Narrative and media

Narrative and Media

Volumn , Issue , 2005, Pages 1-329

  Fulton, Helen ^a   Huisman, Rosemary ^b   Murphet, Julian ^b   Dunn, Anne ^b,c  

^a SWANSEA UNIVERSITY   (United Kingdom)

^b UNIVERSITY OF SYDNEY   (Australia)

^c Australian and New Zealand Communication Association   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85011362816     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CBO9780511811760     Document Type: Book

References (187)

1. Abbott, H. Porter, Cambridge Introduction to Narrative, Cambridge: Cambridge University Press, 2002.
2. Alasuutari, Pertti (ed.), Rethinking the Media Audience, London: Sage Publications, 1999.
3. Allen, S., News Culture, Buckingham, UK: Open University Press, 1999.
4. Andrew, Dudley, ‘Adaptation’, in James Naremore (ed.), Film Adaptation, London: Athlone Press, 2000, pp. 28-37.
5. Bal, Mieke, ‘The narrating and the focalising: A theory of agents in narrative’, Style 17 (1983), 234-69.
6. Bal, Mieke, Narratology: Introduction to the Theory of Narrative, 2nd edn, Toronto and Buffalo:Toronto University Press, 1997 (1st edn, 1985).
7. Baker, R., ‘Will the media be the end of us?’, Harvard International Journal of Press/Politics 4.3 (1999), 98-105.
8. Barnard, S., Studying Radio, London and New York: Arnold, 2000.
9. Barthes, Roland, Essais Critiques, Paris: Editions du Seuil, 1964.
10. Barthes, Roland, S/Z, New York: Hill & Wang, 1974.
11. Barthes, Roland, Image-Music-Text, London: Fontana, 1977.
12. Baudrillard, Jean, Simulations, New York: Semiotext(e), 1983.
13. Baym, G., ‘Packaging reality: Structures of form in US network news coverage of Watergate and the Clinton impeachment’, Journalism: Theory, Practice and Criticism 5.3 (2004), 279-99.
14. Bell, Allan, and Peter Garrett (eds), Approaches to Media Discourse, Oxford: Blackwell, 1998.
15. Bell, P., and Theo van Leeuwen, The Media Interview: Confession, Contest, Conversation, Sydney: UNSW Press, 1994.
16. Belsey, Catherine, Critical Practice, London: Methuen, 1980.
17. Benjamin, Walter, Illuminations, ed. Hannah Arendt, New York: Schocken, 1969.
18. Bennett, T., S. Boyd-Bowman, C. Mercer and J. Woollacott (eds), Popular Film and Television, London: British Film Institute, 1981.
19. Best, Steven, and Douglas Kellner, Postmodern Theory: Critical Interrogations, London:Macmillan, 1991.
20. Bignell, Jonathan, Media Semiotics: An Introduction, Manchester: Manchester University Press, 1997.
21. Bordwell, David, and Kristin Thompson, Film Art: An Introduction, Reading, MA: Addison-Wesley Publishing Co., 1979.
22. Bordwell, David, J. Staiger and Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, London: Routledge, 1985.
23. Bourdieu, Pierre, Distinction, trans. Richard Nice, London and New York: Routledge & Kegan Paul, 1986 (first published 1979).
24. Branigan, E., Narrative Comprehension and Film, London: Routledge, 1992.
25. Briggs, S., Those Radio Times, London: Weidenfeld & Nicolson, 1981.
26. Brooks, P., Reading for the Plot: Design and Intention in Narrative, Cambridge MA: Harvard University Press, 1992.
27. Butt, David et al., Using Functional Grammar: An Explorer’s Guide, 2nd edn, Macquarie University, Sydney: National Centre for English Language Teaching and Research, 2000.
28. Campbell, Joseph, The Hero with a Thousand Faces, New York: Pantheon, 1949.
29. Cartmell, Deborah, and Imelda Whelehan, Adaptations: From Text to Screen, Screen to Text, London and New York: Routledge, 1999.
30. Chandler, Daniel, Semiotics: The Basics, London: Routledge, 2002.
31. Chatman, Seymour, ‘The structure of narrative transmission’, in Roger Fowler (ed.), Style and Structure in Literature, Oxford: Blackwell, 1975, pp. 213-57.
