ROCK ART STYLES AND SITES IN THE GREAT BASIN

Archaeology in America: An Encyclopedia

Volumn , Issue , 2008, Pages 256-261

  Quinlan, Angus R ^a  

^a Nevada Rock Art Foundation   (United States)

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Indexed keywords

EID: 85030440817     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (51)

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2. Begouen, Henri, “The Magic Origin of Prehistoric Art,” Antiquity 3 (1929): 5-19;
3. Bettinger, Robert L., and Martin A. Baumhoff, “The Numic Spread: Great Basin Cultures in Competition,” American Antiquity 47 (1982): 485-503;
4. Blackburn, Thomas C., “Biopsychological Aspects of Chumash Rock Art,” Journal of California and Great Basin Anthropology 4(1) (1977): 88-94;
5. Bradley, Richard, An Archaeology of Natural Places (London: Routledge, 2000);
6. Breuil, Henri, Quatre Cents Siècles d’Art Pariétal (Montignac, France: Centre D’Études et de Documentation Préhistoriques, 1952);
7. Cannon, William J., and Mary Ricks, “The Lake County Oregon Rock Art Inventory: Implications for Prehistoric Settlement and Land Use Patterns,” in Contributions to the Archaeology of Oregon 1983-1986, edited by Kenneth M. Ames, Department of Anthropology and University Foundation Occasional Papers No. 3 (Salem: Portland State University and Association of Oregon Archaeologists, 1986), 1-22;
8. Cannon, William J., and Mary Ricks, “Contexts in the Analysis of Rock Art: Rock Art and Settlement in the Warner Valley Area, Oregon,” in Great Basin Rock Art: Archaeological Perspectives, edited by Angus R. Quinlan (Reno: University of Nevada Press, 2007), 107-125;
9. Cannon, William J., and Alanah Woody, “Towards a Gender Inclusive View of Rock Art in the Northern Great Basin,” in Great Basin Rock Art: Archaeological Perspectives, edited by Angus R. Quinlan (Reno: University of Nevada Press, 2007), 37-51;
10. Fowler, Catherine S., “Subsistence,” in Handbook of North American Indians, Vol. 11: Great Basin, edited by Warren L. d’Azevedo, (Washington, DC: Smithsonian Institution, 1986), 64-97;
11. Francfort, Henri-Paul, and Roberte N. Hamayon, eds., Bibliotheca Shamanistica, Vol. 10: The Concept of Shamanism: Uses and Abuses, edited by Mihály Hoppál (Budapest: Akadémiai Kiadó, 2001);
12. Gilreath, Amy J., “The Archaeology and Petroglyphs of the Coso Rock Art Landmark,” in American Indian Rock Art, Vol. 25, edited by Steven M. Freers (Tucson, AZ: American Rock Art Research Association, 1999), 33-44;
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14. Grant, Campbell, James W. Baird, and Kenneth Pringle, Rock Drawings of the Coso Range: An Ancient Sheep-Hunting Cult Pictured in Desert Rock Carvings (China Lake, CA: Maturango Museum, 1968);
15. Green, Eileen M., “A Cultural Ecological Approach to the Rock Art of Southern Nevada,” unpublished master’s thesis (University of Nevada, Las Vegas, Department of Anthropology, 1987);
16. Hedges, Ken, “Southern California Rock Art as Shamanic Art,” in American Indian Rock Art, Vol. 2, edited by Kay Sutherland (El Paso, TX: American Rock Art Research Association, 1976), 126-138;
17. Hedges, Ken, “Great Basin Rock Art Styles: A Revisionist View,” in American Indian Rock Art, Vols. 7 and 8, edited by Frank G. Bock (El Toro, CA: American Rock Art Research Association, 1982), 205-211;
