An interview with Steven Winduo

Journal of Postcolonial Writing

Volumn 42, Issue 1, 2006, Pages 84-93

  Wood, Briar ^a  

^a NONE

Author keywords

Double consciousness; Lomo ha; Nagum Boiken; Papua New Guinea; Sepik River; Wanpis

Indexed keywords

EID: 85024553431     PISSN: 17449855     EISSN: 17449863     Source Type: Journal    
DOI: 10.1080/17449850600595715     Document Type: Article

References (7)

1. Neill, Michael. 1992. “Albert Wendt.”. In In the Same Room. Conversations with New Zealand Writers, Edited by:Alley, E., and Williams, M., 101–18. Auckland:Auckland UP.
2. Sharrad, Paul. 1999. “Still Life Moving:Albert Wendt’s Photographs.”. WLWE, 38 (1):58–68.
3. Wilson, Rob. 2002. Review of Hembemba:Rivers of the Forest. Contemporary Pacific, 14 (2) Fall:509
4. Winduo, Steven. 2000. “Unwriting Oceania:The Repositioning of the Pacific Writer Scholars within a Folk Narrative Space.”. New Literary History, 31 (3) Summer:599–613.
5. Serote, Mongane Wally. 2003. “Transition and Transformation.”. In Spec. issue (on Papua New Guinea) of Meanjin Edited by:Modjeska, Drusilla. 169–77. 62.3
6. Serote, Mongane Wally. 1997. “Unpainted Mask.”. Wasafiri, 25 (Spring):49
7. Wood, Briar. 2000. “Shamanism in Oceania:The Poetry of Albert Wendt.”. In Reading the “New” Literatures in a Postcolonial Era, Edited by:Nasta, Susheila. 129–48. Woodbridge:D.S. Brewer/The English Association.