32. Chatman, Seymour, ‘What novels can do that films can’t (and vice versa)’, Critical Inquiry 7 (1980), 121-40.
33. Chatman, Seymour, Story and Discourse, Ithaca and London: Cornell University Press, 1978.
34. Clark, Katerina, and Michael Holquist, Mikhail Bakhtin, Cambridge, Mass.: Belknap Press of Harvard University Press, 1984.
35. Clarke, Patricia, and Dale Spender, Life Lines, Australian Women’s Letters and Diaries 1788 to 1840, Sydney: Allen & Unwin, 1992.
36. Cobley, Paul, Narrative, London: Routledge, 2001.
37. Cohen, Stanley, Folk Devils and Moral Panics: The Creation of the Mods and Rockers, London:MacGibbon & Kee, 1972.
38. Cohen, Stanley, and Jock Young (eds), The Manufacture of News: Social Problems, Deviance and Mass Media, London: Constable, 1973.
39. Collins Dictionary of the English Language, Sydney: Collins, 1979.
40. Conley, D., The Daily Miracle: An Introduction to Journalism, 2nd edn, Melbourne: Oxford University Press, 2002.
41. Cook, David A., A History of Narrative Film, 3rd edn, New York and London: W. W. Norton & Co., 1996.
42. Cooke, L., ‘The police series’, in G. Creeber (ed.), The Television Genre Book, pp. 19-23.
43. Cooper, James Fenimore, Last of the Mohicans, A Narrative of 1757, rev. edn, Paris: Baudry’s European Library, 1835.
44. Cooper, James Fenimore, The Pioneers (first published 1822), New York: Airmont, 1964.
45. Cortazzi, Martin, Narrative Analysis, London: Falmer, 1993.
46. Cottle, Simon, ‘Analysing visuals: Still and moving images’ in Anders Hansen et al., Mass Communication Research Methods, pp. 189-224.
47. Cranny-Francis, Anne, and Patricia Palmer Gillard, ‘Soap opera as gender training: Teenage girls and TV’, in Terry Threadgold and Anne Cranny-Francis (eds), Feminine, Masculine and Representation, Sydney: Allen & Unwin, 1990, pp. 171-89.
48. Creeber, G. (ed.), The Television Genre Book, London: British Film Institute, 2001.
49. Crisell, Andrew, Understanding Radio, 2nd edn, London and New York: Routledge, 1994.
50. Crisell, Andrew, An Introductory History of British Broadcasting, London and New York: Routledge, 1997.
51. Crisell, Andrew, ‘Better than Magritte: How drama on the radio became radio drama’, Journal of Radio Studies 7.2 (2000), 464-73.
52. Culler, Jonathan, Saussure, Glasgow: Fontana, 1976.
53. Deely, John, Basics of Semiotics, Bloomington: Indiana University Press, 1990.
54. Dorsch, T. S., Classical Literary Criticism, Aristotle, Horace, Longinus, Harmondsworth:Penguin, 1965.
55. During, Simon (ed.), The Cultural Studies Reader, London: Routledge, 1993.
56. Dyer, R., ‘Kill and kill again’, in Sight and Sound 7.9 (1997), 14-17.
57. Eagleton, Terry, The Illusions of Postmodernism, Oxford: Blackwell, 1996.
58. Easthope, Antony, and Kate McGowan (eds), A Critical and Cultural Theory Reader, London:Allen & Unwin, 1992.
59. Eco, Umberto, Semiotics and the Philosophy of Language, London: Macmillan, 1984.
60. Ellis, John, Visible Fictions: Cinema, Television, Video, rev. edn, London and New York:Routledge, 1992.
61. Epstein, E. J., Between Fact and Fiction: The Problem of Journalism, New York: Random House, 1975.
62. Epstein, E. J., News from Nowhere: Television and the News, 2nd edn, New York: Random House, 2000.
63. Ericson, R., P. Baranek and J. Chan, Visualizing Deviance: A Study of News Organization, Milton Keynes: Open University Press, 1987.
