Automatic page turning for musicians via real-time machine listening

Frontiers in Artificial Intelligence and Applications

Volumn 178, Issue , 2008, Pages 241-245

  Arzt, Andreas ^a   Widmer, Gerhard ^a,b   Dixon, Simon ^a,c  

^a JOHANNES KEPLER UNIVERSITY LINZ   (Austria)

^b AUSTRIAN RESEARCH INSTITUTE FOR ARTIFICIAL INTELLIGENCE   (Austria)

^c QUEEN MARY UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO FILES; MACHINE LISTENING; MUSIC SCORES; PERFORMANCE; REAL- TIME; SYNTHESISED; SYSTEMATIC EXPERIMENT; TIME MACHINE; TURNING MACHINES;

AUDIO ACOUSTICS;

EID: 85009485956     PISSN: 09226389     EISSN: 18798314     Source Type: Book Series    
DOI: 10.3233/978-1-58603-891-5-241     Document Type: Conference Paper

References (10)

1. A. Arzt, Score Following with Dynamic Time Warping: An Automatic Page Turner, Master’s Thesis, University of Technology, Vienna, 2008.
2. A. Cont, D. Schwarz, N. Schnell, and C. Raphael, ‘Evaluation of Real-time Audio-to-score Alignment’, in Proc. 8th International Conference on Music Information Retrieval (ISMIR 2007), Vienna, (2007).
3. R. Dannenberg, ‘An On-line Algorithm for Real-time Accompaniment’, in Proceedings of the International Computer Music Conference (ICMC 1984), Paris, France, (1984).
4. R. Dannenberg and N. Hu, ‘Polyphonic Audio Matching for Score Following and Intelligent Audio Editors’, in Proceedings of the International Compter Music Conference (ICMC 2003), Singapore, (2003).
5. S. Dixon, ‘An On-line Time Warping Algorithm for Tracking Musical Performances’, in Proceedings of IJCAI 2005, pp. 1727–1728, Edinburgh, Scotland, (2005).
6. B. Pardo and W. Birmingham, ‘Modeling Form for On-line Following of Musical Performances’, in Proceedings of the 20th National Conference on Artificial Intelligence, Pittsburgh, Pennsylvania, (July 2005).
7. C. Raphael, ‘A Bayesian Network for Real Time Music Accompaniment’, in Neural Information Processing Systems, 14, (2001).
8. D. Schwarz, N. Orio, and N. Schnell, ‘Robust Polyphonic Midi Score Following with Hidden Markov Models’, in Proc. of the International Computer Music Conference (ICMC 2004), Miami, Florida, (2004).
9. B. Vercoe and M. Puckette, ‘Synthetic Rehearsal: Training the Synthetic Performer’, in Proceedings of the International Computer Music Conference (ICMC 1985), Vancouver, Canada, (1985).
10. G. Widmer, S. Dixon, W. Goebl, E. Pampalk, and A. Tobudic, ‘In Search of the Horowitz Factor’, AI Magazine, 24(3), 111–130, (2003).