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Volumn , Issue , 2016, Pages 225-241

Interplay between composition, instrument design and performance

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Indexed keywords


EID: 85029126853     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1007/978-981-10-2951-6_15     Document Type: Chapter
Times cited : (5)

References (27)
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    • Understanding interactive systems
    • Drummond, J. (2009). Understanding interactive systems. Organised Sound, 140(2), 124-133. doi: 10.1017/S1355771809000235
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    • How we think: Digital media and contemporary technogenesis
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    • Hayles, N. K. (2012). How we think: Digital media and contemporary technogenesis. University of Chicago Press. ISBN 9780226321424.
    • (2012) University of Chicago Press
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  • 9
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    • Open sources: Words, circuits and the notation-realization relation in the music of david tudor
    • Kuivila, R. (2004). Open sources: Words, circuits and the notation-realization relation in the music of david tudor. Leonardo Music Journal, 14, 17-23.
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  • 10
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    • Live algorithms and the future of music
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    • Lewis, G.E.1
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    • Live coding for free
    • A. Mansoux & M. de Valk (Eds.)
    • McLean, A. (2008). Live coding for free. In A. Mansoux & M. de Valk (Eds.), FLOSS + Art (pp. 224-231). Goto10 and OpenMute. ISBN 978-1-906496-18-0.
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    • A field of possibilities: Designing and playing digital musical instruments
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    • France
    • Wessel, D. (2006). An enactive approach to computer music performance (pages 93-98). Studio Grame: Lyon, France. http://cnmat.berkeley.edu/system/files/attachments/An+enactive +approach+to+Computer+Music+Performance.pdf
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.