64. Fairclough, Norman, Language and Power, London and New York: Longman, 1989.
65. Fairclough, Norman, Media Discourse, London and New York: Edward Arnold, 1995.
66. Fiske, John, Television Culture, London: Methuen, 1987.
67. Fiske, John, and Hartley, John, Reading Television, 2nd edn, London: Routledge, 2003.
68. Fowler, Roger, Language in the News: Discourse and Ideology in the Press, London and New York: Routledge, 1991.
69. Fowler, Roger, Linguistic Criticism, 2nd edn, Oxford: Oxford University Press, 1996.
70. Fraser, J. T., Time, Conflict, and Human Values, Urbana: Illinois University Press, 1999.
71. Friel, Brian, Selected Plays, London: Faber, 1984.
72. Gans, H., Deciding What’s News, New York: Pantheon, 1979.
73. Garnham, Nicholas, Capitalism and Communication, London: Sage Publications, 1990.
74. Genette, Gérard, Narrative Discourse: An Essay in Method, trans. Jane E. Lewin, Ithaca, NY: Cornell University Press, 1980 (first published in French in 1972).
75. Goatly, Andrew, Critical Reading and Writing: An Introductory Coursebook, London and New York: Routledge, 2000.
76. Goffman, E., Frame Analysis, New York: Harper & Row, 1974.
77. Gordon, Lyndall, A Private Life of Henry James, New York and London: W. W. Norton, 1999.
78. Griffith, James, Adaptations as Imitations: Films from Novels, Newark: University of Delaware Press, 1997.
79. Hall, Stuart, ‘The narrative construction of news’, Context: A Forum for Literary Arts and Culture 10 (1983), online edition, www.centerforbookculture.org/context/no10/hall.html; viewed 12 October 2004.
80. Hall, Stuart et al., Policing the Crisis: Mugging, the State, and Law and Order, Basingstoke:Macmillan, 1978.
81. Halliday, M. A. K., Language as Social Semiotic: The Social Interpretation of Language and Meaning, London and New York: Edward Arnold, 1978.
82. Halliday, M. A. K., and Hasan, Ruqaiya, Language, Context and Text: Aspects of Language in a Social-Semiotic Perspective, Waurn Ponds, Vic.: Deakin University Press, 1985.
83. Hallin, D., We Keep America on Top of theWorld: Television Journalism and the Public Sphere, London and New York: Routledge, 1993.
84. Hansen, Anders, Simon Cottle, Ralph Negrine and Chris Newbold, Mass Communication Research Methods, London: Macmillan, 1998.
85. Hartley, John, Understanding News, London: Routledge, 1982.
86. Hartley, John, Popular Reality: Journalism, Modernity, Popular Culture, London and New York: Arnold, 1996.
87. Hawthorn, Jeremy (ed.), Narrative: From Malory to Motion Pictures, London: Edward Arnold, 1985.
88. Hodge, Robert, and Gunther Kress, ‘Rereading as exorcism: Semiotics and the ghost of Saussure’, Southern Review 19 (1986), 38-52.
89. Hurd, G., ‘The television presentation of the police’, in T. Bennett et al. (eds), Popular Film and Television.
90. Innis, Robert E. (ed.), Semiotics: An Introductory Reader, Bloomington: Indiana University Press, 1985, and as Semiotics: An Introductory Anthology, London: Hutchinson, 1986.
91. Jameson, Fredric, ‘Postmodernism, or the cultural logic of late capitalism’, New Left Review 146 (July-August 1984), 53-92.
92. Jameson, Fredric, Signatures of the Visible, London: Routledge, 1992.
93. Kilborn, Richard, Television Soaps, London: Batsford, 1992.
94. Kress, Gunther, and Theo van Leeuwen, Reading Images: The Grammar of Visual Design, London and New York: Routledge, 1996.
95. Labov, William, Language in the Inner City, Philadelphia: Pennsylvania University Press, 1972.
96. Lacey, Nick, Image and Representation: Key Concepts in Media Studies, London: Macmillan, 1998.
97. Lacey, Nick, Narrative and Genre: Key Concepts in Media Studies, London: Macmillan, 2000.
98. Langer, John, Tabloid Television: Popular Journalism and the ‘Other News’, London and New York: Routledge, 1998.
99. Lévi-Strauss, Claude, ‘The structural study of myth’, in Structural Anthropology, Harmondsworth: Penguin, 1977, pp. 206-31 (first published in French in 1958).
