Upper Palaeolithic Cave Art: French and South African Collaboration

Cambridge Archaeological Journal

Volumn 6, Issue 1, 1996, Pages 137-139

  Clottes, Jean ^a   Lewis Williams, David ^b  

^a Service Régional de l'Archéologie de la Guadeloupe   (France)

^b UNIVERSITY OF THE WITWATERSRAND   (South Africa)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85008590396     PISSN: 09597743     EISSN: 14740540     Source Type: Journal    
DOI: 10.1017/S0959774300001633     Document Type: Article

References (20)

1. Bleek D.F., 1933a. Beliefs and customs of the /Xam Bushmen, part V: The rain. Bantu Studies 7, 297–312.
2. Bleek D.F., 1933b. Beliefs and customs of the /Xam Bushmen, part VI: Rain-making. Bantu Studies 7, 375–92.
3. Bleek D.F., 1935. Beliefs and customs of the /Xam Bushmen, part VII: Sorcerers. Bantu Studies 9, 1–47.
4. Bleek D.F., 1936. Beliefs and customs of the /Xam Bushmen, part VIII: More about sorcerers and charms. Bantu Studies 10, 131–62.
5. Bleek W.H.I. & Lloyd L.C., 1911. Specimens of Bushman Folklore. London: George Allen.
6. Cartailhac E., 1902. La grotte ornée d'Altamira (Espagne): Mea culpa d'un sceptique. L'Anthropologie 13, 348–54.
7. Clottes J., 1993. Paint analyses from several Magdalenian caves in the Ariège region of France. Journal of Archaeological Science 20, 223–35.
8. Clottes J., Chauvet J.-M., Brunel-Deschamps E., Hillaire C., Daugasm J.-P., Arnold M., Cachier M., Evin J., Fortin P., Oberlin C., Tisnerat N. & Valladas H., 1995. Les peintures paléolithiques de la Grotte Chauvet-Pont-d'Arc à Vallon-Pont-d'Arc (Ardèche, France): datations directes et indirectes par la méthode du radiocarbone. Comptes-Rendus de l'Académic des Sciences de Paris 320, 1133–40.
9. Laming-Emperaire A., 1962. La signification de l'art rupestre paléolithique. Paris: Picard.
10. Leroi-Gourhan A., 1965. Préhistoirc de l'art Occidental. Paris: Mazenod.
11. Lewis-Williams J.D., 1981. Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. London: Academic Press.
12. Lewis-Williams J.D., 1982. The economic and social context of southern San rock art. Current Anthropology 23, 429–49.
13. Lewis-Williams J.D., 1991. Wrestling with analogy: a problem in Upper Palaeolithic art research. Proceedings of the Prehistoric Society 57(1), 149–62.
14. Lewis-Williams J.D. & Dowson T.A., 1988. Signs of all times: entopic phenomena in Upper Palaeolithic art. Current Anthropology 29, 201–45.
15. Lewis-Williams J.D. & Dowson T.A., 1989. Images of Power: Understanding Bushman Rock Art. Johannesburg: Southern Book Publishers.
16. Lorblanchet M., 1994. La datation de l'art pariétal paléolithique. Bulletin de la Société des Etudes du Lot 115, 161–82.
17. Reinach S., 1903. L'art et la magie. A propos des peintures et des gravures de l'Age du Renne. L'Anthropologie 14, 257–66.
18. Spencer W.B. & Gillen F.J., 1899. The Native Tribes of Central Australia. London: Macmillan.
19. Vinnicombe P., 1976. People of the Eland: Rock Paintings of the Drakensberg Bushmen as a Reflection of their Life and Thought. Pietermaritzburg: Natal University Press.
20. Wylie A. 1988. ‘Simple’ analogy and the role of relevance assumptions: implications of archaeological practice. International Studies in the Philosophy of Science 2, 134–50.