203.
34. Davies, B. 1993 Atlantic Sings «Unusual» Pact with Matador, in «Billboard», 16 gen., p. 11.
35. Denisoff, R. S. 1986 Tarnished Gold, New Brunswick, N. J., Transactions Books.
36. DiMaggio, P. 1977 Market Structure, the Creative Process, and Popular Culture, in «Journal of Popular Culture», XI, pp. 433-451.
37. Dominick, J. R. e M. C. Pearce 1976 Trends in Network Prime-Time Programming, 1953-1974, in «Journal of Communication», XXVI, 1, pp. 70-80.
38. Dowd, T. J. 1992 The Musical Structure and Social Context of Number One Songs, 1955-1988, in R. Wuthnow (a cura di), Vocabularies of Public Life: Empirical Essays in Symbolic Structure, London, Routledge, pp. 130-157.
39. 1999 The Mitigated Impact of Concentration on Diversity: New Performing Acts in the Mainstream Market, 1940-1990, inedito, Emory University.
40. Ennis, P. H. 1992 The Seventh Stream, Hanover, N. H., Wesleyan University Press.
41. Faulkner, R. R. 1971 Hollywood Studio Musicians, Chicago, Aldine Atherton.
42. 1983 Music on Demand, New Brunswick, N. J., Transaction Press.
43. Faulkner, R. R. e A. B. Anderson 1987 Short-Term Projects and Emergent Careers, in «American Journal of Sociology», XCII, pp. 879-909.
44. Frith, S. 1988 Video Pop, in Id. (a cura di), Facing the Music, New York, Pantheon, pp. 88-130.
45. Gart, G. 1989 The American Record Label Directory and Dating Guide, Milford, N. H., Big Nickel.
46. Gellatt, R. 1977 The Fabulous Phonograph, 1877-1977, New York, Macmillan.
47. Gillett, C. 1983 The Sound of the City, New York, Pantheon; trad. it. The Sound of the City. La storia del rock, Roma, Lakota, 1989.
48. Goodman, F. 1992 Big Deals, in «Musicians», genn., pp. 39-53.
49. Greenberg, C. 1957 Avant-Garde and Kitsch, in B. Rosenberg e D. H. White (a cura di), Mass Culture, Glencoe, Ill., The Free Press.
50. Greer, D. F. 1992 Industrial Organization and Public Policy, New York, MacMillan. Griswold, W.
51. 1981 American Character and the American Novel, in «American Journal of Sociology», LXXXVI, pp. 740-765.
52. Gujarati, D. N. 1995 Basic Econometrics, New York, McGraw-Hill.
53. Hamm, C. 1979 Yesterdays, New York, W. W. Norton.
54. 1981 The Fourth Audience, in «Popular Music», I, pp. 123-142.
55. Hesbacher, P., R. Downing e D. G. Berger 1975 Record Roulette, in «Journal of Communication», 24, pp. 74-85.
56. Hellman, H. 1983 The New State of Competition in the Record Industry, in «Sociologia», XX, 4, pp. 285-295, 355.
57. Hellman, H. e M. Soramaki 1985 Economic Concentration in the Videocassette Industry, in «Journal of Communication», 3, pp. 122-134.
58. Hennion, A. 1983 The Production of Success, in «Popular Music», 3, pp. 159-193.
59. Hilburn, R. e C. Philips 1992 Rock's New World Order, in «Los Angeles Times», 29 nov., Calendar Section, pp. 7-9, 58-59.
60. Hillve, P., Manajen, P. e K. E. Rosengren 1997 Aspects of Quality in TV Programming, in «European Journal of Communication», 12, pp. 291-318.
61. Hollingsworth, J. R. 1991 The Logic of Coordinating American Manufacturing Sectors, in J. L. Campbell, J. R. Hollingsworth e L. Lindberg (a cura di), The Governance of the American Economy, New York, Cambridge University Press, pp. 35-73.
