Narration and Unease in Ian McEwan’s Later Fiction

Critique - Studies in Contemporary Fiction

Volumn 42, Issue 3, 2001, Pages 253-268

  Morrison, Jago ^a  

^a LEEDS METROPOLITAN UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85013723626     PISSN: 00111619     EISSN: 19399138     Source Type: Journal    
DOI: 10.1080/00111610109601143     Document Type: Article

References (12)

1. Atwood, Margaret. 1996. The Handmaid’s Tale, 1985, London:Vintage.
2. Eco, Umberto, and William, Weaver. 1983. Reflections on The Name of the Rose, London:Secker. 1985
3. Kristeva, Julia, Warhal, Robyn R., and Diane, P. Hernde. 1991. “Women’s Time.”. In Feminisms, 443–62. New Brunswick, NJ:Rutgers UP.
4. McEwan, Ian. 1992. Black Dogs, London:Cape.
5. McEwan, Ian. 1987. The Child in Time, London:Pan/Picador.
6. McEwan, Ian. 1997. Enduring Love, London:Cape.
7. McEwan, Ian. 1975. First Love, Last Rites, London:Cape.
8. McEwan, Ian. 1978. In Between the Sheets, London:Cape.
9. McEwan, Ian. 1989. “Or Shall We Die.”. In A Move Abroad, 1983, 1–24. London:Pan/Picador.
10. Ricoeur, Paul. 1983. Time and Narrative, Edited by:McLaughlin, Kathleen, and Pellauer, David. Vol. 1, Chicago:U of Chicago P. 1984
11. Ricoeur, Paul. 1988. Vol, 3. Trans. Kathleen Blamey and David Pellauer, 1985, Chicago:U of Chicago P.
12. Rogers, Angela. 1996. “Ian McEwan’s Portrayal of Women.”. Forum for Modern Language Studies, 32:11–26.