Methodology and praxis of the actor within the television production process: Facing the camera in eastenders and morse

Studies in Theatre and Performance

Volumn 22, Issue 2, 2002, Pages 82-94

  Durham, Kim ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85011501377     PISSN: 14682761     EISSN: 20400616     Source Type: Journal    
DOI: 10.1386/stap.22.2.82     Document Type: Article

References (13)

1. Abbott, Leslie, Acting for Films and TV, Belmont, Cal.: Star Publishing Company, 1994.
2. Caine, Michael, Acting in Film, New York: Applause Books, 1990.
3. Chekhov, Michael, To the Actor — On the Technique of Acting, New York: HarperCollins, 1953.
4. Delgado, Ramon, Acting with Both Sides of Your Brain, New York: CBS College Publishing, 1986.
5. Hayman, Ronald, Techniques of Acting, London: Methuen, 1969.
6. Kuleshov, Lev, Kuleshov on Film: writings of Lev Kuleshov, trans. and ed. Ronald Levaco, London: University of California Press, 1974.
7. Mamet, David, True and False: heresy and common sense for the actor, New York: Random Books, 1997.
8. National Council for Drama Training (NCDT), Report of the Recorded Media Working Party, 2002.
9. Stanislavski, Constantin, An Actor Prepares, trans. and ed. E.R. Hapgood, Glasgow: Glasgow University Press, 1980 (first published, 1936).
10. Stanislavski, Constantin, Building a Character, trans. and ed. E.R. Hapgood, London: Eyre Methuen, 1979 (first published, 1950).
11. Stanislavski, Constantin, An Actor’s Handbook: an alphabetical arrangement of concise statements on aspects of acting, trans. and ed. E.R. Hapgood, New York: Theatre Arts Books, 1963.
12. Toporkov, VO., Stanislavski in Rehearsal: the final years, trans. and ed. Christine Edwards, New York: Theatre Arts Books, 1979.
13. Zucker, Carol, In the Company of Actors: Reflections on the Craft of Acting, London: A. & C. Black, 1999.