100. Lewis, P., and J. Booth, The Invisible Medium, Basingstoke and London: Macmillan, 1989.
101. Lichtenberg, Judith, ‘In defence of objectivity revisited’, in J. Curran and M. Gurevitch (eds), Mass Media and Society, 3rd edn, London: Arnold, 2000, pp. 238-54.
102. Livingstone, Sonia M. (1990a), Making Sense of Television: The Psychology of Audience Interpretation, Oxford: Pergamon, 1990.
103. Livingstone, Sonia M. (1990b), ‘Interpreting a television narrative: How different viewers see a story’, Journal of Communication 40 (1990), 72-85.
104. Livingstone, Sonia M. ‘The rise and fall of audience research: An old story with a new ending’, in Mark R. Levy and Michael Gurevitch (eds), Defining Media Studies: Reflections on the Future of the Field, New York: Oxford University Press, 1994, pp. 247-54.
105. Lowe, N. J., The Classical Plot and the Invention of Western Narrative, Cambridge:Cambridge University Press, 2000.
106. Lumby, Catharine, and J. O’Neil, ‘Tabloid television’, in J. Schulz (ed.), Not Just Another Business, Sydney: Pluto Press, 1994, pp. 149-66.
107. Lyotard, Jean-François, The Postmodern Condition: A Report on Knowledge, Manchester:Manchester University Press; Minneapolis: University of Minnesota Press, 1984.
108. Marris, Paul, and Sue Thornham (eds), Media Studies, A Reader, Edinburgh: Edinburgh University Press, 1996.
109. McFarlane, Brian, Novel to Film: An Introduction to the Theory of Adaptation, Oxford:Clarendon Press, 1996.
110. McGilligan, Patrick, Alfred Hitchcock, A Life In Darkness and Light, Chichester, UK: Wiley, 2003.
111. McKnight, David, ‘Facts versus stories: From objective to interpretive reporting’, Media International Australia 99 (2001), 49-58.
112. McLuhan, Marshall, Understanding Media: The Extensions of Man, New York: Routledge & Kegan Paul, 1964.
113. McQuail, Denis, Media Performance: Mass Communication and the Public Interest, London:Sage Publications, 1992.
114. McQuillan, Martin (ed.), The Narrative Reader, London and New York: Routledge, 2000.
115. McRobbie, Angela, Postmodernism and Popular Culture, London and New York: Routledge, 1985.
116. Mead, George Herbert, ‘The nature of aesthetic experience’, International Journal of Ethics 36 (1926), 382-93.
117. Metz, C., The Imaginary Signifier: Psychoanalysis and the Cinema, trans. Celia Britten et al., Bloomington: Indiana University Press, 1982.
118. Moi, Toril (ed.), The Kristeva Reader, New York: Columbia University Press, 1986.
119. Mulvey, Laura, ‘Visual pleasure and narrative cinema’, in Charles Harrison and Paul Wood (eds), Art in Theory 1900-1990: An Anthology of Changing Ideas, Oxford: Blackwell, 1992.
120. Neale, S.,‘Studying genre’ in G. Creeber (ed.), The Television Genre Book, pp. 1-3.
121. Nelmes, Jill (ed.), An Introduction to Film Studies, London and New York: Routledge, 1996.
122. O’Shaughnessy, Michael, and Jane Stadler, Media and Society: An Introduction, 2nd edn, Melbourne: Oxford University Press, 2002.
123. O’Sullivan, T., J. Hartley, D. Saunders, M. Montgomery and J. Fiske, Key Concepts in Communication and Cultural Studies, London: Routledge, 1994.
124. O’Toole, Michael, The Language of Displayed Art, London: Leicester University Press, 1994.
125. Perloff, Marjorie, Radical Artifice: Writing Poetry in the Age of Media, Chicago: University of Chicago Press, 1991.
126. Phillips, G., and M. Lindgren (eds), The Australian Broadcast Journalism Manual, Melbourne: Oxford University Press, 2002.
127. Poster, Mark, Critical Theory and Poststructuralism: In Search of a Context, Ithaca and London: Cornell University Press, 1989.
