Signature work: Bandung, 1994

Ethnos

Volumn 64, Issue 2, 1999, Pages 212-231

  George, Kenneth M ^a  

^a UNIVERSITY OF OREGON   (United States)

Author keywords

A.D. Pirous; Art; Forgery; Globalization; Indonesia

Indexed keywords

EID: 85008429631     PISSN: 00141844     EISSN: 1469588X     Source Type: Journal    
DOI: 10.1080/00141844.1999.9981599     Document Type: Article

References (59)

1. Appadurai, Arjun. 1986. “ Introduction: Commodities and the Politics of Value. ”. In The Social Life of Things: Commodities in Cultural Perspective, Edited by: Appadurai, Arjun. 3–63. Cambridge: Cambridge University Press.
2. Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization., Minneapolis: University of Minnesota Press.
3. Appadurai, Arjun. 1997. Fieldwork in the Era of Globalization. Anthropology and Humanism, 22(1): 115–118.
4. Buchari, Machmud, and Yuliman, Sanento. 1985. A.D. Pirous: Painting, Etching, and Serigraphy 1960–1985 Retrospective Exhibition., Bandung: Galeri Decenta.
5. Chatterjee, Partha. 1993. The Nation and Its Fragments: Colonial and Postcolonial Histories., Princeton: Princeton University Press.
6. Clifford, James. 1988. The Predicament of Culture: Twentieth‐Century Ethnography, Literature, and Art., Cambridge: Cambridge University Press.
7. Clifford, James, and Marcus, George E., 1986. Writing Culture: The Poetics and Politics of Ethnography., Berkeley: University of California Press.
8. Comaroff, John, and Comaroff, Jean. 1992. Ethnography and the Historical Imagination., Boulder: Westview Press.
9. Coombe, Rosemary J., and Stoller, Paul. 1994. X Marks the Spot: The Ambiguities of African Trading in the Commerce of the Black Public Sphere. Public Culture, 7(1): 249–274.
10. Das, Veena. 1995. Critical Events: An Anthropological Perspective on Contemporary India., Oxford: Oxford University Press.
11. Dermawan, T., Agus., 1990. “ Contemporary Indonesian Painting 1950–1990. ”. In Streams of Indonesian Art: From Prehistoric to Contemporary, Edited by: Kusuma‐Atmadja, M., 105–163. Bandung: Committee of Festival of Indonesia 1990–1991.
12. Eco, Umberto. 1985. Innovation and Repetition: Between Modern and Post‐Modern Aesthetics. Daedalus, 114(4): 161–184.
13. Errington, Shelly. 1998. The Death of Authentic Primitive Art and Other Tales of Progress., Berkeley: University of California Press.
14. Featherstone, Mike, ed. 1990. Global Culture: Nationalism, Globalization and Modernity., London: Sage Publications.
15. George, Kenneth M., 1997. Some Things That Have Happened to ‘The Sun After September 1965:’ Politics and the Interpretation of an Indonesian Painting. Comparative Studies in Society and History, 39(4): 603–634.
16. George, Kenneth M. 1998. Designs on Indonesia's Muslim Communities. Journal of Asian Studies, 57(3): 693–713.
17. Giddens, Anthony. 1990. The Consequences of Modernity., Stanford: Stanford University Press.
18. Giddens, Anthony. 1991. Modernity and Self‐Identity: Self and Society in the Late Modern Age., Stanford: Stanford University Press.
19. Herzfeld, Michael. 1997. Cultural Intimacy: Social Poetics in the Nation‐State., New York: Routledge.
20. Holt, Claire. 1967. Art in Indonesia: Continuities and Change., Ithaca: Cornell University Press.
21. Holt, Claire. 1970. Indonesia Revisited. Indonesia, 9: 163–188.
22. Hyde, Lewis. 1979. The Gift: Imagination and the Erotic Life of Property., New York: Vintage/Random House.
23. Irvine, Judith T., 1989. When Talk Isn't Cheap: Language and Political Economy. American Ethnologist, 16(2): 1248–267.
24. Iskandar, Popo. 1992. Semoga Boom Itu Bukan Boomerang Seni Lukis Indonesia. (May the Boom not Boomerang for Indonesian Painting.). Kompas, 12 January 1992, p. 10. Jakarta
25. Jameson, Fredric. 1983. “ Postmodernism and Consumer Culture. ”. In The Anti‐Aesthetic: Essays on Postmodern Culture, Edited by: Foster, Hal. 111–125. Seattle: Bay Press.
26. Jameson, Fredric. 1991. Postmodernism, or the Cultural Logic of Late Capitalism., Durham: Duke University Press.
27. Jones, Mark. 1990. “ Why Fakes? ”. In Fake? The Art of Deception, Edited by: Jones, Mark. 11–16. Berkeley: University of California Press.
28. King, Anthony D., ed. 1991. Culture, Globalization and the World‐System: Contemporary Conditions for the Representation of Identity., Binghampton: Department of Art and Art History, State University of New York at Binghampton.
29. Koemer, Joseph Leo, and Koerner, Lisbet. 1996. “ Value. ”. In Critical Terms for Art History, Edited by: Nelson, Robert S., and Shiff, Richard. 292–306. Chicago: University of Chicago Press.
30. Kopytoff, Igor. 1986. “ The Cultural Biography of Things: Commoditization as Process. ”. In The Social Life of Things: Commodities in Cultural Perspective, Edited by: Appadurai, Arjun. 64–94. Cambridge: Cambridge University Press.