18. Hedges, Ken, “Rock Art Portrayals of Shamanic Transformation and Magical Flight, in Rock Art Papers, Vol. 2, edited by Ken Hedges, San Diego Museum Papers No. 18 (San Diego: Museum of Man, 1985), 83-94;
19. Heizer, Robert F., and Martin A. Baumhoff, Prehistoric Rock Art of Nevada and Eastern California (Berkeley: University of California Press, 1962);
20. Heizer, Robert F., and Thomas R. Hester, “Two Petroglyph Sites in Lincoln County, Nevada,” in Four Great Basin Petroglyph Studies, Contributions of the University of California Archaeological Research Facility No. 20 (Berkeley: University of California, Department of Anthropology, 1974), 1-52;
21. Layton, Robert, “Shamanism, Totemism and Rock Art: Les Chamanes de la Préhistoire in the Context of Rock Art Research,” Cambridge Archaeological Journal 10(1) (2000): 169-186;
22. Lewis-Williams, J. David, “The Economic and Social Context of Southern San Rock Art,” Current Anthropology 23 (1982): 429-449;
23. Lewis-Williams, J. David, “Agency, Art and Altered Consciousness: A Motif in French (Quercy) Upper Palaeolithic Parietal Art,” Antiquity 71 (1997): 810-830;
24. Lewis-Williams, J. David, and Thomas A. Dowson, “The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art,” Current Anthropology 29(2) (1988): 201-245;
25. Mallery, Garrick, “Pictographs of the North American Indians: A Preliminary Paper,” in 4th Annual Report of the Bureau of American Ethnology for the Years 1882-1883 (Washington, DC: Bureau of American Ethnology, 1886), 3-256;
26. Mallery, Garrick, “Picture-Writing of the American Indians,” in 10th Annual Report of the Bureau of American Ethnology for the Years 1888-1889 (Washington, DC: Bureau of American Ethnology, 1893), 3-822;
27. Matheny, Ray T., Thomas S. Smith, and Deanne G. Matheny, “Animal Ethology Reflected in the Rock Art of Nine Mile Canyon, Utah,” Journal of California and Great Basin Anthropology 19(1) (1997): 70-103;
28. Nissen, Karen M., “Images from the Past: An Analysis of Six Western Great Basin Petroglyph Sites,” unpublished Ph. D. diss. (University of California, Berkeley, Department of Anthropology, 1982);
29. Nissen, Karen M., “Pray for Signs? Petroglyph Research in the Western Great Basin, North America,” in Rock Art Studies in the Americas: Papers from the Darwin Rock Art Congress, edited by Jack Steinbring, Oxbow Monograph No. 45 (Oxford: Oxbow Books, 1995), 67-75;
30. Quinlan, Angus R., ed., Great Basin Rock Art: Archaeological Perspectives (Reno: University of Nevada Press, 2007a);
31. Quinlan, Angus R., “Integrating Rock Art with Archaeology: Symbolic Culture as Archaeology,” in Great Basin Rock Art: Archaeological Perspectives, edited by Angus R. Quinlan (Reno: University of Nevada Press, 2007b), 1-8;
32. Quinlan, Angus R., and Alanah Woody, “Marking Time at Lagomarsino: The Competing Perspectives of Rock Art Studies,” in American Indian Rock Art, Vol. 27, edited by Steven M. Freers and Alanah Woody (Tucson, AZ: American Rock Art Research Association, 2001), 211-220;
33. Quinlan, Angus R., and Alanah Woody, “Marks of Distinction: Rock Art and Ethnic Identification in the Great Basin,” American Antiquity 68(2) (2003): 372-390;
34. Reinach, S., “L’art et la magie à propos des peintures et des gravures de l’âge de rennes,” L’Anthropologie XIV (1903): 257-266;
35. Ricks, Mary F., and William J. Cannon, “A Preliminary Report on the Lake County, Oregon, Rock Art Inventory: A Data Base for Rock Art Research,” in American Indian Rock Art, Vol. 12, edited by William D. Hyder (San Miguel, CA: American Rock Art Research Association, 1993), 93-106;