62. Horkheimer, M. e T. W. Adorno 1944 Dialectic of Enlightenment, New York, Continuum; trad. it. Dialettica dell'illuminismo, Torino, Einaudi, 1974.
63. Jepperson, R. L. e A. Swidler 1994 What Properties of Culture Should We Measure?, in «Poetics», XXII, pp. 359-371.
64. Jowett, G. S. 1992 Introduction to the Transaction Edition, in N. Jacobs (a cura di), Mass Media in Modern Society, New Bruswick, Transaction Press, pp. 1-24.
65. Kaestle, C. F. 1991 Standardization and Diversity in American Print Culture, 1880 to the Present, in Id. (a cura di), Literacy in the United States, New Haven, Conn., Yale University Press, pp. 272-293.
66. Kanter, R. M. 1991 The Future of Bureaucracy and Hierachy in Organizational Theory, in P. Bourdieu e J. S. Coleman (a cura di), Social Theory for a Changing World, Boulder, Colo., Westview Press, pp. 63-87.
67. King, A. B. 1966 The Marketing of Phonograph Records in the United States, dissertazione inedita, Department of Business Organization, The Ohio State University.
68. Lee, S. 1995 Re-Examining the Concept of the «Indipendent» Record Company, in «Popular Music», XIV, pp. 13-31.
69. Lomax, A. 1968 Folk Song Style and Culture, New Brunswick, N. J., Transaction Press.
70. Long, E. 1992 The Cultural Meaning of Concentration in Publishing, in F. Kobrak e B. Luey (a cura di), The Structure of the International Publishing Industry in the 1990s, New Brunswick, N. J., Transaction Press, pp. 93-117.
71. Lopes, P. D. 1992 Innovation and Diversity in the Popular Music Industry, 1969 to 1990, in «American Sociological Review», LVII, pp. 56-71.
72. Macdonald, D. 1962 Against the American Grain, New York, Random House.
73. Martindale, C. 1990 The Clockwork Muse, New York, Basic Books.
74. Maultsby, P. K. 1974 Afro-American Religious Music, 1619-1861, dissertazione inedita, Department of Music, University of Wisconsin.
75. McAdams, J. 1992 Labels Knocking on Tommy Boy's Door, in «Billboard», 10 ott., p. 10.
76. Middleton, R. 1990 Studying Popular Music, Philadelphia, Open University Press; trad. it. Studiare la popular music, Milano, Feltrinelli 1994.
77. Mills, C. W. 1951 White Collar, London, Oxford University Press; trad. it. Colletti bianchi, Torino, Einaudi 1966.
78. Mohr, J. 1998 Measuring Meaning Structures, in «Annual Review of Sociology», XXIV, pp. 345-370.
79. Mondak, J. J 1989 Cultural Heterogeneity in Capitalist Society, in «Popular Music and Society», XIII, pp. 45-58.
80. Nathan, D. 1992 R&B Market Thrives as Major Stay Hyperactive, in «Billboard», 4 lug., p. 17.
81. Neter, J., W. Wasserman e M. J. Kutner 1983 Applied Linear Regression Models, Homewood, Ill., Richard D. Irwin.
82. Peterson, R. A. 1990 Why 1955?, in «Popular Music», IX, pp. 97-116.
83. 1994 Cultural Studies through the Production Perspective, in D. Crane (a cura di), The Sociology of Culture, Oxford, Blackwell, pp. 163-189.
84. Peterson, R. A. e D. G. Berger 1972 Three Eras in the Manufacture of Popular Music Lyrics, in R. S. Denisoff e R. A. Peterson, The Sounds of Social Change, Chicago, Rand McNally, pp. 282-304.
85. 1975 Cycles in Symbol Production, in «American Sociological Review», XL, pp. 158-173.
86. 1996 Measuring Industry Concentration, Diversity, and Innovation in Popular Music, in «American Sociological Review», LXI, pp. 165-178.
