Muriel rukeyser’s: The book of the dead

Muriel Rukeyser's: The Book of the Dead

Volumn , Issue , 2003, Pages 1-162

  Dayton, Tim ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84994795948     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (167)

1. Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: OxfordUniversity Press, 1953.
2. Adler, Felix. An Ethical Philosophy of Life, Presented in Its Main Outlines. New York: Appleton, 1920.
3. Adorno, T. W. Aesthetic Theory. Ed. Gretel Adorno, Rolf Tiedemann, and Robert Hullot-Kentor; trans. Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997.
4. Adorno, T. W. “Lyric Poetry andSociety .” Trans. Bruce Mayo. Telos. 20 (1974): 52-71.
5. Allen, Philippa. “Gauley Bridge Death Toll Grows in Village of the Living Dead,” Daily Worker,. June 30, 1937, 5.
6. Allen, Philippa [BernardAllen, pseud.]. “Two ThousandDying on a Job.” New Masses,. January 15, 1935, 18-19; January 22, 1935, 19-21.
7. Anderson, Perry. Lineages of the Absolutist State. London: New Left Books, 1974.
8. Aristotle. The Poetics of Aristotle. Trans. Stephen Halliwell. Chapel Hill: University of North Carolina Press, 1987.
9. Aspiz, Harold. “Whitman’s ‘Poem of the Road.’ " Walt Whitman Quarterly Review. 12:3 (1995): 170-85.
10. Barnard, Rita. The Great Depression and the Culture of Abundance: Kenneth Fearing, Nathanael West, and Mass Culture in the 1930s. Cambridge: Cambridge University Press, 1995.
11. Benjamin, Walter. The Arcades Project. Ed. Rolf Tiedemann, trans. Howard EilandandKevin McLaughlin. Cambridge: HarvardUniversity Press, Belknap Press, 1999.
12. Benjamin, Walter. “Theses on the Philosophy of History.” In Illuminations,. ed. Hannah Arendt, trans. Harry Zohn, 253-64. New York: Schocken Books, 1969.
13. Bernstein, Michael André. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.
14. Bhaskar, Roy. Dialectic: The Pulse of Freedom. London: Verso, 1993.
15. Bhaskar, Roy. Philosophy and the Idea of Freedom. Oxford: Basil Blackwell, 1991.
16. Bhaskar, Roy. The Possibility of Naturalism: A Philosophical Critique of the Contemporary Human Sciences. Atlantic Highlands, N.J.: Humanities Press, 1979.
17. Bhaskar, Roy. A Realist Theory of Science. Atlantic Highlands, N.J.: Humanities Press, 1978.
18. Bhaskar, Roy. Reclaiming Reality:ACritical Introduction to Comtemporary Philosophy. London: Verso, 1989.
19. Bloch, Ernst. “Marxism andPoetry .” In The Utopian Function of Art and Literature,. ed. andtrans. Jack Zipes andFrank Mecklenburg, 156-62. Cambridge: Massachusetts Institute of Technology Press, 1988.
20. Bloch, Ernst. The Principle of Hope. 3 vols. Trans. Neville Plaice, Stephen Plaice, andPaul Knight. Cambridge: Massachusetts Institute of Technology Press, 1986.
21. Bloom, James D. Left Letters: The Culture Wars of Mike Gold and Joseph Freeman. New York: Columbia University Press, 1992.
22. Bois, Guy. The Crisis of Feudalism: Economy and Society in Eastern Normandy c. 1300-1550. Cambridge: Cambridge University Press, 1984.
23. Breasted, James Henry. The Dawn of Conscience. New York: Charles Scribner’s Sons, 1934.
24. Broué, Pierre, andTémime Emile. The Revolution and the Civil War in Spain. Trans. Tony White. Cambridge: Massachusetts Institute of Technology Press, 1970.
