Adaptation: Two theories

Text and Performance Quarterly

Volumn 27, Issue 4, 2007, Pages 369-377

  Edwards, Paul ^a  

^a NORTHWESTERN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85014339667     PISSN: 10462937     EISSN: 14795760     Source Type: Journal    
DOI: 10.1080/10462930701587592     Document Type: Article

References (13)

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3. Gould, Glenn. “The Prospects of Recording.” 1966. The Glenn Gould Reader. Ed. Tim Page. New York: Knopf, 1985. 331-53.
4. Hutcheon, Linda. Irony’s Edge: The Theory and Politics of Irony. London: Routledge, 1994.
5. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988.
6. Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen, 1985.
7. Hutcheon, Linda, and Michael Hutcheon. Opera: The Art of Dying. Cambridge: Harvard UP, 2004.
8. MacCabe, Colin. Godard: A Portrait of the Artist at Seventy. New York: Farrar, Straus & Giroux, 2003.
9. Naremore, James, ed. Film Adaptation. New Brunswick: Rutgers UP, 2000.
10. Powers, Richard. Three Farmers on Their Way to a Dance. 1985. New York: Perennial, 2001.
11. Sanders, Julie. Novel Shakespeares: Twentieth-Century Women Novelists and Appropriation. Manchester: Manchester UP, 2001.
12. Thompson, Clive. “A View to a Kill: JFK Reloaded is Just Plain Creepy.” Slate 22 Nov. 2004. 3 July 2007 < http://www.slate.com/id/2110034/>.
13. Thompson, Clive. “Warner Music Group and YouTube Announce Landmark Video Distribution and Revenue Partnership.” Online press release. 18 Sept. 2006. 3 July 2007 .