Thomas Hardy and contemporary literary studies

Thomas Hardy and Contemporary Literary Studies

Volumn , Issue , 2004, Pages 1-227

  Dolin, Tim ^a   Widdowson, Peter ^b  

^a CURTIN UNIVERSITY   (Australia)

^b UNIVERSITY OF GLOUCESTERSHIRE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85016340411     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1057/9780230389663     Document Type: Book

References (273)

1. Adelman, Paul. 1984. Victorian Radicalism: The Middle-Class Experience, 1830-1914. London and New York: Longman.
2. Adorno, Theodor. 1990. The form of the phonograph record'. October 55: 56-6l.
3. Altick, Richard. 1991. The Presence of tile Present: Topics of the Day in the Victorian Novel. Columbus: Ohio State University Press.
4. Armstrong, Isobel. 1993. Victorian Poetry: Poetry, Poetics and Politics. New York and London: Routledge.
5. Armstrong, Nancy. 1999. Fiction in the Age of Photography: The Legacy of British Realism. Cambridge, Mass.: Harvard University Press.
6. Armstrong, Tim. 1993. 'Introduction'. In Thomas Hardy: Selected Poems, edited by T. Armstrong. London: Longman, pp. 1-44.
7. Armstrong, Tim. 1998. Modemisl11, Technology, and the Body: A Cultural Study. Cambridge: Cambridge University Press.
8. Armstrong, Tim. 2000. Haullted Hardy. Basingstoke: Palgrave.
9. Asquith, Mark Simon. 2001. 'Thomas Hardy's "sad music of humanity": metaphysics, musical aesthetics and the late novels'. PhD, London University: London.
10. Austin, J. L. 1975. How to Do Tllil1gs with Words. Edited by J. O. Urmson and M. Sbisa. 2nd edn. Oxford: Clarendon Press.
11. Austin, Linda. 1998. 'Reading depression in Hardy's "Poems of 1912-1913"'. Victorian Poetry 36(1): 1-15.
12. Batchen, Geoffrey. 1997. Buming with Desire: The Conception of Photography. Cambridge, Mass.: MIT Press.
13. Baudrillard, Jean. 1981. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press.
14. Bauman, Zygmunt. 1991. Modemity al1d Ambivalence. Oxford: Polity.
15. Beard, George Miller. 1881. American Nervousness: Its Causes and Consequences. New York: G. P. Putnam's Sons.
16. Beer, Gillian. 1983. Darwil1's Plots: Evolutionary Narrative ill Darwin, George Eliot, al1d Nineteenth-Century Fiction. London: Routledge & Kegan Paul.
17. Beer, Gillian.1990. 'The reader's wager'. Essays ill Criticism 40: 99-123.
18. Beizer, Janet L. 1994. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth-Century France. Ithaca: Cornell University Press.
19. Bell, Clive. 1928. Civilizatiol1. London: Chatto and Windus.
20. Benedikt, Michael. 1991. 'Cyberspace: some proposals'. In Cyberspace: First Steps, edited by M. Benedikt. Cambridge, Mass.: MIT Press, pp. 119-224.
21. Benjamin, Walter. 1980 Gesammelte Schriften Band II. Edited by R. Tiedemann and H. Schweppenhauser. Frankfurt am Main: Suhrkamp.
22. Benjamin, Walter.1992. Illuminations. Edited by H. Zohn and H. Arendt. London: Fontana Press.
23. Benjamin, Walter.1999. The Arcades Project. Edited by R. Tiedemann. Cambridge, Mass.; London: Belknap Press.
24. Bernstein, Susan David. 1993. 'Confessing and editing: the polities of purity in Hardy's Tess'. In Virginal Sexuality al1d Textuality in Victorian Literature, edited by L. Davis. Albany: State University of New York Press, pp. 159-178.
25. Bivona, Daniel. 1990. Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester: Manchester University Press.
26. Bloch, Ernst. 1998. Literary Essays. Translated by A. Joron. Stanford, Calif.: Stanford University Press.
27. Bongie, Chris. 1991. Exotic Memories: Literature, Colonialism, and tile Fin De Sieele. Stanford, Calif.: Stanford University Press.
28. Boumelha, Penny. 1982. Thomas Hardy and Women: Sexual Ideology and Narrative Fonn. Brighton: Harvester Press.
29. Boumelha, Penny. 2000. 'Jude the Obscure: sexual ideology and narrative form'. In Jude the Obscure, edited by P. Boumelha. Basingstoke: Macmillan. Original edition, 1982: 53-74.
30. Bourdieu, Pierre. 1996. The Rules of Art: Genesis and Structure of the Literary Field. Translated by S. Emanuel. Stanford, Calif.: Stanford University Press.
31. Bowers, Fredson. 1959. Textual and Literary Criticism. Cambridge: Cambridge University Press.
32. Brady, Kristin. 1999. 'Thomas Hardy and matters of gender'. In The Cambridge Companion to Thomas Hardy, D. Kramer. Cambridge: Cambridge University Press, pp. 93-111.
33. Brantlinger, Patrick. 1996. Fictions of State: Culture and Credit il1 Britail1, 1694-1994. Ithaca: Cornell University Press.
