What Motivates a Musical Query?

International Symposium on Music Information Retrieval, ISMIR 2000

Volumn , Issue , 2000, Pages

  Selfridge Field, Eleanor ^a  

^a STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85022740692     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (8)

1. Aarden, Bret, and David Huron (2000). "Geographical Locali2ation of Musical Features: Mapping European Folksong, " Computing in Musicology 12 (1999-2000), 115-128 [forthcoming].
2. Collins Judd, Crisde (1992). "Modal types and 'ut, ' 're, ' 'mi' tonalities: Tonal coherence in sacred vocal polyphony from about 1500, " Journal ofthe American Musico'logical Society 45/3, 428-67.
3. Dahlig, Ewa (1997). "The Essen Associative Code: A Code for Folksong Analysis" in Selfridge-Field (1997), 343-361.
4. Perrott, David, and Robert O. Gjerdingen (1999). "Scanning the Dial: An exploration of factors in the identification of musical style, " Society for Music Perception and Cognition: Annual Meeting (1999), Abstracts, (Chicago: Northwestern University, typescript), p. 88.
5. Powers, Harry (1981). "Tonal Types and Modal Categories, " Journal ofthe American Musicological Society 34/3, pp. 428-470.
6. Rapoport, Eliezer (1996). "Emotional Expression Code in Opera and Lied Singing, "'Journal'oj"New Music Research 25, 109-49.
7. Selfridge-Field, Eleanor, ed. (1997). Beyond MIDI: The Handbook of Musical Codes. Cambridge: The MIT Press.
8. Selfridge-Field, Eleanor (1998). "Conceptual and Representational Issues in Melodic Comparison" in Melodic Similarity: Concepts, Procedures, and Applications (Computing in Musicology 11), ed. Walter B. Hewlett and Eleanor Selfridge-Field (Cambridge: MIT Press), 3-64.