메뉴 건너뛰기




Volumn 14, Issue 2, 2010, Pages 23-55

The form of performance: Analyzing pattern distribution in select recordings of Chopin's Mazurka Op. 24 No. 2

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84991294624     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986491001400202     Document Type: Article
Times cited : (25)

References (25)
  • 1
    • 34250720024 scopus 로고    scopus 로고
    • It’s different each time I play: Variability in highly prepared musical performance
    • Chaffin R. Lemieux A. F. Chen C. (2007). It’s different each time I play: Variability in highly prepared musical performance. Music Perception, 24, 455–472.
    • (2007) Music Perception , vol.24 , pp. 455-472
    • Chaffin, R.1    Lemieux, A.F.2    Chen, C.3
  • 3
    • 0013239882 scopus 로고
    • Expression in performance: Generativity, perception and semiosis
    • Rink J.,(Ed.) Cambridge: Cambridge University Press
    • Clarke E. F. (1995). Expression in performance: Generativity, perception and semiosis. In Rink J.,(Ed. ), The practice of performance (pp. 21–54). Cambridge: Cambridge University Press.
    • (1995) The practice of performance , pp. 21-54
    • Clarke, E.F.1
  • 4
    • 79551667742 scopus 로고    scopus 로고
    • Squaring the circle: Phrase arching in recordings of Chopin’s mazurkas
    • Cook N. (2009). Squaring the circle: Phrase arching in recordings of Chopin’s mazurkas. Musica Humana, 1, 5–28.
    • (2009) Musica Humana , vol.1 , pp. 5-28
    • Cook, N.1
  • 5
    • 84992921774 scopus 로고    scopus 로고
    • Une pure coïncidence? Joyce Hatto et les Mazurkas de Chopin, trans. Jean-François Cornu
    • Cook N. Sapp C. (2008). Une pure coïncidence? Joyce Hatto et les Mazurkas de Chopin, trans. Jean-François Cornu. L’étincelle: Le journal de la création à l’IRCAM, 3, 19–21.
    • (2008) L’étincelle: Le journal de la création à l’IRCAM , vol.3 , pp. 19-21
    • Cook, N.1    Sapp, C.2
  • 7
    • 0001979406 scopus 로고
    • Once again: The theme from Mozart’s piano sonata in A major (K.331)
    • Gabrielsson A.,(Ed.) Stockholm: Royal Swedish Academy of Music
    • Gabrielsson A. (1987). Once again: The theme from Mozart’s piano sonata in A major (K.331). In Gabrielsson A.,(Ed. ), Action and perception in rhythm and music (pp. 81–103). Stockholm: Royal Swedish Academy of Music.
    • (1987) Action and perception in rhythm and music , pp. 81-103
    • Gabrielsson, A.1
  • 8
    • 0642368934 scopus 로고
    • Shape and motion in the microstructure of song
    • Gjerdingen R.O. (1988). Shape and motion in the microstructure of song. Music Perception, 6, 35–64.
    • (1988) Music Perception , vol.6 , pp. 35-64
    • Gjerdingen, R.O.1
  • 9
    • 0034543675 scopus 로고    scopus 로고
    • Cue utilization in communication of emotion in music performance: Relating performance to perception
    • Juslin P. N. (2000). Cue utilization in communication of emotion in music performance: Relating performance to perception. Journal of Experimental Psychology: Human Perception and Performance, 26, 1797–1813.
    • (2000) Journal of Experimental Psychology: Human Perception and Performance , vol.26 , pp. 1797-1813
    • Juslin, P.N.1
  • 11
    • 0003410791 scopus 로고    scopus 로고
    • (3rd ed.) Berlin, Heidelberg and New York: Springer
    • Kohonen T. (2001). Self-organizing maps (3rd ed.). Berlin, Heidelberg and New York: Springer.
    • (2001) Self-organizing maps
    • Kohonen, T.1
  • 12
    • 84932161917 scopus 로고    scopus 로고
    • Recordings and histories of performance style. Recordings and histories of performance style
    • Cook N., Leech-Wilkinson D., Clarke E., Rink J.,(Eds.) Cambridge: Cambridge University Press