34. Brooke-Rose, Christine. 2000. 'Ill wit and sick tragedy: Jude the Obscure'. In Jude the Obscure, edited by P. Boumelha. Basingstoke: Macmillan, pp. 122-144.
35. Brooks, Jean R. 1971. Thomas Hardy: The Poetic Structure. Ithaca, N.Y: Cornell University Press.
36. Brooks, Peter. 1993. Body Work: Objects of Desire in Modem Narrative. Cambridge, Mass.: Harvard University Press.
37. Buckler, William Earl. 1983. The Poetry of Thomas Hardy: A Study in Art and Ideas. New York: New York University Press.
38. Butler, Lance St. John. 2000. 'Critical approaches'. In Oxford Reader's Companion to Hardy, edited by N. Page. Oxford: Oxford University Press, pp. 69-80.
39. Caird, James. 1852. English Agriculture in 1850-51. 2nd edn London: Longman, Brown, Green, and Longmans.
40. Calinescu, Matei. 1977. Faces ofModemity: Avant-Garde, Decadence, Kitsch. Bloomington: Indiana University Press.
41. Chapman, Alison. 2000. 'Mary Elizabeth Coleridge, literary influence and technologies of the Uncanny'. In Victorian Gothic: Literary and Cultural Manifestations il1 the Nineteenth Century, edited by]. Wolfreys and R. Robbins. Basingstoke: Palgrave, pp. 109-128.
42. Chase, Mary Ellen. 1927. Thomas Hardy from Serial to Novel. Minneapolis: The University of Minnesota Press.
43. Chaudhuri, Anita. 1999. 'Dancing with milkmaids'. The Guardian, 3 Nov.
44. Clifford, James. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press.
45. Cox, R. G., ed. 1970. Thomas Hardy: The Critical Heritage. London and New York: Routledge & Kegan Paul.
46. Dangerfield, George. 1935. The Strange Death of Liberal England. New York: H. Smith & R. Haas.
47. Davie, Donald. 1973. Thomas Hardy and British Poetry. London: Routledge & Kegan Paul.
48. Deleuze, Gilles, and Felix Guattari. 1983. Anti-Oedipus: Capitalism and Schizophrenia. Translated by R. Hurley et al. Minneapolis: University of Minnesota Press.
49. Derrida, Jacques. 1980. La carte postale: De Socrate a Freud et au-dela. La Philo sophie En Effet. Paris: Flammarion.
50. Derrida, Jacques. 1987. The Post Card. Translated by A. Bass. Chicago: University of Chicago Press.
51. Derrida, Jacques, and Derek Attridge. 1992. Acts of Literature. New York: Routledge.
52. Dickens, Charles. 1990. David Copperfield: Authoritative Text, Backgrounds, COl1texts, Criticism. Edited by J. Buckley. New York: Norton.
53. Dickens, Charles. 1999. Great Expectations: Authoritative Text, Backgrounds, Contexts, Criticism. Edited by E. Rosenberg. New York: Norton.
54. Dolin, Tim. 2000. 'Jude Fawley and the new man'. In Jude the Obscure, edited by P. Boumelha. Basingstoke: Macmillan, pp. 209-227.
55. Draper, R. P., ed. 1991. Thomas Hardy: The Tragic Novels. Macmillan Casebooks. Basingstoke: Macmillan.
56. Dunbabin, J. P. D. 1963. 'The "Revolt of the Field": the agricultural labourers' movement in the 1870s'. Past and Presellt (26): 68-97.
57. Durden, Mark. 2000. 'Ritual and deception: photography and Thomas Hardy'. Joumal of Europe an Studies 30(1): 57-69.
58. Eagleton, Terry. 1971. 'Thomas Hardy: nature as language'. Critical Quarterly 13(1): 155-162.
59. Eagleton, Terry.1978. Criticism and Ideology: A Study in Marxist Literary Theory. London: Verso.
60. Ebbatson, Roger. 1993. Hardy: The Margin of the Unexpressed. Sheffield, England: Sheffield AcademiC Press.
61. Egerton, George. 1893. Keynotes. London: Elkin Mathews and John Lane.
62. Ensor, R. C. K. 1936. England, 1870-1914. Oxford: Clarendon Press.
63. Fisher, Joe. 1992. The Hiddm Hardy. London: Macmillan.
64. Flavin, Michael. 2001. 'Will Dare, A Laodicean and Thomas Hardy's gamblers'. Thomas Hardy Joumal 17: 68-78.
65. Forster, E. M. 1946. 'Address to the Cmlgres Illtematiollal des Ecrivail1s, Paris, 21st June 1935'. In Abinger Harvest. London: Edward Arnold 'Pocket Edition'. 1st edn, 1936.
66. Frisby, David. 1994. 'The fl3neur in social theory'. In The F1Cineur, edited by K. Tester. London: Routledge, pp. 81-110.
67. Fynsk, Christopher. 1991. 'Foreword: experiences of finitude'. In The Inoperative Community, by J .-L. Nancy. Minneapolis: University of Minnesota Press: vii-xxxv.
68. Galison, Peter. 2000. 'Einstein's clocks'. Critical Inquiry 26: 355-368.
69. Gallagher, Catherine. 1985. The Industrial Reformation of English Fictiol1: Social Discourse and Narrative Fonn, 1832-1867. Chicago: University of Chicago Press.
