Catherine breillat’s romance: Hard core and the female gaze

Studies in French Cinema

Volumn 1, Issue 3, 2001, Pages 133-140

  Phillips, John ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85012521093     PISSN: 14715880     EISSN: 17589517     Source Type: Journal    
DOI: 10.1386/sfci.1.3.133     Document Type: Article

References (13)

1. Adams, P. (1988), ‘Per Os(cillation)’, Camera Obscura: A Journal of Feminism and Film Theory 17, pp. 7-29.
2. Deleuze, G. (1967), Présentation de Sacher-Masoch. Le Froid et le cruel, Paris, Éditions de Minuit
3. Doane, M. A. (1992), ‘Film and the Masquerade: Theorising the Female Spectator’, Film Theory and Criticism: Introductory Readings (eds Gerald Mast, Marshall Cohen, Leo Braudy), Oxford University Press, pp. 758-72.Essay first published 1982.
4. Freud, S. (1977), ‘Fetishism’, On Sexuality: Three Essays on the Theory of Sexuality and Other Works, The Pelican Freud Library 7, pp. 351-57.Essay first published 1927.
5. Freud, S (1977), ‘On Transformations of Instinct as Exemplified in Anal Eroticism’, On Sexuality: Three Essays on the Theory of Sexuality and Other Works, The Pelican Freud Library 7, pp. 294-302.
6. Essay first published 1917. Kaplan, L. J. (1991), Female Perversions: The Temptations of Emma Bovary, New York, Anchor Books.
7. Kipnis, L. (1996), Bound and Gagged: Pornography and the Politics of Fantasy in America, New York, Grove Press.
8. Lacan, J. (1956-7), ‘Les formations de l’inconscient’, seminars summarized by Pontalis (Seminars, 1956-7), Bulletin de Psychologie.
9. Mitchell, J. (1974), Psychoanalysis and Feminism, London, Penguin Books.
10. Mulvey, L. (1975), ‘Visual pleasure and narrative cinema’, Screen 16: 3, pp. 6-18.
11. Studlar, G. (1992), ‘Masochism and the Perverse Pleasures of the Cinema’, Film Theory and Criticism: Introductory Readings (eds Gerald Mast, Marshall Cohen, Leo Braudy), Oxford University Press, pp. 773-90.Essay first published 1985.
12. Williams, L. (1990), Hard Core: Power, Pleasure, and the ‘Frenzy of the Visible’, London, Pandora Press.
13. Wilson, E. (2001), ‘Deforming femininity: Catherine Breillat’s Romance’, France on Film: Reflections on Popular French Cinema (ed. Lucy Mazdon), London, Wallflower, pp. 145-58.