    • Leech-Wilkinson D. (2009). Recordings and histories of performance style. Recordings and histories of performance style. In Cook N., Leech-Wilkinson D., Clarke E., Rink J.,(Eds. ), The Cambridge companion to recorded music (pp. 246–262). Cambridge: Cambridge University Press.
    • (2009) The Cambridge companion to recorded music , pp. 246-262
    • Leech-Wilkinson, D.1
  • 14
    • 0242454754 scopus 로고    scopus 로고
    • Anatomy of a performance: Sources of musical expression
    • Palmer C. (1996). Anatomy of a performance: Sources of musical expression. Music Perception, 13, 433–454.
    • (1996) Music Perception , vol.13 , pp. 433-454
    • Palmer, C.1
  • 16
    • 30044436961 scopus 로고    scopus 로고
    • A new approach to hierarchical clustering and structuring of data with self-organizing maps
    • Pampalk E. Widmer G. Chan A. (2004). A new approach to hierarchical clustering and structuring of data with self-organizing maps. Intelligent Data Analysis, 8, 131–149.
    • (2004) Intelligent Data Analysis , vol.8 , pp. 131-149
    • Pampalk, E.1    Widmer, G.2    Chan, A.3
  • 18
    • 84991310895 scopus 로고    scopus 로고
    • Motive, gesture and the analysis of performance
    • (forthcoming) Gritten A., King E.,(Eds.) Farnham: Ashgate
    • Rink J. Spiro N. Gold N. (forthcoming). Motive, gesture and the analysis of performance. In Gritten A., King E.,(Eds. ), New perspectives on music and gesture. Farnham: Ashgate.
    • New perspectives on music and gesture
    • Rink, J.1    Spiro, N.2    Gold, N.3
  • 21
    • 49049152648 scopus 로고
    • Performances of Chopin, Bach and Bartók: Studies in motor programming
    • Shaffer L.H. (1981). Performances of Chopin, Bach and Bartók: Studies in motor programming. Cognitive Psychology, 13, 326–376.
    • (1981) Cognitive Psychology , vol.13 , pp. 326-376
    • Shaffer, L.H.1
  • 22
    • 84970301455 scopus 로고
    • Musical performance as interpretation
    • Shaffer L.H. (1995). Musical performance as interpretation. Psychology of Music, 23, 17–38.
    • (1995) Psychology of Music , vol.23 , pp. 17-38
    • Shaffer, L.H.1
  • 23
    • 84991366624 scopus 로고    scopus 로고
    • Miyazaki K., Hiraga Y., Adachi M., Nakajima Y., Tsuzaki M.,(Eds.), Proceedings of 10th international conference on music perception and cognition (pp. Sapporo: ICMPC10
    • Spiro N. Gold N. Rink J. (2008). Plus ça change: Analyzing performances of Chopin’s mazurka op. 24 no. 2. In Miyazaki K., Hiraga Y., Adachi M., Nakajima Y., Tsuzaki M.,(Eds. ), Proceedings of 10th international conference on music perception and cognition (pp. 418–427). Sapporo: ICMPC10.
    • (2008) Plus ça change: Analyzing performances of Chopin’s mazurka op. 24 no. 2 , pp. 418-427
    • Spiro, N.1    Gold, N.2    Rink, J.3
  • 24
    • 0003226222 scopus 로고
    • Common secrets of musicians and listeners—An analysis-by-synthesis study of musical performance
    • Howell P., West R., Cross I.,(Eds.) London: Academic Press
    • Sundberg J. Friberg A. Frydén L. (1991). Common secrets of musicians and listeners—An analysis-by-synthesis study of musical performance. In Howell P., West R., Cross I.,(Eds. ), Representing Musical Structure (pp. 161–197). London: Academic Press.
    • (1991) Representing Musical Structure , pp. 161-197
    • Sundberg, J.1    Friberg, A.2    Frydén, L.3
  • 25
    • 84968091520 scopus 로고
    • A model of expressive timing in tonal music
    • Todd N. (1985). A model of expressive timing in tonal music. Music Perception 3/1, 33–58.
    • (1985) Music Perception , vol.3 , Issue.1 , pp. 33-58
    • Todd, N.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.