Music industry research: Where now? Where next? Notes from Britain

Popular Music

Volumn 19, Issue 3, 2000, Pages 387-393

  Frith, Simon ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85012473171     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143000000234     Document Type: Article

References (6)

1. See, for example, Millie Taylor and Ruth Towse, ‘ The value of performers' rights: an economic approach', Media Culture and Society, 20 (4), 1998
2. Roger Wallis et al., ‘ Contested collective administration of intellectual property rights in music: the challenge to the principles of reciprocity and solidarity', European Journal of Communication, 14 (1), 1999
3. Keith Negus, Music Genres and Corporate Cultures: Strategy and Creativity in the Music Business, London: Routledge, 1999.
4. See Jason Toynbee, Making Popular Music, London: Edward Arnold/New York: Oxford University Press, 2000.
5. See Andrew Bennett, Popular Music and Youth Culture, London: Macmillan, 2000.
6. Ruth Finnegan, Hidden Musicians, Cambridge: Cambridge University Press, 1989.