Contemporary Socioscapes: Books on Visual Culture

Theory, Culture & Society

Volumn 17, Issue 6, 2000, Pages 111-124

  Chaney, David C ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84992904077     PISSN: 02632764     EISSN: None     Source Type: Journal    
DOI: 10.1177/02632760022051518     Document Type: Review

References (37)

1. Becker, H.S. (1982) Art Worlds. Berkeley: University of California Press.
2. Berger, J. (1972) Ways of Seeing. Harmondsworth: Penguin.
3. Bryson, N. (1983) Vision and Painting: The Logic of the Gaze. New Haven, CT: Yale University Press.
4. Chaney, D. (1993) Fictions of Collective Life: Public Drama in Late Modern Culture. London: Routledge.
5. Chaney, D. (1994) The Cultural Turn: Scene-Setting Essays in Contemporary Cultural History. London: Routledge.
6. Chaney, D. (1996) ‘Ways of Seeing Reconsidered: Representation and Construction in Mass Culture’, History of the Human Sciences, 9(2): 39-51.
7. Chaney, D. (forthcoming) ‘The Power of Metaphors in Tourism Theory’, in S. Coleman and M. Crang (eds) Tourism: Between Place and Performance. London: Berghahn.
8. Chaplin, E. (1994) Sociology and Visual Representation. London: Routledge.
9. Clark, T.J. (1985) The Painting of Modern Life. London: Thames and Hudson.
10. Crary, J. (1993) Techniques of the Observer. Cambridge, MA: MIT Press.
11. Duncan, C. (1995) Civilizing Rituals: Inside Public Art Museums. London: Routledge.
12. Duro, P. (ed.) (1996) The Rhetoric of the Frame: Essays on the Boundaries of the Artwork. Cambridge: Cambridge University Press.
13. Evans, J. and S. Hall (eds) (1999) Visual Culture. London: Sage.
14. Goffman, E. (1979) Gender Advertisements. London: Macmillan.
15. Gregory, R.A., J. Harris, P. Heard and D. Rose (eds) (1995) The Artful Eye. Oxford: Oxford University Press.
16. Haskell, F. (1993) History and its Images: Art and the Interpretation of the Past. New Haven, CT: Yale University Press.
17. Heywood, I. and B. Sandywell (eds) (1999) Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. London: Routledge.
18. Jenks, C. (ed.) (1995) Visual Culture. London: Routledge.
19. Lash, S. (1988) ‘Discourse or Figure? Postmodernism as a “Regime of Signification” ’, Theory, Culture & Society, 5(2-3): 311-337.
20. Krauss, R. and J. Livingston (eds) (1986) L’Amour Fou: Photography and Surrealism. London: Cross River Press.
21. Mellor, P.A. and C. Shilling (1997) Re-Forming the Body: Religion, Community and Modernity. London: Sage.
22. Melville, S. and B. Readings (eds) (1995) Vision and Textuality. London: Macmillan.
23. Mirzoeff, N. (1999) An Introduction to Visual Culture. London: Routledge.
24. Mitchell, W.J. (1992) The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA: MIT Press.
25. Mitchell, W.J. (1995) Picture Theory: Essays in Verbal and Visual Representation. Chicago: University of Chicago Press.
26. Nochlin, L. (1991) The Politics of Vision: Essays on Nineteenth-Century Art and Society. London: Thames and Hudson.
27. Pollock, G. (1988) Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge.
28. Potter, J. (1996) Representing Reality: Discourse, Rhetoric and Social Construction. London: Sage.
29. Rees, A.L. and F. Borzello (eds) (1986) The New Art History. London: Camden Press.
30. Rotberg, R.I. and T.K. Rabb (eds) (1988) Art and History: Images and their Meaning. Cambridge: Cambridge University Press.
31. Sontag, S. (1978) On Photography. London: Allen Lane.
32. Stange, M. (1989) Symbols of Ideal Life: Social Documentary Photography 1890-1950. Cambridge: Cambridge University Press.
33. Thoutenhoofd, E.D. (1996) ‘Ocularcentrism and Deaf People: A Social Photography Project’, PhD thesis, University of Durham, Durham, UK.
34. Urry, J. (1990) The Tourist Gaze. London: Sage.
35. Williamson, J. (1978) Decoding Advertisements: Ideology and Meaning in Advertising. London: Marion Boyars.
36. Wolff, J. (1990) Feminine Sentences: Essays on Women and Culture. Cambridge: Polity Press.
37. Worth, S. (1981) Studying Visual Communication. Philadelphia: University of Pennsylvania Press.