Encountering the imperial and colonial past through olive schreiner's trooper peter halket of mashonaland[1]

Women's Writing

Volumn 7, Issue 2, 2000, Pages 197-219

  Stanley, Liz ^a  

^a UNIVERSITY OF MANCHESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84998008263     PISSN: 09699082     EISSN: 17475848     Source Type: Journal    
DOI: 10.1080/09699080000200142     Document Type: Article

References (6)

1. Mary Louise Pratt (1992) Imperial Eyes: Travel Writing and Transculturation (London: Routledge), pp. 6-7.
2. Frank W. Sykes (1897) With Plumer in Matabeleland: an account of the operations of the Matabeleland Relief Force during the rebellion of 1896 (Westminster, London: Archibald Constable & Co.), pp. 77-78.
3. Scott McCracken (1996) “Stages of Sand and Blood: the Performance of Gendered Subjectivity in Olive Schreiner’s Colonial Allegories”, Women’s Writing, 3, pp. 231-242
4. S. C. Cronwright-Schreiner (1924) The Life of Olive Schreiner (London: T. Fisher Unwin), pp. 184-190.
5. Carolyn Burdett (1994) “Review Essay: Olive Schreiner Revisited”, English in Africa special issue on “Revisions”, 21, pp. 221-232.
6. Stephen Gray (1975) “Schreiner’s Trooper at the Hanging Tree”, English in Africa, 2, pp. 23-38