Ulysses in toontown: 'Vision animated to bursting point' in Joyce's 'Circe'

Literature and Visual Technologies: Writing After Cinema

Volumn , Issue , 2003, Pages 96-121

  Williams, Keith ^a  

^a UNIVERSITY OF DUNDEE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84997294438     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1057/9780230389991     Document Type: Chapter

References (37)

1. Richard Ellmann James Joyce, New and Revised Edition (Oxford: Oxford University Press, 1982), pp. 300-04 and 310-12
2. Gosta Werner 'James Joyce, Manager of the First Cinema in Ireland', in NordicRejoycings - 1982 (Norberg, Sweden: James Joyce Society of Sweden and Finland, 1982), pp. 125-36
3. Liam O'Leary Cinema Ireland 1896-1950. (Dublin: National Library of Ireland, 1990).
4. James Joyce, A Portrait of the Artist as a Young Man. (1914-15; repr. Oxford: Oxford University Press, 2000) Ch.III, p. 116.
5. Georges Milies, Mage (Paris:Editions Jean Jacques Pauvert, 1961), pp. 168-217, especially 194).
6. David A. Cook, A History of Narrative Film (New York and London: Norton, 1981), pp. 13-14
7. Austin Briggs, '"Roll Away the Reel World, the Reel World": "Circe" and the Cinema', in Morris Beja and Shari Benstock (eds.), Coping With Joyce: Essays From the Copenhagen Symposium (Columbus: Ohio State UP, 1989), p. 145-56.
8. Ally Acker, Reel Women: Pioneers of the Cinema 1896 to the Present (London: Batsford, 1991), pp. xxiv and 3-12
9. Vachel Lindsay, The Art of the Moving Picture (1915. Revised 1922; repr. New York:Liveright, 1970), p. 61-3.
10. Austin Bnggs. '"Circe" and the Cinema', in Beja and Benstock (eds.) Coping With Joyce, pp. 145-56.
11. Thomas L. Burkdall, 'Cinema Fakes: Film and Joycean Fantasy', in Morris Beja and David Norris (eds.), Joyce in the Hibernian Metropolis:Essays. (Columbus: Ohio State UP, 1996), p. 260-69.
12. Alan Spiegel, Fiction and the Camera Eye. (Charlottesville: UP of Virginia, 1976), p. 134-40.
13. James Joyce Dubliners (1914; repr. Oxford: Oxford University Press, 2000), pp. 175.
14. James Joyce, Ulysses (1922; repr. Oxford: Oxford University Press, 1998), p. 117.
15. Richard Ellmann Ulysses on the liffey (Oxford: Oxford UP, 1972), Appendix pullout between pp. 188-89.
16. James Joyce. Scribbledehobble: The Ur-Workbookfor Finnegans Wake, ed. Thomas E. Connolly (Evanston, Illinois: Northwestern UP, 1961), p. 119.
17. Kevin Jackson, The Language of Cinema (Manchester: Carcanet, 1998), p. 14.
18. Charles Solomon, Enchanted Drawings: The History of Animation (New York: Wing Books, 1994), p. 16.
19. Sherill Grace, 'Midsummer Madness and the Day of the Dead: Joyce, Lowry and Expressionism', in Patrick A. McCarthy and Paul Tiessen (eds), Joyce/Lowry: Critical Perspective (Lexington: University Press of Kentucky, 1997, pp. 9-20.
20. Harry G. Carlson (Berkeley and Los Angeles: University of California Press, 1983), pp .205-06.)
21. 'A Course In Treatment' (1932), in his Film Form: Essays in Film Theory, ed. and trans. Jay Leyda (London: Dennis Dobson, 1963., pp. 84-107.
22. James Joyce and Sergej Eisenstein', trans, from Swedish by Erik Gunnemark, in James Joyce QuartertyXXVU, No.3 (Spring 1990), pp. 491-507.
23. John Frazer, Artificially Arranged Scenes:The Films of George Me lies (Boston: G.K. Hall, 1979).
24. Dave Smith, Disney A-Z: The Official Encyclopaedia (New York: Hyperion, 1996), p. 390.
25. G.M Lo Duca Le Dessin animi: Histoire, Esthetique, Technique. (Pans: Prisma, 1948), p. 128.
26. Donald Crafton, Entile Cohl, Caricature and Film. (Princeton:Princeton UP, 1990), pp. 154-55, 27.
27. Iris Barry Let's Go to the Pictures (1926; repr. as Let's Go to the Movies (New York:Payson and Clarke, 1972), pp. 11-12, 17-18 and 185.
28. Virginia Woolf, Collected Essays, ed. Leonard Woolf, vol. II. (London: Hogarth, 1964), pp .268-72.
29. Urban Modernity', in Paul Edwards (ed), The Great Vortex:Modernist London 1910-30 (Bath: Sulis Press, 2003).
30. Dziga Vertov, 'We' (1922), in Kino-Eye: The Writings ofDziga Vertov, ed. Annette Michelson. (Berkeley and London: University of California Press, 1984), pp. 5-9, 31.
31. Joyce, Finnegans Wake, pp. 16-18
32. Joyce and Early Cinema', in The James Joyce Broadsheet (February, 2001), p. 1.
33. Archie K. Loss, Joyce's Visible Art: The Work of Joyce and the Visual Arts, 1904-1922 (Ann Arbor, Michigan: UMI Research Press, 1984), especially pp. 62-64.
34. Ellmann, Ulysses on the Liffey, pp. 138-41.
35. The Consciousness of Joyce (London: Faber, 1977), pp. 54-56
36. Erik Barnouw, The Magician and the Cinema (Oxford: Oxford University Press, 1981), p. 101.
37. Joseph C. Voelker 'Clown Meets Cops: Comedy and Paranoia in Under the Volcano and Ulysses', in McCarthy and Tiessen (eds.) Joyce/Lowry, pp. 21-40