Marvell’s sexuality

Seventeenth Century

Volumn 11, Issue 1, 1996, Pages 87-123

  Hammond, Paul ^a  

^a UNIVERSITY OF LEEDS   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85009579977     PISSN: 0268117X     EISSN: 20504616     Source Type: Journal    
DOI: 10.1080/0268117X.1996.10555410     Document Type: Article

References (31)

1. Andrew Marvell, The Rehearsal Transpros’d and The Rehearsal Transpros’d The Second Part, edited by D.I.B. Smith (Oxford, 1971), pp. 5-6.
2. John Gerarde, The Herball or Generali Historie of Plantes… very much enlarged and amended by Thomas Johnson (London, 1633), p. 1293.
3. M. Grieve, A Modern Herbal (Harmondsworth, 1976), pp. 681-82;
4. Gordon Williams, A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature, 3 vols (London, 1994), pp. 678-87.
5. Morris Palmer Tilley, A Dictionary of Proverbs in England in the Sixteenth and Seventeenth Centuries (Ann Arbor, 1950), P 313.
6. Titus Oates in A Hue and Cry after Dr. T.O. (London, 1681)
7. William Shakespeare, Henry IV, Part I, edited by David Bevington (Oxford, 1987), III. 3. 119-123.
8. Edward Topsel, The History of Four-footed Beasts and Serpents (London, 1658), p. 445.
9. Paul Hammond, ‘The King’s Two Bodies: Representations of Charles II’, in Culture, Politics and Society in Britain 1660-1800, edited by Jeremy Black and Jeremy Gregory (Manchester, 1991), pp. 13-48.
10. Paul Hammond, ‘Titus Oates and “Sodomy”’, forthcoming in Culture and Politics in Britain 1660-1800, edited by Jeremy Black (Manchester, 1997).
11. Paul Hammond, Love between Men in English Literature (Basingstoke, 1996), pp. 88-102.
12. Alan Bray in Homosexuality in Renaissance England (London, 1982)
13. Rictor Norton, Mother Clap’s Molly House: The Gay Subculture in England 1700-1830 (London, 1992).
14. William Riley Parker, Milton: A Biography, 2 vols (Oxford, 1968), II. 1027
15. Marvell, M. Poems and Letters, I, 274.
16. Louise Vinge, The Narcissus Theme in "Western European Literature up to the early 19th Century (Lund, 1967), pp. 174-8.
17. Christopher Ricks, ‘“Its own resemblance’” in Approaches to Marvell: The York Tercentenary Lectures, edited by C.A. Patrides (London, 1978) pp. 108-35.
18. Hammond, H. Love between Men, pp. 16-23.
19. Shakespeare, S. Antony and Cleopatra I. 5. 25.
20. Abraham Cowley, Poems, edited by A.R. Waller (Cambridge, 1905), p. 136.
21. Cowley, C. Poems, p. 130.
22. Barbara Riebling, ‘England Deflowered and Unmanned: The Sexual Image of Politics in Marvell’s “Last Instructions’”, Studies in English Literature 1500-1900, 35 (1995), 137-57.
23. Christopher Marlowe, Hero and Leander, II. 153-226.
24. James Loxley in ‘Prepar’d at Last to Strike in with the Tyde? Andrew Marvell and Royalist Verse’, The Sevententh Century, 10 (1995), 39-62
25. J. B. Leishman, The Art of Marvell's Poetry, second edition (London, 1968), p. 166.
26. P. R. K. Davidson and A. K. Jones, ‘New Light on Marvell’s “The Unfortunate Lover”?’, Notes and Queries, 230 (1985) 170-72.
27. Lyndy Abraham in Marvell and Alchemy (Aldershot, 1990), pp. 248-54
28. Bruce Smith, Homosexual Desire in Shakespeare’s England (Chicago, 1991), pp. 80-81, 89-92.
29. Robert H. Ray, ‘Marvell’s “To his Coy Mistress” and Sandys’s Translation of Ovid’s Metamorphoses’, Review of English Studies, 44 (1993), 386-388.
30. Arthur F. Marotti, Manuscript, Print, and the English Renaissance Lyric (Ithaca, NY, 1995) p. 81.
31. Hilton Kelliher, Andrew Marvell: Poet and Politician (London, 1978), p. 53.