128. Postman, Neil, Amusing Ourselves to Death, New York: Viking, 1985.
129. Pöttker, H., ‘News and its communicative quality: The inverted pyramid - when and why did it appear?’, Journalism Series 4.4 (2003), 501-11.
130. Potts, James, Radio in Australia, Sydney: Allen & Unwin, 1989.
131. Propp, Vladimir, Morphology of the Folktale, 2nd edn, Austin: Texas University Press, 1968.
132. Putnis, P., Displaced, Recut and Recycled: File-tape in Television News, Centre for Journalism Research and Education, Bond University, Qld, 1994.
133. Pynchon, Thomas, The Crying of Lot 49, New York: Harper & Row, 1986.
134. Ray, Robert B., ‘The field of "literature and film"’, in James Naremore (ed.), Film Adaptation, London: Athlone Press, 2000, pp. 38-53.
135. Reddy, Michael, ‘The conduit metaphor - A case of frame conflict in our language about language’, in Andrew Ortony (ed.), Metaphor and Thought, Cambridge: Cambridge University Press, 1979, pp. 284-324.
136. Ricketson, M., ‘True stories: The power and the pitfalls of literary journalism’, in S. Tapsall and C. Varley (eds), Journalism Theory in Practice, Melbourne: Oxford University Press, 2000.
137. Ricoeur, Paul, Time and Narrative, 3 vols, Chicago: University of Chicago Press, 1984-88.
138. Rimmon-Kenan, Shlomith, Narrative Fiction: Contemporary Poetics, London and New York: Methuen, 1983.
139. Salinger, J. D., The Catcher in the Rye, London: Penguin, 1994.
140. Saussure, Ferdinand, Course in General Linguistics, New York: McGraw-Hill, 1966.
141. Schudson, Michael, Discovering the News: A Social History of American Newspapers, Basic Books: New York, 1978.
142. Schulz, Julianne, Reviving the Fourth Estate: Democracy, Accountability and the Media, Cambridge: Cambridge University Press, 1998.
143. Selby, Keith, and Ron Cowdery, How to Study Television, London: Macmillan, 1995.
144. Shingler, M., and C. Wieringa, On Air: Methods and Meanings of Radio, London and New York: Arnold, 1998.
145. Silverman, Kaja, The Subject of Semiotics, New York and Oxford: Oxford University Press, 1983.
146. Smith, Barbara Hernstein, ‘Narrative versions, narrative theories’, Critical Inquiry 7 (1980), 209-18.
147. Smith, Jen, ‘Tabloid television’, Polemic 3.2 (1992), 120-3.
148. Sperry, Sharon, ‘Television News as Narrative’, in R. Adler (ed.), Understanding Television:Essays on Television as a Social and Cultural Force, New York: Praeger, 1981.
149. Spivak, Gayatri Chakravorty, ‘Translator’s preface’, in Jacques Derrida, Of Grammatology, Baltimore: Johns Hopkins University Press, 1976.
150. Swingewood, Alan, Cultural Theory and the Problem of Modernity, London: Macmillan, 1998.
151. Tarkovsky, A., Sculpting in Time: Reflections on the Cinema, trans. Kitty Hunter Blair, London: Bodley Head, 1986.
152. Thomas, Bronwen, ‘"Piecing together a mirage": Adapting The English Patient for the screen’, in Robert Giddings and Erica Sheen (eds), The Classic Novel: From Page to Screen, Manchester and New York: Manchester University Press, 2000, pp. 197-232.
153. Thompson, Geoff, Introducing Functional Grammar, London and New York: Edward Arnold, 1996.
154. Todorov, T., The Poetics of Prose, trans. Richard Howard, Ithaca, NY: Cornell University Press, 1977.
155. Toolan, Michael, Narrative: A Critical Linguistic Introduction, London and New York:Routledge, 1991 (first published 1988).
156. Truffaut, François, Hitchcock, rev. edn, New York: Touchstone, 1985.
157. Tulloch, J., Watching Television Audiences: Cultural Theories and Methods, London: Arnold, 2000.
158. Tunstall, Jeremy, Journalists at Work, London: Constable, 1971.
159. Turner, G., ‘The uses and limitations of genre’, ‘Genre, hybridity and mutations’, ‘Genre, format and "live" television’, in G. Creeber (ed.), The Television Genre Book, pp. 4-7.
