Performance, memory, heritage, history, spectacle – the iron ship

Studies in Theatre and Performance

Volumn 21, Issue 3, 2002, Pages 132-149

  Kershaw, Baz ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85012448881     PISSN: 14682761     EISSN: 20400616     Source Type: Journal    
DOI: 10.1386/stap.21.3.132     Document Type: Article

References (8)

1. Brecht, Stephan, (ed.) The Bread and Puppet Theatre, 2 vols., London: Methuen, 1988.
2. Coult, Tony & Kershaw, Baz, (eds.) Engineers of the Imagination: The Welfare State Handbook, London: Methuen, 1990.
3. Kaye, Nick, (ed.) Site-specific Art: Performance, Place and Documentation, London: Routledge, 2000.
4. Kershaw, Baz, The Politics of Performance: Radical Theatre as Cultural Intervention, London: Routledge, 1992.
5. Kershaw, Baz, The Radical in Performance: Between Brecht and Baudrillard. London: Routledge, 1999.
6. Kershenblatt-Gimblett, Barbara, Destination Culture: Tourism, Museums and Heritage. Berkeley: University of California Press, 1998.
7. Lash, Scott and Urry, John, Economies of Signs and Space. London: Sage, 1994.
8. Rath, Jean. ‘Performance, Memory, Heritage and Contesting Histories’. Unpublished project report, 2001.