31. Lowenthal, David. 1990. “ Forging the Past. ”. In Fake? The Art of Deception, Edited by: Jones, Mark. 16–22. Berkeley: University of California Press.
32. MacGaffey, Wyatt (n.d). Magic, or as We Usually Say, ‘Art:’ A Framework for Comparing European and African Art. manuscript.
33. Maklai, Brita. 1993. “ New Streams, New Visions: Contemporary Art Since 1966. ”. In Culture and Society in New Order Indonesia, Edited by: Hooker, Virginia M., 70–83. Kuala Lumpur: Oxford University Press.
34. Marcus, George E., 1986. “ Contemporary Problems of Ethnography in the Modern World System. ”. In Writing Culture: The Poetics and Politics of Ethnography, Edited by: Clifford, James, and Marcus, George E., 165–193. Berkeley: University of California Press.
35. Marcus, George E. 1997. The Uses of Complicity in the Changing Mise‐en‐Scène of Anthropological Fieldwork. Representations, 59: 85–108.
36. Marcus, George E., and Fischer, Michael M.J., 1986. Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences., Chicago: University of Chicago Press.
37. Marcus, George E., and Myers, Fred R., 1995. “ The Traffic in Art and Culture: An Introduction. ”. In The Traffic in Art and Culture: Refiguring Art and Anthropology, Edited by: Marcus, George E., and Myers, Fred R., 1–51. Berkeley: University of California Press.
38. Miklouho‐Maklai, Brita. 1991. Exposing Society's Wounds: Some Aspects of Contemporary Indonesian Art Since 1966. Asian Studies Monograph Series (No. 5), Adelaide: Flinders University.
39. Myers, Fred. R., 1994. Beyond the Intentional Fallacy: Art Criticism and the Ethnography of Aboriginal Acrylic Painting. Visual Anthropology Review, 10(1): 10–43.
40. Myers, Fred. 1998. Uncertain Regard: An Exhibition of Aboriginal Art in France. Ethnos, 63(1): 7–47.
41. Ortner, Sherry B., 1995. Resistance and the Problem of Ethnographic Refusal. Comparative Studies in Society and History, 37(1): 173–193.
42. Phillips, Ruth B., and Steiner, Christopher B., eds. 1999. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds., Berkeley: University of California Press.
43. 1994. Pemalsuan Lukisan Makin Menjadi (Forgery of Paintings on the Increase). Pikiran Rakyat, 5 July: 2 Bandung
44. Price, Richard, and Price, Sally. 1995. Enigma Variations., Cambridge: Harvard University Press.
45. Price, Sally. 1989. Primitive Art in Civilized Places., Chicago: University of Chicago Press.
46. Robertson, Roland. 1991. “ Social Theory, Cultural Relativity and the Problem of Glob‐ality. ”. In Culture, Globalization and the World‐System: Contemporary Conditions for the Representation of Identity, Edited by: King, Anthony D., 69–90. Binghampton: Department of Art and Art History, State University ofNew York at Binghampton.
47. Siegel, James T., 1997. Fetish, Recognition, Revolution, Princeton: Princeton University Press.
48. Simmel, Georg. 1950. The Sociology of Georg Simmel, Edited by: Wolff, Kurt H., Glencoe, Illinois: The Free Press.
49. Spanjaard, Helena. 1988. “ Free Art: Academic Painters in Indonesia. ”. In Kunst uit een Andere Wereld (Art from Another World), Edited by: Faber, Paul, van der Linden, Liane, and Tulmans, Mien. 103–132. Rotterdam: Museum voor Volkenkunde.
50. Spanjaard, Helena. 1990. “ Bandung, the Laboratory of the West? ”. In Modern Indonesian Art: Three Generations of Tradition and Change, 1945–1990, Edited by: Fischer, Joseph. 54–77. New York: Festival of Indonesia.
51. Spanjaard, Helena. 1993. “ The Controversy between the Academies of Bandung and Yogyakarta. ”. In Modernity in Asian Art, Edited by: Clark, John. 85–104. Sydney: Wild Peony.
52. Stiles, Kristine, and Selz, Peter, eds. 1996. Contemporary Art: A Sourcebook of Artists’ Writings., Berkeley: University of California Press.
53. Sullivan, Nancy. 1995. “ Inside Trading: Postmodernism and the Social Drama of Sunflowers in the 1980s Art World. ”. In The Traffic in Art and Culture: Refiguring Art and Anthropology, Edited by: Marcus, George E., and Myers, Fred R., 256–301. Berkeley: University of California Press.
54. Tsing, Anna Lowenhaupt. 1993. In the Realm of the Diamond Queen: Marginality in an Out‐of‐the‐Way Place., Princeton: Princeton University Press.
55. Wallerstein, Immanuel. 1974. The Modern World System: Capitalist Agriculture and the Origins of the European World‐Economy in the Sixteenth Century., New York: Academic Press.
56. Weber, Max. 1986. Economy and Society, Edited by: Roth, Guenther, and Wittich, Claus. Berkeley: University of California Press.
57. Wolf, Eric. 1982. Europe and the People without History., Berkeley: University of California Press.
58. Wolff, Janet. 1993. The Social Production of Art, New York: New York University Press.
59. Astri, Wright. 1994. Soul, Spirit, and Mountain: Preoccupations of Contemporary Indonesian Painters., Kuala Lumpur: Oxford University Press.