Margaret Mead and Gregory Bateson in Bali: Their Use of Photography and Film

Cultural Anthropology

Volumn 3, Issue 2, 1988, Pages 160-177

  Jacknis, Ira ^a  

^a and New World Art the Brooklyn Museum ^*

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85005345456     PISSN: 08867356     EISSN: 15481360     Source Type: Journal    
DOI: 10.1525/can.1988.3.2.02a00030     Document Type: Article

References (33)

1. “For God's Sake, Margaret”
2. Introduction
3. Mead's Mediations: Some Semiotics from the Sepik, by way of Bateson, on to Bali
4. Between‐the‐Wars Bali: Rereading the Relics
5. The History of Ethnographic Film
6. The Film Elicitation Technique
7. An Efficient Sample of One: Margaret Mead Leaves the Sepik (1938)
8. A Timely Reading of Naven: Gregory Bateson as Oracular Essayist
9. Native Languages as Field‐Work Tools
10. From Intuition to Analysis in Communication Research
11. The Art and Technology of Field Work
12. Visual Anthropology in a Discipline of Words
13. Review of Balinese Character, by Gregory Bateson and Margaret Mead
14. Franz Boas and Early Camera Study of Behavior
15. A Research Film Program in the Study of Changing Man
16. Margaret Mead and the Shift from “Visual Anthropology” to the “Anthropology of Visual Communication”