Instrumentality, time and perseverance

Musical Instruments in the 21st Century: Identities, Configurations, Practices

Volumn , Issue , 2016, Pages 127-136

  Torre, Giuseppe ^a   Andersen, Kristina ^b  

^a UNIVERSITY OF LIMERICK   (Ireland)

^b STEIM   (Netherlands)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85023777179     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1007/978-981-10-2951-6_9     Document Type: Chapter

References (9)

1. Cance, C., Genevois, H., & Dubois, D. (2009). What is instrumentality in new digital musical devices? A Contribution from Cognitive Linguistics and Psychology. https://hal.archivesouvertes. fr/hal-00430397. Accessed April 15, 2016.
2. Cook, P. (2001). Principles for designing computer music controllers. In Proceedings of the NIME Workshop at CHI 2001, Seattle, Washington, April 1-2, 2001.
3. Cook, P. (2004). Remutualizing the musical instrument: Co-design of synthesis algorithms and controllers. Journal for New Music Research, 33(3), 315-320.
4. Dobrian, C., & Koppelman, D. (2006). The ‘E’ in NIME: Musical expression with new computer interfaces. In N. Schnell, F. Bevilacqua, M. J. Lyons, & A. Tanaka (Eds.), NIME '06: Proceedings of the 2006 Conference on New Interfaces for Musical Expression. Paris.
5. Gibson, J. J. (1977). The theory of affordances. In R. Shaw & J. Bransford (Eds.), Perceiving, Acting, and Knowing: Toward an Ecological Psychology (p. 127). Hoboken, NJ: Wiley.
6. Jordá, S. (2004). Digital instruments and players: Part I-Efficiency and apprenticeship. In M. J. Lyons (Ed.), NIME '04: Proceedings of the 2004 Conference on New Interfaces for Musical Expression Hamamatsu, Shizuoka, Japan.
7. Norman, S. J., Waisvisz, M., & Ryan, J. (1998). Touchstone. Catalogue to the first STEIM Touch-Exhibition. Amsterdam.
8. Ryan, J., & Andersen, K. (2014). 821 Words and 20 Images. In No Patent Pending, Self-Made Performative Media (3 ed., pp. 1-10). MER. Ghent: Paper Kunsthalle, Ghent.
9. Torre, G., Andersen, K., & Baldé, F. (2016). The Hands: The making of a digital musical instrument. Computer Music Journal, 40(2), 1-13.