Two perspectives on the phenomenon of biomechanics in contemporary performance: An account of gogol’s the government inspector in production

Studies in Theatre Production

Volumn 16, Issue 1, 1997, Pages 93-128

  Shrubsall, Anthony ^a   Pitches, Jonathan ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85011518894     PISSN: 13575341     EISSN: None     Source Type: Journal    
DOI: 10.1080/13575341.1997.10806964     Document Type: Article

References (12)

1. Bliss Eaton, K. 1985. The Theatre of Meyerhold and Brecht, Westport, Connecticut: Greenwood Press
2. Braun, E., ed., 1991. Meyerhold on Theatre, London: Methuen
3. Braun, E., 1995. Vsevolod Meyerhold: A Revolution in Theatre, London: Methuen
4. Fuegi, J. 1987. Bertolt Brecht: Chaos According to Plan, Cambridge: Cambridge University Press
5. Garner, S. 1994. Bodied Spaces: Phenomenology and Performance in Contemporary Drama, Ithaca: Cornell University Press
6. Gogol, N. 1985. The Government Inspector, adapted by Adrian Mitchell, London: Methuen
7. Gordon, M. and Law, A. 1996. Meyerhold, Eisenstein and Biomechanics, North Carolina: McFarland and Co.
8. Harrison, C. and Wood, P., eds., 1992. Art in Theory 1900-1990, Oxford: Blackwell Press
9. Leach, R. 1989. Vsevolod Meyerhold, Cambridge: Cambridge University Press
10. Schmidt, P. 1980. At Work with Meyerhold, Texas: University of Texas Press
11. Van Gyseghem, A. 1943. Theatre in Soviet Russia, London: Faber and Faber
12. Worrall, N. 1972. ‘Meyerhold directs Gogol’s Government Inspector’ in Theatre Quarterly, 2, 75-95