25. Buck-Morss, Susan. The Dialectics of Seeing. Cambridge: Massachusetts Institute of Technology Press, 1989.
26. Budge, E. A. Wallis, ed. and trans. The Egyptian Book of the Dead. 1913. Reprint, New York: University Books, 1960.
27. Callinicos, Alex. Theories and Narratives: Reflections on the Philosophy of History. Cambridge, England: Polity Press, 1995.
28. Casillo, Robert. The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound. Evanston, Ill.: Northwestern University Press, 1988.
29. Cherniack, Martin. The Hawk’s Nest Incident: America’s Worst Industrial Accident. New Haven: Yale University Press, 1986.
30. Clark, Harry Hayden, and Normal Foerster, eds. James Russell Lowell: Representative Selections. New York: American Book Company, 1947.
31. Claudin, Fernando. The Communist Movement: From Comintern to Cominform. 2 vols. New York: Monthly Review Press, 1975.
32. Collier, Andrew. Scientific Realism and Socialist Thought. Hemel Hempstead, England: Harvester Wheatsheaf, 1989.
33. Conley, Phil.West Virginia Yesterday and Today. Charleston, W.Va.:West Virginia Review Press, 1931.
34. Cooney, Terry. The Rise of the New York Intellectuals: Partisan Review and Its Circle. Madison: University ofWisconsin Press, 1986.
35. Davidson, Michael. Ghostlier Demarcations: Modern Poetry and the Material Word. Berkeley: University of California Press, 1997.
36. Davis, Robert Gorham [ObedBr ooks, pseud.]. “ArchibaldMacLeish.” In Proletarian Literature in the United States. Ed. Granville Hicks et al., 325-29. New York: International Publishers, 1935.
37. Della Volpe, Galvano. Critique of Taste. Trans. Michael Caesar. London: New Left Books, 1978.
38. Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. London: Verso, 1997.
39. Dos Passos, John. U.S.A. 1937. Reprint, New York: New American Library, 1969.
40. Eisenstein, Sergei M. The Film Sense. Trans. and ed. Jay Leyda. London: Faber & Faber, 1943.
41. Eisenstein, Sergei M. “Through Theatre to Cinema.” Theatre Arts Monthly. 20 (1936): 735-47.
42. Eliot, T. S. Collected Poems, 1909-1962. New York: Harcourt, Brace, and World, 1963.
43. Eliot, T. S. The Three Voices of Poetry. New York: Cambridge University Press, 1954.
44. Eliot, T. S. “Ulysses,. Order, and Myth.” 1923. In James Joyce: The Critical Heritage,. 2 vols., ed. Robert H. Deming, 1:268-71. London: Routledge & Kegan Paul, 1970.
45. Eliot, T. S. The Waste Land: A Facsimile and Transcript of the Original Drafts, Including the Annotations of Ezra Pound. Ed. Valerie Eliot. New York: Harcourt Brace Jovanovich, 1971.
46. Filreis, Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism. Cambridge: Cambridge University Press, 1994.
47. Fishkin, Shelley Fisher. From Fact to Fiction: Journalism and ImaginativeWriting in America. Baltimore: Johns Hopkins University Press, 1985.
48. Foley, Barbara. Radical Representations: Politics and Form in U.S. Proletarian Fiction, 1929-1941. Durham, N.C.: Duke University Press, 1993.
49. Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Cambridge: Harvard University Press, 1982.
50. Goelet, Ogden, ed. The Egyptian Book of the Dead: The Book of Going Forth by Day. Trans. RaymondFaulkner. San Francisco: Chronicle Books, 1994.
51. Gold, Michael. “Examples ofWorker Correspondence.” In Proletarian Literature in the United States. Ed. Granville Hicks, et al., 160. New York: International Publishers, 1935.
52. Gold, Michael. “Out of the Fascist Unconscious.” New Republic. 75 (July 26, 1933): 295-96.
53. Gold, Michael. “Wilder: Prophet of the Genteel Christ.” New Republic. 64 (October 22, 1930): 266-67.
54. Graham, Keith. Karl Marx, Our Contemporary: Social Theory for a Post-Leninist World. London: Harvester Wheatsheaf, 1992.