87. Phillips, J. D. 1975 Film Conglomerate Blockbusters, in «Journal of Communication», pp. 171-182.
88. Powell, W. W. 1990 Neither Market nor Hierarchy, in «Research in Organizational Behavior», XII, pp. 295-336.
89. Resnicoff, M. 1992 The New Deal, in «Musician», pp. 55-61.
90. Rosenberg, B. 1957 Mass Culture in America, in B. Rosenberg e D. M. White, Mass Culture, Glencoe, IL, Free Press, pp. 3-12.
91. Rosenblum, B. 1978 Style as Social Process, in «American Sociological Review», XLIII, pp. 422-438.
92. Rothenbuhler, E. e J. W. Dimmick 1982 Popular Music, in «Journal of Communication», XXXII, 1, pp. 143-149.
93. Russell, P. A. 1986 Experimental Aesthetics of Popular Music Recordings, in «Psychology of Music», XIV, pp. 33-43.
94. Ryan, J. 1985 The Production of Culture in Music Industry, Lantham, University Press of America.
95. Sanjek, R e D. Sanjek 1991 American Popular Music Business in the 20th Century, New York, Oxford University Press.
96. Scherer, F. M. e D. Ross 1990 Industrial Market Structure and Economic Performance, Boston, Houghton Mifflin.
97. Schumpeter, J. A. 1942 Capitalism, Socialism, and Democracy, New York, Harper;
98. trad it. Capitalismo, socialismo e democrazia, Milano, Comunità, 1967.
99. Shemel, S. e M. W. Krasilovsky 1990 This Business of Music, New York, Billboard.
100. Simonet, T. 1987 Conglomerates and Content, in «Current Research in Film», 3, pp. 154-162.
101. Simonton, D. K. 1997 Historiometric Analyses of Compositional Creativity, in D. J. Hargreaves e A. C. North (a cura di), The Social Psychology of Music, Oxford, Oxford University Press, pp. 107-122.
102. Soete, L. L. G. 1979 Size of Firm, Oligopoly, and Research, in «Reseaux», pp. 99-125.
103. Stich, M. 1990 Copying from Records, in «Keyboard», XVI, 8, p. 102.
104. Thorton, P. 1995 Accounting for Acquisition Waves, in W. R. Scott e S. Christensen (a cura di), The Institutional Construction of Organizations, Thousand Oaks, Calif., Sage, pp. 199-255.
105. Titon, J. T. 1994 Early Downhome Blues, Chapel Hill, University of North Carolina Press. United States Congress
106. 1958 Amendment to Communications Act of 1934, Washington D. C., Government Printing Office.
107. van den Haag, E. 1957 Of Happiness and of Despair We Have No Measure, in Rosenberg e White (a cura di), Mass Culture, Glencoe, Ill., Free Press, pp. 504-536.
108. 1992 (1959) A Dissent from the Consensual Society, in N. Jacobs, Mass Media in Modern Society, New Brusnwick, N. J., Transaction Publishers, pp. 95-104.
109. Vatan, I. C. 1995 How Independent Record labels in the US Distribute and Balance Their Creativity and Profit Priorities, dissertazione inedita, Department of Communications, University of Washington.
110. Walser, R. 1993 Running with the Devil, Hanover, N. H., Wesleyan University Press.
111. 1995 Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy, «Ethnomusicology», XXXIX, 2, pp. 193-217.
112. Wright, C. 1983 The Record Industry, in G. Martin (a cura di), Making Music, New York, Quill, pp. 290-297.
113. Wilder, A. 1972 American Popular Song, New York, Oxford University Press.
114. Wuthnow, R. 1987 Meaning and Moral Order, Berkeley, University of California Press.
115. Wuthnow, R. e M. Witten 1988 New Directions in the Study of Culture, in «Annual Review of Sociology», XIV, pp. 49-67.