70. Garson, Marjorie. 1991. Hardy's Fables ofIlltegrity: Womal1, Body, Text. Oxford: Clarendon Press.
71. Gaskell, Philip. 1978. From Writer to Reader: Studies ill Editorial Method. Oxford: Clarendon Press.
72. Gatrell, Simon. 1978. 'Hardy's changing view of his novel Under the Greenwood Tree'. Notes and Queries for Somerset and Dorset 30: 315-324.
73. Gatrell, Simon. 1979a. 'Hardy the creator: Far from the Madding Crowd'. In Critical Approaches to the Fiction of Thomas Hardy, edited by D. Kramer. London: Macmillan, pp. 74-98.
74. Gatrell, Simon. 1979b. 'Hardy, house-style and the aesthetics of punctuation'. In The Novels of Thomas Hardy, edited by A. Smith. London: Vision Press, pp. 169-192.
75. Gatrell, Simon. 1988. Hardy the Creator: A Textual Biography. Oxford: Clarendon Press.
76. Gatrell, Simon. 1991. 'General editor's preface'. In The Trumpet-Major, edited by R. Nemesvari. Oxford: World's Classics. p. vii.
77. Giddens, Anthony. 1971. Capitalism and Modem Social Theory: An Analysis of the Writings of Marx, Durkheim and Max Weber. Cambridge: University Press.
78. Giddens, Anthony. 1991. Modemity alld Self-Idmtity: Self and Society in the Late Modem Age. Cambridge: Polity Press.
79. Gittings, Robert. 1978. Young Thomas Hardy. 2nd edn. London: Penguin. 1st edn., 1975.
80. Goode, John. 1988. Thomas Hard: The Offensive Truth. Oxford: Blackwell.
81. Greg, W. W. 1950-51. 'The rationale of copy-text'. Studies ill Bibliography 3: 19-36.
82. Guillory, John. 1993. Cultural Capital: The Problem of Literary Canon Fonnatioll. Chicago and London: University of Chicago Press.
83. Gumbrecht, Hans Ulrich, and K. L. Pfeiffer, eds. 1994. Materialities of Communication. Translated by William Whobrey. Stanford, Calif.: Stanford University Press.
84. Gurney, Edmund. 1880. The Power of Sound. London: Smith, Elder.
85. Halliday, Sam. 2001. 'Deceit, desire and technology: a media history of secrets and lies'. Forum for Modem Language Studies 37(2): 141-154.
86. Hamer, D. A., ed. 1971. The Radical Programme. Brighton, Eng.: Harvester Press. Original edition, 1885.
87. Hamerton, Philip Gilbert. 1912. The Intellectual Life. London: Macmillan. Original edition, 1873.
88. Hardt, Michael. 1993. Gilles DelnlZe: An Apprenticeship in Philosophy. Minneapolis: University of Minnesota Press.
89. Hardt, Michael, and A. Negri. 2000. Empire. Cambridge, Mass.: Harvard University Press.
90. Hardy, Thomas. 1880a. The Trumpet-Major. Good Words. Jan.-Dec.
91. Hardy, Thomas. 1880b. The Trumpet-Major. 3 vols. London: Smith, Elder and Co.
92. Hardy, Thomas.1880-81. The Trumpet-Major. Demorest's Monthly Magazine. vols. 16-17.
93. Hardy, Thomas.1881. The Trumpet-Major. London: Sampson, Low.
94. Hardy, Thomas.1896. The Trumpet-Major. The Wessex Novels. London: Osgood, McIlvaine.
95. Hardy, Thomas.1912. The Trumpet-Major. Wessex Edition. London: Macmillan.
96. Hardy, Thomas. 1966. Thomas Hardy's Personal Writings: Prefaces, Literary Opinions, Remilliscences. Edited by H. Orel. New York: St. Martin's Press.
97. Hardy, Thomas. 1977. The Mayor of Casterbridge: All Authoritative Text, Backgrounds, Criticism. Edited by J. K. Robinson. New York: Norton.
98. Hardy, Thomas. 1978. The Dynasts: All Epic-Drama of the War with Napoleon. Edited by H. Orel. New Wessex edition. London: Macmillan.
99. Hardy, Thomas. 1978-88. The Collected Letters of Thomas Hardy. Edited by R. L. Purdy and M. Millgate. 7 vols. Oxford: Clarendon Press.
100. Hardy, Thomas. 1981. The Woodlallders. Edited by D. Kramer. Oxford: Clarendon Press.
101. Hardy, Thomas. 1982-95. The Complete Poetical Works of Thomas Hardy. Edited by S. Hynes. 5 vols. Oxford: Clarendon Press.
102. Hardy, Thomas. 1983. Tess of the d'Urbervilles. Edited by J. Grindle and S. Gatrell. Oxford: Clarendon Press.
103. Hardy, Thomas. 1984. The Life and Work of Thomas Hardy. Edited by M. Millgate. London: Macmillan.
104. Hardy, Thomas. 1985. The Literary Notebooks of Thomas Hardy. Edited by L. A. Bjork. 2 vols. London: Macmillan.
105. Hardy, Thomas. 1991a. A Laodicean. Edited by J. Gatewood. World's Classics. Oxford: Oxford University Press. First volume edition, 1881.