55. Gramsci, Antonio. Selections from the Cultural Writings. Ed. David Forgacs andGeof frey Nowell-Smith, trans.William Boelhower. Cambridge: HarvardUniversity Press, 1985.
56. Gramsci, Antonio. Selections from the Prison Notebooks. Ed. and trans. Quintin Hoare andGeof frey Nowell Smith. New York: International Publishers, 1971.
57. Häublein, Ernst. The Stanza. London: Methuen, 1978.
58. Hegel, G. W. F. Aesthetics: Lectures on Fine Art. 3 vols. Trans. T. M. Knox. Oxford: Clarendon Press, 1975.
59. Hemingway, Ernest. A Farewell to Arms. 1929. Reprint, New York: Charles Scribner’s Sons, 1957.
60. Hicks, Granville. “Der Shöne Archibald.” In Granville Hicks in the New Masses,. ed. Jack Alan Robbins, 69-72. Port Washington, N.Y.: Kennikat, 1974. First published under the pseudonym MargaretWright Mather in New Masses. 10 (January 16, 1934): 26.
61. Hicks, Granville, et al., eds. Proletarian Literature in the United States. New York: International Publishers, 1935.
62. Hobsbawm. Eric. The Age of Extremes. New York: Pantheon, 1994.
63. Hudson, Wayne. The Marxist Philosophy of Ernst Bloch. New York: St. Martin’s Press, 1982.
64. Jameson, Fredric. Marxism and Form: Twentieth-Century Dialectical Theories of Literature. Princeton: Princeton University Press, 1971.
65. Kadlec, David. “X-Ray Testimonials in Muriel Rukeyser.” Modernism/Modernity. 5.1 (1998): 23-47.
66. Kalaidjian, Walter. American Culture between theWars: Revisionary Modernism and Postmodern Critique.NewYork: Columbia University Press, 1993.
67. Kant, Immanuel. Critique of Judgment. 2d ed. Trans. J. H. Bernard. London: Macmillan, 1931.
68. Kennedy, Ed. “Three Workers Films.” Film Front. 1.1 (1934): 10-11.
69. Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.
70. Kertesz, Louise. The PoeticVision of Muriel Rukeyser. Baton Rouge: Louisiana State University Press, 1980.
71. Korson, George. Minstrels of the Mine Patch. Philadelphia: University of Pennsylvania Press, 1938.
72. Korson, George. Songs and Ballads of the Anthracite Miner. New York: F. H. Hitchcock, 1927.
73. Langbaum, Robert. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York:W. W. Norton, 1963.
74. Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.
75. Levy, Ze’ev. “Utopia andReality in the Philosophy of Ernst Bloch.” In Not Yet: Reconsidering Ernst Bloch,. ed. Jamie Owen Daniel and Tom Moylan, 175-85. London: Verso, 1997.
76. Lindley, David. Lyric. London: Methuen, 1985.
77. Longenbach, James. Modernist Poetics of History: Pound, Eliot, and the Sense of the Past. Princeton: Princeton University Press, 1987.
78. Loone, Eero. Soviet Marxism and Analytical Philosophies of History. Trans. Brian Pearce. London: Verso, 1992.
79. Lukács, Georg. “The Ideology of Modernism.” In Marxist Literary Theory: A Reader,. ed. Terry Eagleton and Drew Milne, 141-62. Oxford: Blackwell, 1996.
80. Maas, Willard. “Lost betweenWars.” Review of U.S. 1,. by Muriel Rukeyser. Poetry. 52:2 (1938): 101-4.
81. MacLeish, Archibald. Poems, 1924-1933. Boston: Houghton Mifflin, 1933.
82. MacLennan, Gary. “From the Actual to the Real: Left Wing Documentary in Australia, 1946-96.” Ph.D. diss., Queensland University of Technology, 2000.
