Two types of octave relationships in central Australian vocal music?

Musicology Australia

Volumn 20, Issue 1, 1997, Pages 6-14

  Will, Udo ^a  

^a FLINDERS UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85009629405     PISSN: 08145857     EISSN: 1949453X     Source Type: Journal    
DOI: 10.1080/08145857.1997.10415970     Document Type: Article

References (14)

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2. Ellis, Catherine J. (1985), Aboriginal Music: Education for Living. Gross-cultural experiences from South Australia. St Lucia: University of Oeensland Press (reissued in paperback 1989, 1993)
3. Ellis, C. J. (1991), ‘Exactitude d’intonation et precision de l’ensemble dans la musique de l’Australie Central’ in Cahiers de Musiques traditionelles, No. 4 (Voix): 207-26.
4. Ellis, C. J. (1992), ‘Transposition in South Australian Aboriginal Songs: Frequency Difference or Frequency Ratio?' in Rüdiger Schumacher (ed.), Von Der VMfalt Musikalischer Kultur: Festschrift für Joseph Kukkertz.Salzburg: Anif
5. Harwood, D. L. (1967), ‘Universals in Music: A perspective from cognitive psychology’, Ethnomusicology, 20: 521-33.
6. Hermes, D. J., and C. van Gestel (1991). ‘The frequency scale of speech intonation’, J. Acoust. Soc. Am., 90/1: 97-102.
7. Moyle, R. M. (1979), Songs of the Pintupi. Musical life in a central Australian society. Canberra: Australian institute of Aboriginal Studies.
8. Plomp, R., and W.J.M. Levelt (1965), ‘Tonal Consonance and Critical Bandwidth’, J. Acoust. 8oc. Am., 38: 548-60.
9. Waliiser, K. (1969), 'Ülber die Spreizung yon empfundenen Intervallen gegenfiber mathematisch harmonischen IntervaUen bei Sinustönen’, Frequenz, 23/5: 139-43.
10. Ward, W. D. (1954), ‘Subjective musical pitch’, J. Acoust. Soc. Am., 26: 369-80.
11. Will, U. (1994), ‘Structures of Frequency Organisation in Central Australian Aboriginal Music’ in Proceedings of the Xth European Seminar in Ethnomusicology, ESEM X, Oxford. Available via: ftp://turandot.music.ed.ac.uk.public.esem; http://www.mus.ed.ac.uk./research/con fer -ences/esem.html.
12. Will, U. (1995), ‘Frequency performance in Australian Aboriginal vocal music with and without "tone" producing instruments’, paper presented at the 33rd ICTM World Conference, Canberra, Australia.
13. Will, U., and C. Ellis (1994), ‘Evidence for linear transposition in Australian Western Desert Vocal Music’, Musicology Australia, 17: 1-11.
14. Will, U., and C. Ellis (1996), ‘A re-analysed Australian Western Desert song: Frequency Performance and Interval Structure’, Ethnomusicology, 40/2: 187-222