106. Hardy, Thomas. 1991b. The Trumpet-Major. Edited by R. Nemesvari. The World's Classics. Oxford: Oxford University Press. First volume edition, 1880.
107. Hardy, Thomas. 1992. Thomas Hardy: The Excluded and Collaborative Stories. Edited by P. Dalziel. Oxford: Clarendon Press.
108. Hardy, Thomas. 1996. The Hand of Ethelberta: A Comedy in Chapters. Edited by T. Dolin. Penguin Classics. London: Penguin Books. First volume edition, 1876.
109. Hardy, Thomas. 1997a. A Laodicean, or, the Castle of the De Stancys. Edited by J. Schad. Penguin Classics. London: Penguin Books. First volume edition, 1881.
110. Hardy, Thomas. 1997b. The Mayor of Caster bridge: The Life and Death of a Mall of Character. Edited by K. Wilson. Penguin Classics. London: Penguin Books. First volume edition, 1886.
111. Hardy, Thomas. 1997c. Selected Poetry and NOll-Fictional Prose. Edited by P. Widdowson. Basingstoke: Macmillan.
112. Hardy, Thomas. 1997d. The Tmmpet-Maior: A Tale. Edited by L. M. Shires. Penguin Classics. London: Penguin Books. First volume edition, 1880.
113. Hardy, Thomas. 1998a. Jude the Obscure. Edited by D. Taylor. Penguin Classics. London: Penguin Books. First volume edition, 1896.
114. Hardy, Thomas. 1998b. Tess of the d'Urbervilles. Edited by T. Dolin. Penguin Classics. London: Penguin Books. First volume edition, 1891.
115. Hardy, Thomas. 1998c. Tile Woodlallders. Edited by P. Ingham. Penguin Classics. London: Penguin Books. First volume edition, 1887.
116. Hardy, Thomas. 1998d. A Pair of Blue Eyes. Edited by P. Dalziel. Penguin Classics. London: Penguin Books. First volume edition, 1873.
117. Hardy, Thomas. 1999. The Retum of the Native. Edited by T. Slade. Penguin Classics. London: Penguin Books. First volume edition, 1878.
118. Hardy, Thomas. 2000. Far from the Madding Crowd. Edited by R. Morgan, with S. L. Russell. Penguin Classics. London: Penguin Books. First volume edition, 1874.
119. Haweis, H. R. 1871a. Music and Morals. London: Strahan.
120. Haweis, H. R.. 1871b. 'Music: its origins and influence'. Quarterly Review 131(July): 145-176.
121. Heidegger, Martin. 1967. Being and Time. Translated by]. Macquarrie and E. Robinson. Oxford: Blackwell.
122. Heidegger, Martin. 1993. Basic Writings: From Being and Time (1927) to The Task of Thinking (1964). Edited by D. F. Krell. San Francisco: Harper.
123. Herbert, Auberon. 1883. 'A politician in trouble about his soul, Part 2'. Fortllightly Review o.s., 39, n.s., 33: 667-690.
124. '''Hodge'' as I know him: a talk with Mr. Thomas Hardy'. 1892. Pall Mall Gazette. 2 Jan.
125. Horn, Pamela. 1971. Joseph Arch (1826-1919): The Fann Workers' Leader. Kineton: Roundwood Press.
126. Hornby, Nick. 1995. High Fidelity. London: Gollancz.
127. Howard, Jean E. 1992. 'New historicism and renaissance drama'. In New Historicism alld Renaissance Drama, edited by Richard Wilson and Richard Dutton. London and New York: Longmans, pp. 19-32.
128. Howe, Irving. 1967. Politics and the Novel. New York: Avon Books.
129. Howe, Irving. 1968. Thomas Hardy. London. Weidenfeld and Nicolson.
130. Hughes, John. 2001. Ecstatic Sound: Music and Individuality ill the Work of Thomas Hardy. Aldershot: Ashgate.
131. Huyssen, Andreas. 1986. 'After the great divide: modernism, mass culture, postmodernism'. Theories ofRepresmtation and Differmce. Bloomington: Indiana University Press.
132. Ingham, Patricia. 1997. 'General editor's preface'. The Tmmpet-Major. Edited by Linda M. Shires. London: Penguin Books.
133. James, Henry. 1968. The American Scene. Edited by L. Edel. Bloomington: Indiana University Press. First volume edition, 1907.
134. James, Henry. 1999. Hmry James: A Life in Letters. Edited by P. Horne. London: Allen Lane.
135. Jameson, Fredric. 1981. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press.
136. Jones, Lawrence. 1978. 'A good hand at a serial: Thomas Hardy and the serialization of Far from the Madding Crowd'. Studies in the Novel 10: 320-334.
137. Jowett, Benjamin. 1860. 'On the interpretation of scripture'. In Essays and Reviews. London: John W. Parker, pp. 330-433.
138. Kant, Immanuel. 1991. Kant: Political Wlitings. Edited by H. S. Reiss. 2nd edn. Cambridge Texts in the History of Political Thought. Cambridge: Cambridge University Press.
