A Place to Stand: Maori Culture-Tradition in a Contemporary Art Studio

Art Therapy

Volumn 13, Issue 2, 1996, Pages 126-130

  Franklin, Michael ^a  

^a NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85011165290     PISSN: 07421656     EISSN: None     Source Type: Journal    
DOI: 10.1080/07421656.1996.10759208     Document Type: Article

References (10)

1. Allen, P. B. (1992). Artist is residence: An alternative to –clinification— for art therapists. Art Therapy: Journal of the American Art Therapy Association, 9(l), 22-29.
2. Cooke, P. (1989). Ten artists go to jail: An evaluation of an arts project at Waikeria prison. Wellington, New Zealand: Queen Elizabeth II Arts Council of New Zealand.
3. Doig, F. (Ed.). (1989). Tanoga Maort: A spiritual journey expressed through Mood art. Sidney, Australia: The Australian Museum.
4. Hodges, I., & Norton, V. (1991). Artists at Stewart Villa: The evaluation report. New Zealand: Department of Health Te Tari Ora Health Research Services.
5. Kramer, E. (1986). The art therapist's third hand: Reflections on art, art therapy, and society at large. American Journal of Art Therapy, 24, 71-86.
6. Kramer, E. (1971). Art (1s thempy with chfldren. New York: Schocken Books.
7. Kramer, E. (1958). Art therapy In a children's community. New York: Schocken Books.
8. Mataira, M. (1984). Marot artists of the South Pacific. Raglan, New Zealand: New Zealand Artists &Writers Society.
9. Mead, S. M. (Ed.). (1984). The Maori: Maori art from New Zealand. New York: Harry N. Abrams.
10. Tauroa, H., & Tauroa, P. (1986). Te Marae: A guide to customs and protocol. New Zealand: Reed Books.