The dangerous shores-one last time

Text and Performance Quarterly

Volumn 16, Issue 4, 1996, Pages 356-358

  Bacon, Wallace A ^a  

^a NORTHWESTERN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85007122936     PISSN: 10462937     EISSN: 14795760     Source Type: Journal    
DOI: 10.1080/10462939609366159     Document Type: Article

References (6)

1. “The Dangerous Shores: From Elocution to Interpretation,” The Quarterly Journal of Speech (April, 1960), 148-152
2. Richard Haas and David A. Williams, The Study of Oral Interpretation: Theory and Comment (Indianapolis: Bobbs-Merrill, 1975), 1–12.
3. Elizabeth Bell, “Toward a Pleasure-Centered Economy: Wondering a Feminist Aesthetics of Performance.” Text and Performance Quarterly 15 (1995), 99–121.
4. Simon Leys, The Chinese Art of Writing, byjean Francis Billeter, in The New York Review of Books, 43.7 (April 18,1996), 30.
5. Markjacobson, “Playing the Synthesizer,” Natural History, 105.3 (March, 1996), 25.
6. Mona Molarsky, in “Spoken/Word,” The Nation 262.17 (April 29, 1996)