139. Keating, P. J. 1989. The Haullted Study: A Social History of the English Novel, 1875-1914. London: Secker & Warburg.
140. Kermode, Frank. 1967. TI1e SelJSe of an Ending: Studies in the Theory of Fiction. New York: Oxford University Press.
141. Kernan, Alvin. 1987. Plinting Technology, Letters and Samuel Johnson. Princeton: Princeton University Press.
142. Kincaid, James R. 1990. "'You did not come": absence, death and eroticism in Tess'. In Sex and Death in Victorian Literature, edited by R. Barreca. Basingstoke: Macmillan, pp. 9-31.
143. Kirby, Vicki. 1997. Telling Flesh: The Substance of the Corporeal. New York: Routledge.
144. Knoepflmacher, U. C. 1990. 'Hardy ruins: female spaces and male designs'. PMLA 105: pp. 1055-1070.
145. Kramer, Dale. 1977. 'Accidentals revisions in the printer's copy for Thomas Hardy's Wessex Edition'. Papers of the Bibliographical Society of Amelica 71: 515-527.
146. Kramer, Dale. 1987. 'Editing Hardy's novels'. The Thomas Hardy AnnualS: 22-37.
147. Laird, J. T. 1975. The Shaping of Tess of the d'Urbervilles. Oxford: Clarendon Press. 'A Laodicean'. 1882. Observer. 2 Apr.: 1.
148. Lash, Scott. 1990. Sociology of Postmodemism. London: Routledge.
149. Latour, Bruno. 1999. Pandora's Hope: Essays on the Reality of Science Studies. Cambridge, Mass.: Harvard University Press.
150. Law, Jules. 1997. 'A "passing corporeal blight": political bodies in Tess of the d'Urbervilles'. Victolian Studies 40(2): 245-270.
151. Lawrence, D. H. 1985. Study of Thomas Hardy and Other Essays. Edited by B. Steele. Cambridge: Cambridge University Press.
152. Lears, J. 1981. No Place of Grace: Antimodemism and American Culture 1880-1920. New York: Pantheon Books.
153. Lecercle, Jean Jacques. 1989. 'The violence of style in Tess of the d'Urbervilles'. In Alternative Hardy, edited by L. St. J. Butler. Basingstoke: Macmillan, pp. 1-25.
154. Leppert, Richard. 1993. The Sight of Sound: Music, Representation, and the History of the Body. Berkeley: University of California Press.
155. Lerner, Laurence, and John Holmstrom. 1968. Thomas Hardy and His Readers: A Selection of Contemporary Reviews. London: Bodley Head.
156. Levin, Thomas Y. 1990. 'For the record: Adorno on music in the age of its technological reproducibility'. October 55: 23-47.
157. Lock, Charles. 1992. Thomas Hardy. Criticism in Focus. London: Bristol Classical Press.
158. Lodge, David. 1975. Changing Places. London, Secker & Warburg.
159. MacEwan, Arthur. 1990. Debt and Disorder: Intemational Economic Instability and U.S. New York: Monthly Review Press.
160. Marcus, Laura. 1981. 'A Tess for child molesters'. Jump Cut, Dec.
161. Mazlich, Bruce. 1994. 'The flaneur: from spectator to representation'. In The Flimeur, edited by K. Tester. London: Routledge, pp. 43-60.
162. McGann, Jerome J. 1983. A Critique of Modem Textual Criticism. Chicago: University of Chicago Press.
163. McGann, Jerome. 1985a. 'The monks and the giants: textual and bibliographical studies and the interpretation of literary works'. Textual Cliticism and Literary Interpretation. Chicago: University of Chicago Press, pp. 180-199.
164. McGann, Jerome. 1985b. The Beauty of Inflections: Literary Investigations in Histolical Method and Theory. Oxford: Clarendon Press.
165. McGann, Jerome. 1991. The Textual Conditioll. Princeton: Princeton University Press.
166. McGann, Jerome. 2001. Radiant Textuality: Literature after the World Wide Web. London: Palgrave.
167. Mestrovic, Stjepan Gabriel. 1993. The Barbarian Temperament: Toward a Postmodem Critical Theory. London: Routledge.
168. Miller, Hillis. 1967a. 'Thomas Hardy: a sketch for a portrait'. In De Ronsard a Breton: Recueil D'essais: Hommages a Marcel Raymond. Paris: J. Corti, pp. 195-206.
169. Miller, Hillis. 1967b. 'The Geneva School: the criticism of Marcel Raymond, Albert Beguin, Georges Poulet, Jean Rousset, Jean-Pierre Richard, and Jean Starobinski'. The Virginia Quarterly Review 43(Summer): 465-488.
170. Miller, Hillis. 1968. '''Wessex Heights": the persistence of the past in Hardy's poetry'. Critical Quarterly 10(4): 33-59.
171. Miller, Hillis. 1969. 'I'd Have My Life Unbe: La Ricerca Dell'oblio Nell'opera Di Thomas Hardy'. Translated by Masolino D'Amico. Strumenti Critici 9: 263-285.
172. Miller, Hillis. 1970a. Thomas Hardy: Distance and Desire. Cambridge, Mass: Belknap Press of Harvard University Press.
