Nunavut: Inuit television and cultural citizenship

International Journal of Cultural Studies

Volumn 7, Issue 4, 2004, Pages 379-397

  Santo, Avi ^a  

^a UNIVERSITY OF TEXAS AT AUSTIN   (United States)

Author keywords

broadcast policy; Canada; cultural citizenship; embedded aesthetics; generative mechanisms; indigenous media; Inuit; mode of production; oral history; self determination; Television

Indexed keywords

EID: 84993736127     PISSN: 13678779     EISSN: None     Source Type: Journal    
DOI: 10.1177/1367877904047860     Document Type: Article

References (23)

1. Allen, Robert C. and Douglas Gomery (1985) Film History. New York: Knopf.
2. Berger, Sally (1996) ‘Time Travelers’, Inuit Art Quarterly 11(4): 1-7.
3. Cousineau, Marie-Helene (1999) ‘Limits or Alternatives: Dead End for First Nations Producers inthe Canadian Film and Television Financing System’. Videaz Conference.
4. Creery, Ian (1993) Inuit Eskimo of Canada. Minority Rights Group International.
5. Evans, Michael Robert (1999a) ‘Frozen Light and Fluid Time: The Folklore,Politics and Performance of Inuit Video.’ Dissertation - Indiana University, September.
6. Evans, Michael Robert (1999b) ‘Inuit Video: Struggles for Autonomy’, Fuse Magazine 22(4): 1-7.
7. Gale, Peggy (1998) ‘A White Light’, Canadian Art 15(4): 1-8.
8. Ginsburg, Faye (2003) ‘Embedded Aesthetics: Creating aDiscursive Space for Indigenous Media’, in Lisa Parks and Shanti Kumar (eds) Planet TV, pp. 303-319. New York: New York University Press.
9. Hartley, John (1999) Uses of Television. London: Routledge Press.
10. Hartley, John and Alan McKee (2000) The Indigenous Public Sphere. Oxford: Oxford University Press.
11. Igloolik Isuma Website (2004) www.isuma.ca.isuma.html
12. Langton, Marcia (1993) ‘Well, I heard it on the radio and I saw iton the television…’. Sydney: Australian Film Commission.
13. Lord, Albert B. (1987) ‘Characteristics of Orality’, Oral Traditions 2(1): 54-72.
14. McKee, Alan (1997) ‘The Aboriginal Version of Ken Done: Banal Aboriginal Identitiesin Australia’, Cultural Studies 11(2): 191-206.
15. Michaels, Eric (2000) ‘For a Cultural Future’, in Horace Newcomb (ed.) Television: The Critical View, 6th edn, pp.701-715. New York: Oxford University Press.
16. Phillips, Todd (1996) ‘Videographer Racing Against Time’, Nunatsiaq News 15 March: 10.
17. Remie, Cornelius H.W. (1998) ‘Nunavut: A Challenge for theInuit’, in Leen d’Haenens (ed.) Images of Canadianness: Visions of Canada’s Politics,Culture, Economics, pp. 129-146. Ottawa: University of Ottawa Press.
18. Roth, Lorna (1998) ‘Television Broadcasting North of60’, in Leen d’Haenens (ed.) Images of Canadianness: Visions of Canada’s Politics,Culture, Economics, pp. 147-166. Ottawa: University of Ottawa Press.
19. Royal Commission on Aboriginal Peoples (2004) ‘Final Draft’. www.indigenous.bc.ca/v3/vol3ch6s2.4to3.1.asp
20. Stott, Jon C. (1986) ‘Form, Content, and Cultural Values in Three Inuit (Eskimo)Survival Stories’, American Indian Quarterly 10(3): 213-225.
21. Valaskakis, Gail (1988) ‘Television and Cultural Integration:Implications for Native Communities in the Canadian North’,in Rowland Lorimer and Donald Wilson (eds) Communication Canada: Issues in Broadcasting and NewTechnologies, pp. 124-139. Toronto: Kagen and Woo.
22. Valaskakis, Gail (1998) ‘Telling Our Own Stories: The Role, Development and Future ofAboriginal Communications.’ CCRN Colloquium, June.
23. Williams, Raymond (1977) Marxism and Literature. Oxford: Oxford University Press.