83. Maltz, Albert. “Man on a Road.” New Masses. 8 (January 1935): 19-21.
84. Marcantonio, Vito. “Dusty Death.” New Republic. 86 (March 4, 1936): 105-6.
85. Mariani, Paul. William Carlos Williams: A New World Naked. New York: W. W. Norton, 1981.
86. Marx, Karl. “Contribution to the Critique of Hegel’s Philosophy of Right:. Introduction.” In The Marx-Engels Reader,. 2d ed., ed. Robert Tucker, 53-65. New York:W. W. Norton, 1978.
87. Marx, Karl, and Friedrich Engels. Manifesto of the Communist Party. In The Marx-Engels Reader,. 2d ed., ed. Robert Tucker, 469-500. New York: W. W. Norton, 1978.
88. Marx, Karl, and Friedrich Engels. The German Ideology. Ed. S. Ryazanskaya. London: Lawrence & Wishart, 1965.
89. Matthiessen, F. O. “The Rukeyser Imbroglio Cont’d.” Partisan Review. 11:2 (spring 1944): 217.
90. Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986.
91. Monteath, Peter. “The Spanish CivilWar andthe Aesthetics of Reportage.” In Literature and War,. ed. David Bevan, 69-85. Amsterdam: Rodopi, 1989.
92. Moretti, Franco. “From The Waste Land. to the Artificial Paradise.” In Signs Taken for Wonders: Essays in the Sociology of Literary Forms,. trans. Susan Fischer et al., 209-39. London: New Left Books, 1983.
93. Nelson, Cary. Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910-1945. Madison: University of Wisconsin Press, 1989.
94. Newcomb, John Timberman. “ArchibaldMacLeish andthe Poetics of Public Speech: A Critique of High Modernism.” Journal of the Midwest Modern Language Association. 23:1 (1990): 9-26.
95. North, E. Lee. Redcoats, Redskins, and Red-eyed Monsters. South Brunswick, N.J.: A. S. Barnes, 1979.
96. O’Connor, Harvey. Mellon’s Millions: The Biography of a Fortune; The Life and Times of Andrew W. Mellon. New York: John Day, 1933.
97. Olsen, Tillie. “I Want You Women Up North to Know.” In Anthology of Modern American Poetry,. ed. Cary Nelson, 652-54. New York: Oxford University Press, 2000.
98. Patchen, Kenneth. “The OldLean over the Tombstones.” In First Will and Testament,. by Kenneth Patchen, 61-69. New York: New Directions, 1939.
99. Peeler, DavidP. “Unlonesome Highways: The Quest for Fact andFellowship in Depression America.” Journal of American Studies. 18.2 (1984): 185-206.
100. Pitts, Rebecca. “The Rukeyser Imbroglio.” Partisan Review. 11:1 (winter 1944): 25-27.
101. Pound, Ezra. The Cantos of Ezra Pound. New York: New Directions, 1948.
102. Pound, Ezra. Jefferson and/or Mussolini: L’idea Statale; Fascism as I Have Seen It.New York: Horace Liveright; London: Stanley Nott, 1936.
103. Pound, Ezra. Literary Essays. Ed. T. S. Eliot. London: Faber & Faber, 1954.
104. Pound, Ezra. Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce. Ed. Forrest Read. London: Faber & Faber, 1967.
105. Quinn, Kerker. “A Modern Poetic Realist.” Review of U.S. 1,. by Muriel Rukeyser. New York Herald-Tribune Books,. February 20, 1938, 12.
106. Rabinowitz, Paula. They Must Be Represented: The Politics of Documentary. London: Verso, 1994.
107. Radest, Howard. Introduction to Felix Adler,. by Robert S. Guttchen. New York: Twayne, 1974.
108. Rahv, Philip. The Myth and the Powerhouse: Essays on Literature and Ideas. New York: Farrar, Straus & Giroux, 1965.
109. Redman, Tim. Ezra Pound and Italian Fascism. Cambridge: Cambridge University Press, 1991.
110. Reed, John. Ten Days That Shook the World. 1919. Reprint, New York: International Publishers, 1934.
111. Rice, Philip Blair. “The OsirisWay.” Review of U.S. 1,. by Muriel Rukeyser. Nation,. March 19, 1938, 335-37.
112. Rosenthal, M. L. “Chief Poets of the American Depression: Contributions of Kenneth Fearing, Horace Gregory, andMuriel Rukeyser to Contemporary American Poetry.” Ph.D. diss., New York University, 1949.