173. Miller, Hillis. 1970b. 'Geneva or Paris? the recent work of Georges Poulet'. University of Toronto Quarterly 39: 212-228.
174. Miller, Hillis. 1972. 'History as repetition in Thomas Hardy's poetry: the example of "Wessex Heights" '. In Victorian Poetry, edited by M. Bradbury and D. Palmer. London: Edward Arnold, pp. 222-253.
175. Miller,]. Hillis. 1975a. 'Introduction'. In Tile Well-Beloved: A Sketch of a Temperament, edited by E. Mendelson. London: Macmillan, pp. 11-21.
176. Miller, Hillis. 1975b. 'Fiction and Repetition: Tess of the d'Urbervilles'. In Fonns of Modem British Fiction, edited by A. W. Friedman. Austin and London: University of Texas Press, pp.43-72.
177. Miller, Hillis. 1982a. Fiction alld Repetition: Seven English Novels. Oxford: Basil Blackwell.
178. Miller, Hillis. 1982b. 'Tess of the d'Urbervilles: Repetition as Immanent Design'. Fiction and RepetitiOlI. Cambridge, Mass.: Harvard University Press, pp. 116-146.
179. Miller, Hillis. 1984. 'Thomas Hardy, Jacques Derrida, and the "Dislocation of Souls"'. In Taking Chances: Derrida, Psychoanalysis, alld Literature, edited by W. Kerrigan and]. H. Smith. Baltimore: Johns Hopkins University Press, pp. 135-145.
180. Miller, Hillis. 1985a. The Linguistic Moment: From Wordsworth to Stevens. Princeton: Princeton University Press, pp. 267-315.
181. Miller, Hillis. 1985b. 'Topography and tropography in Thomas Hardy's In Front of the Landscape'. In Identity of the Literary Text, edited by M.]. Valdes and 0.]. Miller. Toronto: University of Toronto Press, pp. 73-91.
182. Miller, Hillis. 1989. 'Prosopopoeia in Hardy and Stevens'. In Altemative Hardy, edited by L. St.J. Butler. Basingstoke: Macmillan, pp. 110-127.
183. Miller, Hillis. 1990. Victorian Subjects. Hemel Hempstead: Harvester Wheatsheaf.
184. Miller, Hillis. 1991. Tropes, Parables, Perfonnatives: Essays 011 Twentieth-Century Literature. Hemel Hempstead: Harvester Wheatsheaf.
185. Miller, Hillis. 1992. 'Introduction'. In Jude the Obscure. London: Everyman's Library. New York: Alfred A. Knopf, pp. vii-xxi.
186. Miller, Hillis. 1995a. 'Philosophy, literature, topography: Heidegger and Hardy'. In Topographies. Stanford, Calif.: Stanford University Press, pp. 9-56.
187. Miller, Hillis. 1995b. 'The ethics of hypertext'. Diacritics 25(3): 27-39.
188. Miller, Hillis. 2001. Speech Acts in Literature. Meridian. Stanford, Calif.: Stanford University Press.
189. Millgate, Michael. 1978. 'The making and unmaking of Hardy's Wessex Edition'. In Editing Nineteenth-Century Fiction: Papers Given at the Thirteenth Annual Conference on Editorial Problems, University of Toronto, 4-5 November, 1977, edited by J. Millgate. New York: Garland Pub. Co., pp. 61-82.
190. Millgate, Michael. 1982. Thomas Hardy: A Biography. New York: Random House; Oxford: Oxford University Press.
191. Millgate, Michael. 1992. Testamentary Acts: Browning, Tennyson, James, Hardy. Oxford: Clarendon Press.
192. Moorehead, Alan. 1966. The Fatal Impact: An Account of the Invasion of tile South Pacific, 1767-1840. London: Hamish Hamilton.
193. Morgan, Rosemarie. 1988. Women and Sexuality in the Novels of Thomas Hardy. London and New York: Routledge.
194. Morgan, William. 1974. 'Form, Tradition, and Consolation in Hardy's "Poems of 1912-13" '. PMLA 89: 496-505.
195. Morrison, Ken. 1995. Marx, Durkheim, Weber: FonnatiollS of Modem Social Thought. London: Sage.
196. Mulvey, Laura. 1989. 'Visual and Other Pleasures'. Language, Discourse, Society. Basingstoke: Macmillan.
197. Murry, John Middleton. 1928. 'The early life of Thomas Hardy'. Times Literary Supplement, 8 Nov, p. 897.
198. Musselwhite, D. E. 2000. 'Tess of the d'Urbervilles: "A Becoming Woman", or Deleuze and Guattari go to Wessex'. Textual Practice 14(3): 499-518.
199. Myers, William. 1971. 'George Eliot: politics and personality'. In Literature and Politics in the Nineteenth Century, edited by J. Lucas. London: Methuen, pp. 105-130.
200. Nancy, Jean-Luc. 1991. The Inoperative Community. Translated by P. Connor, etal. Edited by P. Connor. Minneapolis: University of Minnesota Press.
201. Neilson, Brett. 1999. 'Barbarism/modernity: notes on barbarism'. Textual Practice 13: 75-91.
202. Nemesvari, Richard Andrew. 1988. 'Towards a critical edition of Thomas Hardy's The Trumpet-Major'. PhD, Queen's University at Kingston.
