Music analysis and image potentials in classical music

Nordisk Tidsskrift for Musikkterapi

Volumn 6, Issue 2, 1997, Pages 121-128

  Bonde, Lars Ole ^a  

^a AALBORG UNIVERSITY   (Denmark)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85009556521     PISSN: 08039828     EISSN: None     Source Type: Journal    
DOI: 10.1080/08098139709477905     Document Type: Article

References (24)

1. Allesch, C. (1982): Das Musikerleben als personaler Gestaltungsprozess. Musikpädagogische Forschung Band 3: Gefühl als Erlebnis - Ausdruck als Sinn. K.-E. Behne, Laaber- Verlag: 47-68.
2. Bonde, L.O. (1992): Balladen om musikken - profilen og segmentane i Danmarks Radio. Mediekultur 18: 65-69.
3. Bonde, L.O. & I.N. Pedersen (1996): Grounding Image Potentials in the Musical Experience. Reflctions on a Tape Analysis of «Creativity I». Dept. of Music and Music Therapy, Aalborg University, DK.
4. Bonny, H. (1978): The Role of Taped Music programs in the GIM Process. (GIM Monograph #2). Salinas KS: The Bonny Foundation.
5. Bonny, H. (1993): «Body Listening: A new way to review the GIM tapes. Journal of the Association for Music and Imagery. 2: 3-13.
6. Bonny, H. & K. Bruscia (1996): Music for the Imagination. Gilsum NH: Barcelona Publishers.
7. Bonny, H. and L. Savary (1973 (reprint 1990)): Music and your Mind: Listening with a new Consciousness. New York, Harper & Row.
8. Bruscia, K.E. (1996): Music for the Imagination: Rationale, Implications and Guidelines for its Use in Guided Imagery and Music (GIM). Santa Cruz CA, Association for Music and Imagery.
9. Bush, C.A. (1995): Healing Imagery & Music. Pathways to the Inner Self. Portland, Orgeon: Rudra Press.
10. Ferrara, L. (1984): Phenomenology as a tool for musical analysis. The Musical Quarterly. 70(3): 355-373.
11. Forinash, M. and D. Gonzalez (1989): A pheno- menological perspective of music therapy. Music Therapy. 8(1): 35-46.
12. Glahn, H. (1945): Det musikalske Formbegreb. Levende musik. 4(7): 141-150.
13. Goldberg, F. (1995): The Bonny method of guided imagery and music. In: T. Wigram et al. (eds.): The Art and Science of Music Therapy. Harper & Row.
14. Jensen, J. R. (1994): Sådan kan de li’ det - Sådan vil de ha ‘ det. En undersøgelse af Danskernes musiksmag, med hovedvaegt pâ populaermusikken. Copenhagen, Danmarks Radio.
15. Kasayka, R. E. (1988): To Meet and Match the Moment of Hope: Transpersonal elements of the Guided Imagery and Music Experience. Savage, Maryland, Institute for Music and Imagery.
16. Keiser M.L. (1986): Conscious Listening: An Annotated Guide to the ICM Taped Music Programs. Olney MD: Archedigm Publications.
17. Kurth, E. (1917): Grundlagen des linearen Kontrapunkts. Bachs melodische Polyphonie. Bern.
18. Kurth, E. (1931): Musikpsychologie. Bern.
19. McKinney, C. H. (1990): The Effect of Music on Imagery. Journal of Music Therapy. 27(1): 34.
20. McKinney, C. H. (1995): Differential Effects of Selected Classical Music on the Imagery of High Versus Low Imagers: Two Studies. Journal of Music Therapy. 32(1): 22-45.
21. Mayer, J.D. et al. (1995): Mood Inductions for Four Specific Moods: A Procedure Employing Guided Imagery Vignettes With Music. Journal of Mental Imagery. 19(1&2): 133.
22. Nielsen, P. (1971): Den musikalske formanalyse. Fra A.B. Marx’ «Kompositionslehre» til vore dages Strukturanalyse. (Musical Form Analysis. From A. B. Marx’ «Kompositionslehre» to contemporary structural analysis). København, Borgens Forlag
23. Short, A.E. (1992): «Music and Imagery with Physically Disabled Elderly Residents: A GIM Adaptation». Music Therapy Vol. II, no. 1, 65-98
24. Toomey, L. (1996): Literature review: The Bonny Method of Guided Imagery and Music. Journal of the Association for Music and Imagery. Vol. 5 p. 75-104.