113. Rosenthal, M. L. “The Longer Poems of Muriel Rukeyser.” New Directions in Poetry and Prose. 14 (1953): 202-29.
114. Ruff, Allen. “We Called Each Other Comrade”: Charles H. Kerr & Company, Radical Publishers. Champaign/Urbana: University of Illinois Press, 1998.
115. Rukeyser, Muriel. “Adventures of Children.” Coronet,. September 1939, 23-38.
116. Rukeyser, Muriel. “Barcelona, 1936.” Life and Letters Today. 15:5 (1936): 26-33.
117. Rukeyser, Muriel. The Collected Poems of Muriel Rukeyser. New York: McGraw-Hill, 1978.
118. Rukeyser, Muriel. “Death in Spain: Barcelona on the Barricades.” New Masses. 20 (September 1, 1936): 9-11.
119. Rukeyser, Muriel. Gauley Bridge. Typescript, Muriel Rukeyser Papers, Library of Congress.
120. Rukeyser, Muriel. Interview by Cornelia P. Draves andMary Joyce Fortunato. In The Craft of Poetry: Interviews from the. New York Quarterly, ed. William Packard, 153-86. New York: Doubleday, 1974.
121. Rukeyser, Muriel. Interview by Harry T. Moore et al. In Talks with Authors,. ed. Charles Madden, 125-50. Carbondale: Southern Illinois University Press, 1968.
122. Rukeyser, Muriel. Interview by Samuel Sillen. Transcript, Muriel Rukeyser Papers, Berg Collection, New York Public Library.
123. Rukeyser, Muriel. The Life of Poetry. New York: Current Books, 1949.
124. Rukeyser, Muriel. Review of Land of the Free,. by ArchibaldMacLeish. New Masses. 27 (April 26, 1938): 26-28.
125. Rukeyser, Muriel. U.S. 1. New York: Covici, Friede, 1938.
126. Rukeyser, Muriel. Waterlily Fire: Poems 1935-1962. New York: Macmillan, 1962.
127. Rukeyser, Muriel. “We Came for Games.” Esquire. 82 (October 1974): 192-94, 368-70.
128. Rukeyser, Muriel. Weekly recordfor 1937. Manuscript, Muriel Rukeyser Papers, Library of Congress.
129. Rukeyser, Muriel. Willard Gibbs. Garden City, N.Y.: Doubleday, Doran, 1942.
130. Rukeyser, Muriel. “Words and Images.” New Republic,. August 2, 1943, 140-42.
131. Rukeyser, Muriel. “Worlds Alongside.” Coronet,. October 1939, 83-96.
132. Schaffer, Alan. Vito Marcantonio, Radical in Congress. Syracuse: University of Syracuse Press, 1966.
133. Scholnick, Robert J. " ‘The PasswordPrimeval’: Whitman’s Use of Science in Song of Myself.” Studies in the American Renaissance. (1986): 385-425.
134. Selby, John E. The Revolution inVirginia, 1775-1783.Williamsburg, Va.: ColonialWilliamsburg Foundation, 1988.
135. Shulman, Robert. The Power of Political Art: The 1930s Literary Left Reconsidered. Chapel Hill: University of North Carolina Press, 1999.
136. Sinfield, Alan. Dramatic Monologue. London: Methuen, 1977.
137. Smith, Grover. The Waste Land. London: George Allen & Unwin, 1983.
138. Smith, Grover. T. S. Eliot’s Poetry and Plays:AStudy in Sources and Meaning. Chicago: University of Chicago Press, 1974.
139. Spender, Stephen. “Remembering Eliot.” Sewanee Review. 74 (1966): 58-84.
140. Staiger, Emil. Basic Concepts of Poetics. Ed. Marianne Burkhard and Luanne T. Frank, trans. Janette C. Hudson and Luanne T. Frank. University Park: Penn State University Press, 1991.