203. Nicoll, W. Robertson. 1890. James Macdonell, Joumalis t. London: Hodder and Stoughton.
204. Nietzsche, Friedrich Wilhelm. 1968. The Will to Power. Edited by W. A. Kaufmann and R.]. Hollingdale. London: Weidenfeld & Nicolson.
205. Nunokawa, Jeff. 1992. 'Tess, tourism and the spectacle of the woman'. In Rewriting the Victorians: Theory, History, and the Politics of Gender, edited by L. M. Shires. New York: Routledge, pp. 70-86.
206. Orel, Harold. 1976. The Final Years of Thomas Hardy, 1912-1928. London: Macmillan.
207. Osborne, Peter. 1995. The Politics of Time: Modemity and Avant-Garde. London: Verso.
208. 'Our Wednesday Book-Box'. 1882. World, 11 Jan, p. 18.
209. 'Our Wednesday Book-Box'. 1883. World, 31 Jan, pp. 22-23.
210. Parker, Hershel. 1984. Flawed Texts and Verbal Icons: Literary Authority in American Fiction. Evanston, Ill.: Northwestern University Press.
211. Parsons, Deborah, C. 2000. Streetwalking the Metropolis: Women, the City and Modenlity. Oxford: Oxford University Press.
212. Pater, Walter. 1980. The Renaissance: Studies in Art and Poetry: The 1893 Text. Edited by D. L. Hill. London and Berkeley: University of California Press.
213. Paterson, John. 1960. The Making of The Return of the Native. English Studies 19. Berkeley: University of California Press.
214. Paulin, Tom. 1975. Thomas Hardy: The Poetry of Perception. London: Macmillan.
215. Pepinster, Catherine. 1995. 'From drawing-rooms to Wessex wilds'. Independent on Sunday, 31 Dec.
216. Peterson, Carla L. 1986. The Detennined Reader: Gender and Culture ill the Novel from Napoleon to Victoria. New Brunswick, N.J.: Rutgers University Press.
217. Poggioli, Renato. 1959. 'Qualis Artifex Pereo! or barbarism and decadence'. Harvard Library Bulletin 13: 135-159.
218. Purdy, Richard L. 1954. Thomas Hardy: A Bibliographical Study. Oxford: Clarendon Press.
219. Ramazani, Jahan. 1994. Poetry of Mouming: The Modem Elegy from Hardy to Heaney. Chicago: University of Chicago Press.
220. Ree, Jonathan. 1999. I See a Voice: A Pililosopizical History of Language, Deafness and the Semes. London: Harper Collins.
221. Rosenthal, M. L. and Sally M. Gall. 1983. The Modem Poetic Sequence: The Genius of Modem Poetry. New York: Oxford University Press.
222. Rousseau, Jean-Jacques. 1997. Essai sur l'origine des langues: Fac-simile du manuserit de Neuchatel. Edited by J. Starobinski and F. S. Eigeldinger. L'age Des Lumieres; 2. Paris: Honore Champion Editeur.
223. Royle, Nicholas. 1991. Telepathy and Literature: Essays on the Reading Mind. Oxford: Blackwell.
224. Ruskin, John. 1904. The Works of John Ruskin. Edited by E. T. Cook and A. Wedderburn. 39 vols. London: George Allen.
225. Ruskin, John. n.d. The Complete Works. New York: Thomas Y. Crowell.
226. Sacks, Peter M. 1985. The Ellglish Elegy: Studies in the Genre from Spenser to Yeats. Baltimore: Johns Hopkins Press.
227. Said, Edward W. 1975. Beginnings: Intention alld Met/lOd. New York: Basic Books.
228. Said, Edward W. 1993. Culture and Imperialism. New York: Knopf.
229. Sakai, Naoki. 1997. Translation and Subjectivity: On "Japan" and Cultural Nationalism. Public Worlds. Minneapolis: University of Minnesota Press.
230. Schleifer, Ronald, and Nancy M. West. 1999. 'The poetry of what lies close at hand: photography, commodities, and post-romantic discourses in Hardy and Stevens'. MLQ: Modem Language Quarterly 60(1): 33-58.
231. Schopenhauer, Arthur. 1883. The World as Will and Idea. Translated by J. Kemp. London: Routledge & Kegan Paul.
232. Schwartz, Hillel. 1996. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books.
233. Schweik, Robert C. 1967. 'The early development of Hardy's Far from the Madding Crowd'. Texas Studies in Literature and Language 9: 415-428.
234. Schweik, Robert C. and Michael Piret. 1981. 'Editing Hardy'. Brovming Institute Studies 9: 15-41.
235. Sedgwick, Eve. 1997. 'Paranoid reading and reparative reading: or, you're so paranoid, you probably think this introduction is about you'. In Novel Gazing: Queer Readings in Fiction, edited by E. Sedgwick. Durham, N.C.: Duke University Press, pp. 1-40.
236. Sedgwick, Eve. and Adam Frank. 1995. 'Shame in the cybernetic fold: reading Silvan Tomkins'. Critical Inquiry 21: 496-522.
