Off-the-rack identities: Japanese street fashion magazines and the commodification of style

Japanese Studies

Volumn 20, Issue 2, 2000, Pages 179-187

  Cameron, Don ^a  

^a AUSTRALIAN NATIONAL UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84996424589     PISSN: 10371397     EISSN: 14699338     Source Type: Journal    
DOI: 10.1080/713683780     Document Type: Note

References (10)

1. Across Henshtishitsu. 1995. Sutoriito Fasshon 1945-1995: Wakamono stairu no 50-nen shi (Street Fashion: Fifty Years of Youth Style), Tokyo: Parco.
2. Edagawa, Koichi. 1994. Osaka Daikanttn 102
3. Katori, Atsuko. 1990. Wakamono to media (Youth and the Media) 80
4. Finkelstein, Joanne. 1996. After a Fashion, 94Melbourne: Melbourne University Press.
5. Tester, Keith. 1994 work, The Flaneur, London: Routledge. Gaining prominence in critical theory in the wake of Walter Benjamin's 1973 study of nineteenth-century French writer Charles Baudelaire, this term has come to be associated with a particular experience of modernity characterised by a detached and playful gaze. One of the most thorough treatments of the concept can be found in
6. Mita, Munesuke. 1992. Social Psychology of Modem Japan, 442London: Kegan Paul International.
7. Tokyo-Sakariba no shakaishi (Urban Dramaturgy: Tokyo--A Social History of its Popular Areas), 298–299. Tokyo: Köbundö. This concept is further developed by Yoshimi in his 1987 work Toshi no doramaturugii
8. Wilson, Elizabeth. 1991. The Sphinx in the City, 120Berkeley, CA: University of California Press.
9. Simmel, Georg. 1903. “ The Metropolis and Mental Life' ”. In Georg Simmel: On Individuality and Social Forms, Edited by: Levine, D., Chicago: University of Chicago Press. 1971
10. Mita. Social Psychology of Modern Japan 442