“Burning Scripts”: Self psychology, affect consciousness, script theory and the bmgim

Nordic Journal of Music Therapy

Volumn 12, Issue 2, 2003, Pages 115-123

  Ruud, Even ^a  

^a NONE

Author keywords

Affect; BMGIM; Music as a selfobject; Psychotherapy and music; Script; Self psychology

Indexed keywords

EID: 85009591362     PISSN: 08098131     EISSN: None     Source Type: Journal    
DOI: 10.1080/08098130309478082     Document Type: Article

References (17)

1. Bonde, Lars Ole (2000). Metaphor and Narrative in Guided Imagery and Music. Journal of The Association for Music and Imagery, Vol. 7, pp. 59-76.
2. Bruscia, Kenneth (Ed.) (1998). The Dynamics of Music Psychotherapy. Gilsum, NH: Barcelona Publishers.
3. Bruscia, Kenneth (2002). The Boundaries of Guided Imagery and Music (GIM) and the Bonny Method. In: Bruscia, Kenneth E. & Grocke, Denise E. (Eds.). Guided Imagery and Music: The Bonny Method and Beyond. Gilsum, NH: Barcelona Publishers.
4. Clarke, Erik F. (2003). Music and Psychology. In: Clayton, Martin, Herbert, Trevor & Middleton, Richard (Eds.) The Cultural Study of Music. A Critical Introduction. New York and London: Routledge.
5. DeNora, Tia (2000). Music in Eveiyday Life. Cambridge. Cambridge University Press.
6. Hartmann, Ellen (2000). Fra drift til selv: Konsekvenser for dynamisk psykoterapi. In: Holte, Arne; Rpnnestad, Michael H. & Nielsen, Geir Hpstmark (Eds.). Psykoterapi og psykoterapiveileclning. Teori, empiri og praksis [Psychotherapy and Counselling in Psychotherapy: Theory, Data and Practice]. Oslo: Gyldendal Akademisk.
7. Mitchell, Stephen A. & Black, Margaret J. (1995). Freucl and Beyond. A History of Modern Psychoanalytic Thought. New York: Basic Books.
8. Moe, Torben (2002). Restitutional Factors in Receptive Group Music Therapy Inspired by GIM. Nordic Journal of Music Therapy, Vol. 11, no. 2, pp. 152-166.
9. Monsen, Jon T. (1997). Selvpsykologi og nyere affektteori. In: Karterud, Sigmund & Monsen, Jon T. (Eds.). Selvpsykologi. Utviklingen etter Kohut [Self Psychology. The Development After Kohut]. Oslo: Ad Notam Gyldendal.
10. Monsen, Jon T. & Monsen, Kirsti (1999). Affect and Affect Consciousness: A Psychotherapy Model Integrating Silvan Tomkins’s Affect-and Scripts Theory Within the Framework of Self Psychology. In: Goldberg, Arnold (Ed.). Progress in Self Psychology: Vol 15. Pluralism in Self Psychology. Hillsdale: The Analytic Press.
11. Monsen, Jon T. & Monsen, Kirsti (2000). Affekter og affektbevissthet: Et bidrag til integrerende psykoterapimodell. In: Holte, Arne; Rpnnestad, Michael H. & Nielsen, Geir Hpstmark (Eds.). Psykoterapi og psykoterapiveiledning. Teori, empiriogpraksis [Psychotherapy and Counselling in Psychotherapy: Theory, Data and Practice]. Oslo: Gyldendal Akademisk.
12. Perilli, Gabriella Giordanella (2002). The Role of Metaphor in the Bonny Method of Guided Imagery and Music (BMGIM). In: Bruscia, Kenneth E. and Grocke, Denise (Eds.).Guided Imagery and Music. The Bonny Method and Beyond. Gilsum, NH: Barcelona Publishers.
13. Reinert, Finn (2002). Musikken og selvet. Impuls. Tidsskrift for psykologi, Vol. 56, no. 2-3, pp. 58-67.
14. Sigrell, Bo (2000). Psykoanalytisk orienterad psykoterapi. En introduktion [Psychoanalytic Oriented Psychotherapy. An Introduction]. Stockholm: Natur och Kultur.
15. Sloboda, John A. & Juslin, Patrik N. (2001). Psychological Perspectives on Music and Emotion. In: Juslin & Sloboda (Eds.). Music and Emotion, Theory and Research. Oxford: Oxford University Press.
16. Wrangsjo, Bjorn (1994). Psychoanalysis and Guided Imagery and Music (GIM): A Comparison. Journal of the Association for Music and Imagery, Vol. 3, pp.35-48.
17. Wrangsjo, Bjorn & Korlin, Dag (1995). Guided Imagery and Music as a Psychotherapeutic Method in Psychiatry. Journal of the Association for Music and Imagery, Vol, 4, pp. 79-92.