36. Ritter, Eric W., “Scratched Rock Art Complexes in the Desert West: Symbols for Socio-Religious Communication,” in New Light on Old Art: Recent Advances in Hunter-Gatherer Rock Art Research, edited by David S. Whitley and Lawrence L. Loendorf (Los Angeles: University of California, Institute of Archaeology, 1994), 51-66;
37. Schaafsma, Polly, The Rock Art of Utah: from the Donald Scott Collection, Papers of the Peabody Museum of Archaeology and Ethnology, Vol. 65 (Cambridge, MA: Harvard University, 1971);
38. Schaafsma, Polly, Rock Art of the Southwest, School of American Research Southwest Indian Arts Series (Santa Fe and Albuquerque: University of New Mexico Press, 1980);
39. Schaafsma, Polly, “Rock Art,” in Handbook of North American Indians, Vol. 11: Great Basin, edited by Warren L. d’Azevedo, (Washington, DC: Smithsonian Institution, 1986), 215-226;
40. Schaafsma, Polly, “Trance and Transformation in the Canyons: Shamanism and Early Rock Art on the Colorado Plateau,” in Shamanism and Rock Art in North America, edited by Solveig Turpin, Special Publication No. 1 (San Antonio, TX: Rock Art Foundation, 1994), 45-71;
41. Schoolcraft, Henry R., Historical and Statistical Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States: Collected and Prepared under the Direction of the Bureau of Indian Affairs per Act of Congress of March 3rd 1847, 6 vols. (Philadelphia: Lippincott, Grambo, 1851-57);
42. Steward, Julian H., Petroglyphs of California and Adjoining States, Publications in American Archaeology and Ethnology 24(2) (Berkeley: University of California, 1929), 47-238;
43. Steward, Julian H., Basin-Plateau Aboriginal Sociopolitical Groups, Bureau of American Ethnology Bulletin No. 120 (Washington, DC: Smithsonian Institution, 1938);
44. Stoney, Stephen A., “Anthropomorphic Symbolism in Southern Nevada: A Study in Cultural Diversity,” in Rock Art Papers, Vol. 9, edited by Ken Hedges, San Diego Museum Papers No. 28 (San Diego: Museum of Man, 1992), 57-66;
45. Whitley, David S., “Shamanism and Rock Art in Far Western North America,” Cambridge Archaeological Journal 2(1) (1992): 89-113;
46. Whitley, David S., “Shamanism, Natural Modeling and the Rock Art of Far Western North American Hunter Gatherers,” in Shamanism and Rock Art in North America, edited by Solveig A. Turpin, Special Publication No. 1 (San Antonio, TX: Rock Art Foundation, 1994), 1-43;
47. Whitley, David S., “Finding Rain in the Desert: Landscape, Gender, and Far Western North American Rock-Art,” in The Archaeology of Rock-Art, edited by Christopher Chippindale and Paul S. C. Taçon (Cambridge: Cambridge University Press, 1998a), 11-29;
48. Whitley, David S., Following the Shaman’s Path: A Walking Guide to Little Petroglyph Canyon, Coso Range, California (Ridgecrest, CA: Maturango Press, 1998b);
49. “Meaning and Metaphor in the Coso Petroglyphs: Understanding Great Basin Rock Art,” in Coso Rock Art: A New Perspective, edited by Elva Younkin (Ridgecrest, CA: Maturango Press, 1998c), 109-174;
50. Woody, Alanah, Layer by Layer: A Multigenerational Analysis of the Massacre Lake Rock Art Site, Department of Anthropology Technical Report No. 97-1 (Reno: University of Nevada, 1996);
51. Woody, Alanah, “How to Do Things with Petroglyphs: The Power of Place in Nevada, USA,” unpublished Ph. D. diss. (University of Southampton, Department of Archaeology, 2000).