Afrikanische Trommler (Ghana) bewerten und spielen europäml;ische Rhythmen

Musicae Scientiae

Volumn 3, Issue 2, 1999, Pages 139-160

  Kopiez, Reinhard ^a   Langner, Jörg ^a   Steinhagen, Piotr ^a  

^a Hochschule füml r Musik Wüml rzburg   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84990397074     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986499900300201     Document Type: Article

References (11)

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3. Dowling J. Harwood D. L. (1986). Music cognition. San Diego: Academic Press.
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6. ICMPC (1997). Proceedings of the 4th International Conference on Music Perception and Cognition, August 14–15, 1996, Montréal, Quebec [CD-ROM], whole Session 20. Langner J. (1999). Musikalischer Rhythmus und Oszillation [Dissertation. Hochschule für Musik und Theater Hannover].
7. Langner J. Kopicz R. (1995). Oscillations triggered by Schumanns “Traeumerei”: Towards a new method of performance analysis based on a “theory of oscillating systems” (TOS). In Friberg A. and Sundberg J. (eds), Proceedings of the KTH Symposium on Generative Grammars fir Music Performance (S. 45–58). Stockholm, May 27.
8. Langner J. Kopicz R. (1996). Entwurf einer neuen Methode der Performanceanalyse auf Grundlage einer Theorie oszillierender Systeme. In Behne K.-E., de la Motte-Haber H. und Kleinen G. (eds), Jahrbuch Musikpsychologie, 12 (S. 9–27). Wilhelmshaven: Noetzel.
9. Langner Kopicz R. Feiren B. (1998). Perception and representation of multiple tempo hierarchies in musical performance and composition. In Kopiez R. and Auhagen W.,(eds). Controlling creative processes in music (S. 13–35). Frankfurt: P. Lang.
10. Lerdahl F. Jackendoff R. (1983). A generative theory of tonal music. Cambridge, MA: MIT Press.
11. Repp B. H. (1997). The aesthetic quality of a quantitatively average music performance: Two preliminary experiments. Music Perception, 14(4), 419–44.