Ballet, gender and cultural power

Dance, Gender and Culture

Volumn , Issue , 2016, Pages 34-48

  Novack, Cynthia J ^a  

^a WESLEYAN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85007044415     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1007/978-1-349-23842-2     Document Type: Chapter

References (22)

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2. T. Bentley, Winter Season, (New York: Vintage Books, 1982).
3. E. S. Bowen, Return to Laughter, (New York: Doubleday, 1964).
4. J. Brady, The Unmaking of a Dancer: An Unconventional Lift, (New York: Harper & Row, 1982).
5. J. Briggs, Never in Anger: Portrait of an Eskimo Family, (Cambridge, Mass: Harvard University Press, 1970).
6. J. Chernoff, African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms, (University of Chicago Press, 1979).
7. J. Clifford and G. E. Marcus (eds), Writing Culture: The Poetics and the Politus of Ethnography, (Berkeley: University of California Press, 1986).
8. A. Daly, 'Classical Ballet: A Diseourse of Differenee', Women & Performance, Vol. 3(2) (1987/88) 57-66.
9. A. Daly, 'The Balanchine Woman: Of Humming birds and Channel Swimmers', The Drama Review, Vol. 31 (I) (Spring 1987) 8-21.
10. L. Garafola, 'The Travesty Daneer in Nineteenth-Century Ballet', Dance Research Journal, 17/2 and 18/1 (Fall 1985/Spring 1986) 35-40.
11. C. Geertz, The Interpretation of Cultures, (New York: Basic Books, 1973).
12. M. Goldberg, 'Ballerinas and Ball Passing', Women & Performance, Vol. 3 (2) (1987/88) 7-31.
13. S. Gordon, Off Balance: The Real World of Ballet (New York: Pantheon, 1983).
14. G. Kirkland with G. Lawrenee, Dancing on My Grave, (Garden City, NY: Doubleday, 1986).
15. I. Molotsky, 'Villella Asks Forgiveness for Kirkland', New York Times (28 Oetober 1987).
16. C. J. Novaek, Sharing the Dance: Contact Improvisation and American Culture, (Madison, Wis.: University of Wisconsin Press, 1990).
17. C.J. Novaek, 'Sharing the Dance: An Ethnography of Contact Improvisation', PhD Dissertation, (New York: Columbia University, 1986).
18. G. Obeyesekere, Medusa's Hair: An Essay on Personal Symbols and Religious Experience, (U niversity of Chieago Press, 1981).
19. R. Rosaldo, Culture and Truth, The Remaking of Social Anarysis, (Boston: Beacon Press, 1989).
20. V. Turner, Schism and Continuity in an African Society, (Manchester University Press, 1957).
21. L. M. Vineent, Competing With the Sylph: Dancers and the Pursuit of the Ideal Body Form, (New York: Berkeley, 1981).
22. J. Wolff, Aestketics and the Sociology of Art, (London: George Allen & Unwin, 1983).