237. Seltzer, Mark. 1992. Bodies and Machines. New York: Routledge.
238. Seltzer, Mark. 1998. Serial Killers: Death alld Life in America's Wound Culture. New York: Routledge.
239. Shields, Rob. 1994. 'Fancy footwork'. In The FIaneur, edited by K. Tester. London: Routledge, pp. 61-80.
240. Shires, Linda M. 1999. 'The radical aesthetic of Tess of the d'Urbervilles'. In The Cambridge Companion to Thomas Hardy, edited by D. Kramer. Cambridge: Cambridge University Press, pp. 145-163.
241. Siegel, Jonah. 2000. Desire alld Excess: The Nineteenth-Century Culture of Art. Princeton: Princeton University Press.
242. Silverman, Kaja. 1984. 'History, figuration and female subjectivity in Tess of the d'Urbervilles'. Novel: A Forum 0n Fiction 18: 5-28.
243. Simmel, Georg. 1990. The Philosophy of Money. Translated by T. Bottomore and D. Frisby. Edited by D. Frisby. 2nd enl. edn. London and New York: Routledge.
244. Simmel, Georg. 1997. Simmel on Culture: Selected Writings. In Theory, Culture & Society, edited by M. Featherstone and D. Frisby London: Sage Publications.
245. Snell, K. D. M. 1985. Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Cambridge Studies in Population, Economy, and Society in Past Time. Cambridge: Cambridge University Press.
246. Snyder, Bob. 2000. Music alld Memory: An Introductiol1. Cambridge, Mass. and London: MIT Press.
247. Soper, Kate. 1996. 'Nature/"nature" '. In FutureNatural: Nature, Science, Culture, edited by G. Robertson etal. London: Routledge, pp. 22-34.
248. Steiner, George. 1992. Heidegger. 2nd edn. Fontana Modem Masters. London: Fontana.
249. Tagg, John. 1993. The Burdm of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press.
250. Tanselle, G. Thomas. 1976. 'The editorial problem of final intention'. Studies ill Bibliography 29: 167-21l.
251. Tanselle, G. Thomas. 1989. A Rationale of Textual Criticism. Philadelphia: University of Pennsylvania Press.
252. Taylor, Dennis. 1981. Hardy's Poetry, 1860-1928. London: Macmillan.
253. Taylor, Dennis. 1993. Hardy's Literary Language and Victorian Philology. Oxford: Clarendon Press.
254. Thomas, Jane. 1999. Thomas Hardy, Femininity and Dissent: Reassessing the 'Minor' Novels. Basingstoke: Macmillan.
255. Thompson, E. P. 1967. 'Time, work-disCipline and industrial capitalism'. Past and Presmt 38: 56-97.
256. Thurschwell, Pamela. 2001. Literature, Technology, and Magical Thinking, 1880-1920. Cambridge Studies in Nineteenth-Century Literature and Culture. Cambridge: Cambridge University Press.
257. Tiffany, Daniel Newton. 1995. Radio Corpse: Imagism and the Cryptaestlletic of Ezra Pound. Cambridge, Mass.: Harvard University Press.
258. Torgovnick, Marianna. 1990. Gone Primitive: Savage Intellects, Modem Lives. Chicago: University of Chicago Press.
259. Trevelyan, G. M. 1967. English Social History: A Survey of Six Cmturies, Cfwucer to Queen Victoria. Harmondsworth: Penguin Books. 1st edn., 1942.
260. Vernon, John. 1984. Money and Fiction: Literary Realism in the Nineteenth and Early Twmtieth Cmturies. Ithaca, N.Y.: Cornell University Press.
261. Weber, Max. 1948. From Max Weber: Essays in Sociology. In Intemational Library of Sociology and Social Reconstruction, edited by H. H. Gerth and C. W. Mills. London: Routledge & Kegan Paul.
262. Widdowson, Peter. 1989. Hardy in History: A Study ill Literary Sociology. London: Routledge.
263. Widdowson, Peter. 1998. On Thomas Hardy: Late Essays and Earlier. Basingstoke: Macmillan.
264. Widdowson, Peter. 2001. 'The American dream refashioned: history, polities and gender in Toni Morrison's Paradise'. Joumal of American Studies 35(2): 313-335.
265. Wiener, Joel H., ed. 1974. Great Britain: The Lion at Home; A Docummtary History of Domestic Policy, 1689-1973.4 vols. New York: Chelsea House Publishers.
266. Wiener, Martin J. 1981. English Culture alld the Decline of the Industrial Spirit, 1850-1980. Cambridge: Cambridge University Press.
267. Williams, Merryn. 1972. Thomas Hardy and Rural England. London: Macmillan.
268. Williams, Raymond. 1966. Modem Tragedy. Stanford, Calif.: Stanford University Press.
269. Williams, Raymond.1973. The Country and the City. London: Chatto and Windus.
270. Williams, Raymond. 1976. Keywords: A Vocabulary of Culture and Society. London: Croom Helm.
271. Wilson, Elizabeth A. 1998. Neural Geographies: Feminism and the Microstructure of Cognitioll. New York: Routledge.
272. Woolf, Virginia. 1966. The artist and politics'. Collected Essays II. London: Hogarth Press.
273. Zietlow, Paul. 1974. Moments of Vision: The Poetry of Thomas Hardy. Cambridge: Harvard University Press.