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Volumn 2, Issue 3, 2002, Pages 223-246

Road to authenticity and stability: Representation of holidays, relocation and movement in the films of Eric Rohmer

Author keywords

authenticity; centre; holiday; Paris; postmodernism; spiritual; stability; tourism; transition; travelling

Indexed keywords


EID: 84998013845     PISSN: 14687976     EISSN: None     Source Type: Journal    
DOI: 10.1177/14687976020023001     Document Type: Article
Times cited : (9)

References (30)
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  • 6
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    • Ma nuit chez Maud
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    • Dawson, Jan (1970) ‘Ma nuit chez Maud’, Monthly Film Bulletin January, no. 432: 6-7.
    • (1970) Monthly Film Bulletin , Issue.432 , pp. 6-7
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  • 7
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    • L’Ami de mon ami
    • July, no
    • Durgnat, Raymond (1988) ‘L’Ami de mon ami’, Monthly Film Bulletin July, no. 654: 198-199.
    • (1988) Monthly Film Bulletin , Issue.654 , pp. 198-199
    • Durgnat, R.1
  • 9
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    • The Question of Cultural Identity
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    • Hall, Stuart (1992) ‘The Question of Cultural Identity’, pp. 273–325 in Stuart Hall, David Held and Tony McGrew (eds) Modernity and its Futures. Cambridge: Polity Press.
    • (1992) Modernity and its Futures , pp. 273-325
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  • 10
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    • The Disoriented Tourist: The Figuration of the Tourist in Contemporary Cultural Critique
    • Chris Rojek and John Urry (eds), London: Routledge
    • Jokinen, Eeva and Soile Veijola (1997) ‘The Disoriented Tourist: The Figuration of the Tourist in Contemporary Cultural Critique’, pp. 23–51 in Chris Rojek and John Urry (eds) Touring Cultures: Transformations of Travel and Theory. London: Routledge.
    • (1997) Touring Cultures: Transformations of Travel and Theory , pp. 23-51
    • Jokinen, E.1    Soile Veijola2
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    • Eye for Irony: Eric Rohmer's Ma nuit chez Maud (1969)
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    • King, Norman (1990) ‘Eye for Irony: Eric Rohmer's Ma nuit chez Maud (1969)’, pp. 231–240 in Susan Hayward and Ginette Vincendeau (eds) French Films. Texts and Contexts. London: Routledge.
    • (1990) French Films. Texts and Contexts , pp. 231-240
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  • 14
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    • National Cinemas and Film Movements
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    • (1985) The Cinema Book , pp. 40-42
    • Kuhn, A.1
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    • Austin, TX: University of Texas Press
    • Laderman, David (2002) Driving Visions. Austin, TX: University of Texas Press.
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    • Travel and Mobility. Femininity and National Identity
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    • Representing the Sexual Impasse: Eric Rohmer's Le Nuits de la pleine lune (1984)
    • Susan Hayward and Ginette Vincendeau (eds), London: Routledge
    • Reynaud, Berenice (1990) ‘Representing the Sexual Impasse: Eric Rohmer's Le Nuits de la pleine lune (1984)’, pp. 269–283 in Susan Hayward and Ginette Vincendeau (eds) French Films. Texts and Contexts. London: Routledge.
    • (1990) French Films. Texts and Contexts , pp. 269-283
    • Reynaud, B.1
  • 22
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    • Letter to a Critic [Concerning my Contes moraux]
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    • Rohmer, Eric (1989) ‘Letter to a Critic [Concerning my Contes moraux]’, in Eric Rohmer The Taste for Beauty [trans. Carol Volk]. Cambridge: Cambridge University Press.
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  • 23
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    • London and New York: Routledge
    • Ryan, Chris (1991) Recreational Tourism. London and New York: Routledge.
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    • A Summer's Tale/Conte d’ete
    • October
    • Wrathal, John (1996) ‘A Summer's Tale/Conte d’ete’, Sight and Sound October: 53-54.
    • (1996) Sight and Sound , pp. 53-54
    • Wrathal, J.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.