Notes towards an agenda for the next generation of film theorists in india

South Asian Popular Culture

Volumn 1, Issue 1, 2003, Pages 79-84

  Nandy, Ashis ^a  

^a CENTRE FOR THE STUDY OF DEVELOPING SOCIETIES   (India)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85007826406     PISSN: 14746689     EISSN: 14746697     Source Type: Journal    
DOI: 10.1080/1474668032000077131a     Document Type: Article

References (7)

1. Veena Das, 'The Mythological Film and Its Framework of Meaning: An Analysis of Jai Santoshi Ma', India International Centre Quarterly 9(1), 1981, pp. 43-56.
2. Rachel Dwyer, 'Yash Chopra: Fifty Years in Indian Cinema'. New Delhi: Lotus, 2002.
3. Fareed Kazmi, 'The Politics of India's Conventional Cinema: Imaging a Universe, Subverting a Multiverse'. New Delhi: Sage, 1999.
4. Philip Lutgendorf, 'A Superhit Goddess: Jai Santoshi Maa and Caste Hierarchy in Indian Films', Manushi, Parts I & II, 131, 2002, pp. 10-16, 24-37.
5. Anjali Monteiro, 'State, Subject and the "Text"', unpublished Ph.D. dissertation, Goa University, 1999.
6. Ashis Nandy, 'The Popular Hindi Gilm: Ideology and First Principles' India International Centre Quarterly 8(1), March 1981, pp. 89-96.
7. Ashis Nandy, 'The Savage Freud: The First Non-Western Psychoanalyst and the Politics of Secret Self in Colonial India', in The Savage Freud and Other Essays on Possible and Retrievable Selves. New Delhi: Oxford University Press, 1995, pp. 81-144.