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85011458706
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Though we think of English as a common language across continents, it is, in fact, spoken differently in different places–in America, in Britain, in India. Nigel B. Hankin's recent book Hanklyn-Janklyn, like its earlier predecessor Hobson-Jobson by Colonel Yule, deals entirely and exclusively with a vocabulary of English words of Indian origin. Indian usages of English have been deliberately cultivated by recent Indian authors writing in English, such as Salman Rushdie. See New Delhi: Banyan Books
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Though we think of English as a common language across continents, it is, in fact, spoken differently in different places–in America, in Britain, in India. Nigel B. Hankin's recent book Hanklyn-Janklyn, like its earlier predecessor Hobson-Jobson by Colonel Yule, deals entirely and exclusively with a vocabulary of English words of Indian origin. Indian usages of English have been deliberately cultivated by recent Indian authors writing in English, such as Salman Rushdie. See Hanklyn-Janklyn (New Delhi: Banyan Books, 1992).
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(1992)
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Hanklyn-Janklyn1
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85011458691
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Acchan Maharaj (1883–1947) was a legendary performer and teacher of the Lucknow gharana (tradition, lineage) of Kathak dance. Born Jagannath Prasad, Achhan Maharaj danced in the court of Nawab Hamid Ali of Rampur before he was invited to Delhi in 1936 by Nirmala Joshi to teach at the Delhi School of Hindusthani Music and Dance where Kapila Malik (now Vatsyayan) was among his first students. See New Delhi: Abhinav Publications
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Acchan Maharaj (1883–1947) was a legendary performer and teacher of the Lucknow gharana (tradition, lineage) of Kathak dance. Born Jagannath Prasad, Achhan Maharaj danced in the court of Nawab Hamid Ali of Rampur before he was invited to Delhi in 1936 by Nirmala Joshi to teach at the Delhi School of Hindusthani Music and Dance where Kapila Malik (now Vatsyayan) was among his first students. See Sunil Kothari, Kathak (New Delhi: Abhinav Publications, 1989).
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(1989)
Kathak
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Kothari, S.1
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85011522018
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until he retired and served as Chairman of the Sangeet Natak Akademi in New Delhi (1982–1987). His recommendation of Balasaraswati to the Edinburgh Festival occurred early in his career while he headed All India Radio
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Narayan Menon, an international authority on Asian traditional music and dance, was Director of the National Centre for Performing Arts in Bombay (1968–1982) until he retired and served as Chairman of the Sangeet Natak Akademi in New Delhi (1982–1987). His recommendation of Balasaraswati to the Edinburgh Festival occurred early in his career while he headed All India Radio.
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(1968)
an international authority on Asian traditional music and dance, was Director of the National Centre for Performing Arts in Bombay
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Menon, N.1
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