141. Staub, Michael E.Voices of Persuasion: Politics of Representation in 1930s America. Cambridge: Cambridge University Press, 1994.
142. Stock, Noel. The Life of Ezra Pound. New York: Pantheon Books, 1970.
143. Stott, William. Documentary Expression and Thirties America. London: OxfordUniversity Press, 1973.
144. Terrell, Carroll F. A Companion to. The Cantos of Ezra Pound. 1980. Reprint, Berkeley: University of California Press, 1993.
145. Therborn, Goran. The Ideology of Power and the Power of Ideology. London: Verso, 1980.
146. Thomas, Hugh. The Spanish Civil War. 3d ed. London: Hamish Hamilton, 1977.
147. Thomson, Philip. The Poetry of Brecht: Seven Studies. Chapel Hill: University of North Carolina Press, 1989.
148. Thurston, Michael. “Documentary Modernism as Popular Front Poetics: Muriel Rukeyser’s The Book of the Dead.” Modern Language Quarterly. 60:1 (1999): 59-83.
149. Trotsky, Leon. History of the Russian Revolution. 1932. Ed. F.W. Dupee, trans.
150. Max Eastman. Reprint, Garden City, N.Y.: Doubleday Anchor Books, 1959.
151. U.S. House Subcommittee of the Committee on Labor. Investigation ReLating to Conditions ofWorkers Employed in the Construction and Maintenance of Public Utilities. 74th Cong., 2dsess., 1936, H.J.Res. 449.
152. Untermeyer, Louis. “Seven Poets.” Yale Review. 27:3 (March 1938), 604-9.
153. Vogel, Jeffrey. “The Tragedy of History.” New Left Review. 220 (1996): 36-61.
154. Wald, Alan. Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. Chapel Hill: University of North Carolina Press, 2002.
155. Wald, Alan. The New York Intellectuals. Chapel Hill: University of North Carolina Press, 1987.
156. Wald, Alan. The Revolutionary Imagination: The Poetry and Politics of John Wheelwright and Sherry Mangan. Chapel Hill: University of North Carolina Press, 1983.
157. Walton, Eda Lou. “Muriel Rukeyser’s Poems.” Review of U.S. 1,. by Muriel Rukeyser. New York Times Book Review,. March 27, 1938, 19.
158. Wheelwright, John. “Muriel Rukeyser-U.S. 1.” Manuscript. John Wheelwright Collection. John Hay Library, Brown University.
159. Wheelwright, John. “U.S. 1.” Review of U.S. 1,. by Muriel Rukeyser. Partisan Review. 4:4 (1938): 54-56.
160. Whitman, Walt. Leaves of Grass: Comprehensive Reader’s Edition. Ed. Harold W. Blodgett and Sculley Bradley. New York:W. W. Norton, 1965.
161. Williams, Raymond. Towards 2000. London: Chatto &Windus, 1983.
162. Williams, William Carlos. Review of U.S. 1,. by Muriel Rukeyser. New Republic. 94 (1938): 141-42.
163. Winston, Brian. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: BFI, 1995.
164. Wohlfarth, Irving. “On the Messianic Structure of Walter Benjamin’s Last Reflections.” Glyph: Johns Hopkins Textual Studies. 3 (1978): 148-212.
165. Wolff, David. “Document and Poetry.” Review of U.S. 1,. by Muriel Rukeyser. New Masses. 26 (February 22, 1938): 23-24.
166. Zabel, Morton Dauwin. “Two Years of Poetry: 1937-39.” Southern Review. 5 (1939-1940): 568-608.
167. Zipes, Jack. “Towarda Realization of Anticipatory Illumination.” Introduction to The Utopian Function of Art and Literature,. by Ernst Bloch, ed. andtrans. Jack Zipes andFrank Mecklenburg. Cambridge: Massachusetts Institute of Technology, 1988.