160. Turow, Joseph, Media Today: An Introduction to Mass Communication, Boston and New York: Houghton Mifflin, 2003.
161. Uspensky, Boris, A Poetics of Composition, The Structure of the Artistic Text and Typology of a Compositional Form, Berkeley: University of California Press, 1973.
162. Vertov, D., Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, London and Sydney: Pluto Press, 1984.
163. Vinaver, Eugene (ed.), Malory: Works, 2nd edn, London: Oxford University Press, 1977.
164. Watson, James, Media Communication: An Introduction to Theory and Process, 2nd edn, Basingstoke and New York: Palgrave Macmillan, 2003.
165. Whitaker, Brian, News Limited, London: Minority Press Group, 1981.
166. Wilkes, G. A., A Dictionary of Australian Colloquialisms, Sydney: Sydney University Press, 1978.
167. Williams, Kevin, Understanding Media Theory, London: Arnold, 2003.
168. Williams, Raymond, Problems in Materialism and Culture: Selected Essays, London: Verso, 1980.
169. Williams, Raymond, Television: Technology and Cultural Form, 2nd edn, London: Routledge, 1990.
170. Ytreberg, Espen, ‘Moving out of the inverted pyramid: Narratives and descriptions in television news’, Journalism Studies 2.3 (2001), 357-71.
171. Žižek, Slavoj, ‘The obscene object of postmodernity’, in Elizabeth Wright and Edmond Wright (eds), The Žižek Reader, Oxford: Blackwell, 1999, pp. 37-52.
172. Archival Moving Image Materials of the United States Library of Congress:www.itsmarc.com/crs/arch0391.htm; viewed 6 November 2004.
173. Australian Broadcasting Corporation, Radio National: www.abc.net.au/rn/arts/airplay/ s350575.htm; viewed 9 November 2004.
174. British Broadcasting Corporation: www.bbc.co.uk/writersroom/writing/tvcomedy.shtml; viewed 13 October 2004.
175. British sit-coms: www.wordiq.com/definition/Britcom; viewed 19 October 2004.
176. Brown, Mary Ellen and Barwick, Linda, ‘Fables and endless genealogies: Soap opera and women’s culture’, Continuum: The Australian Journal of Media and Culture 1.2 (1987), wwwmcc.murdoch.edu.au/ReadingRoom/1.2/Brown.html; viewed 19 October 2004.
177. Brown University media courses: www.brown.edu/Departments/MCM/courses/MC11/ outline/TV narrative outline.htm; viewed 14 October 2004.
178. Chandler, Daniel: www.aber.ac.uk/media/modules/TF33120; viewed 4 September 2002.
179. Gough, L. (2000). The Mermaid’s Tail: www.lucy.gough.care4free.net/ TheMermaidsMonologue.htm; viewed 9 November 2004.
180. Grossberg, Josh: http://primetimetv.about.com; viewed 26 October 2004.
181. Massachusetts Institute of Technology: http://web.mit.edu/mr mole/www/seinfeld.pdf; viewed 19 October 2004.
182. Playwriting: www.vcu.edu/artweb/playwriting; viewed 6 September 2002.
183. Sheehan, Helena: www.comms.dcu.ie/sheehanh/itvsoap.htm; viewed 2 September 2002.
184. Taflinger, Richard F.: www.wsu.edu:8080/-taflinge/sitcom.html; viewed 19 October 2004.
185. Television history: www.tvhistory.tv; viewed 12 October 2004; www.museum.tv/archives/ etv/S/htmlS/soapopera/soapopera.htm; viewed 19 October 2004.
186. Warhol, Robyn R., ‘Feminine intensities: Soap-opera viewing as a technology of gender’, Genders 28 (1998); www.genders.org/g28/g28 intensities.html; viewed 18 October 2004.
187. Wikipedia: http://en.wikipedia.org/wiki/Television series; viewed 12 October 2004; http://en.wikipedia.org/wiki/Situation comedy; viewed 12 September 2004.