A Polyphony of Dimensions: Music, Pain, and Aesthetic Perception

Music & Medicine

Volumn 4, Issue 3, 2012, Pages 163-170

  Metzner, Susanne ^a  

^a UNIVERSITY OF APPLIED SCIENCES MAGDEBURG STENDAL   (Germany)

Author keywords

cross modal processes; music imaginative pain treatment; symbolic representation; theory of aesthetic perception

Indexed keywords

EID: 84990394428     PISSN: 19438621     EISSN: 1943863X     Source Type: Journal    
DOI: 10.1177/1943862112449486     Document Type: Article

References (42)

1. Bradt J. The effects of music entrainment on postoperative pain perception in pediatric patients. Music Med. 2010; 2(2):150–157.
2. Cepeda MS, Carr DB, Lau J, Alvarez H. Music for pain relief. Cochrane Database Syst Rev. 2006; 3.
3. Hillecke T, Wormit A, Baumgarth B, Oelkers-Ax R Bardenheuer H Bolay HV. Das Heidelberger Modell der Musiktherapie bei chronischen Schmerzerkrankungen—Forschungsergebnisse im Überblick. In: Nöcker-Ribaupierre M, ed. Musiktherapie und Schmerz. Wiesbaden: Reichert Verlag; 2009: 93–118.
4. Koch ME, Kain ZN, Ayoub C, Rosenbaum SH. The sedative and analgesic sparing effect of music. Anesthesiology. 1998; 89(2):300–306.
5. Risch M, Scherg H, Verres R. Musiktherapie bei chronischen Kopfschmerzen. Evaluation musiktherapeutischer Gruppen für Kopfschmerzpatienten. Schmerz. 2001; 15: 116–125.
6. Schwoebel J, Coslett HB, Bradt J, Friedman R, Dileo C. Pain and the body schema: effects of pain severity on mental representations of movement. Neurology. 2002; 59(5):775–777. http://www.neurology.org/cgi/content/full/59/5/775. Accessed April 26, 2006.
7. Silvestrini N, Piguet V. Music and auditory distraction reduce pain: emotional or attentional effects? Music Med. 2011; 3: 264–270.
8. Spintge R. Musik in anaesthesie und schmerztherapie. Anasthesiol Intensivmed Notfallmed Schmerzther. 2000; 35: 254–261.
9. Loewy J, Hallan C, Friedman E, Martinez C. Sleep/sedation in children undergoing EEG testing: a comparison of chloral hydrate and music therapy. J Perianesth Nurs. 2005; 20 (5): 323–332.
10. Stern DN. Forms of Vitality. Exploring Dynamic Experience in Psychology, the Arts, Psychotherapy, and Development. Oxford: Oxford University Press; 2010.
11. Small C. Musicking: The Meanings of Performing and Listening. New England: Weslayan University Press; 1998.
12. Spitzer M. Metaphor and Musical Thought. Chicago, IL: University of Chicago Press; 2004.
13. Aigen K. Music-Centered Music Therapy. Gilsum, NH: Barcelona Publishers; 2005.
14. Lakoff G, Johnson M. Philosophy in the Flesh: The Embodied Mind and its Challenge to Western Thought. New York, NY: Basic Books; 1999.
15. Smeijsters H. Sounding the Self. Analogy in Improvisational Music Therapy. Gilsum, NH: Barcelona Publishers; 2005.
16. Damasio A. The Feeling of What Happens. Body and Emotion in the Making of Consciousness. New York, NY: Harcourt; 1999.
17. Stern DN. The Present Moment in Psychotherapy and Everyday Life. New York, NY: W.W. Norton; 2004.
18. Bonde LO. Music as metaphor and analogy. Nordic J Music Ther. 2007; 16(1):60–81.
19. Winnicott D.W. Vom Spiel zur Kreativität, 3rd ed. Stuttgart: Klett-Cotta; 1985. Originally published in English [Playing and Reality]. London, England: Tavistock; 1971.
20. Odgen TH. Über den potentiellen Raum [On potential space]. Forum der Psychoanalyse. 1997; 13: 1–18. Originally published, in English, in: Int J Psychoanal. 1985;66(pt 2):129-141.
21. Metzner S. Some thoughts on receptive music therapy from a psychoanalytic viewpoint. Nordic J Music Ther. 2004; 13(2):143–150.
22. Dileo C, Bradt J. Entrainment, resonance, and pain-related suffering. In: Dileo C, ed. Music Therapy & Medicine: Theoretical and Clinical Applications. Silver Spring, MD: American Music Therapy Association; 1999: 181–188.
23. Metzner S. Über die Kluft vom Tatsächlichen zum Möglichen. Oder: die Wirksamkeit von Musik in der musik-imaginativen Schmerzbehandlung. In: Nöcker-Ribaupierre M, ed. Musiktherapie und Schmerz. Wiesbaden: Reichert Verlag; 2009: 31–48.
24. Metzner S. Musik-imaginative schmerzbehandlung (Entrainment). In: Decker-Voigt HH, Weymann E, eds. Lexikon Musiktherapie, 2. erweiterte Auflage, Göttingen: Hogrefe; 2009: 295–298.
25. International Association of the Study of Pain. http://www.iasp-pain.org/AM/Template.cfm?Section=Pain_Defi…isplay.cfm&ContentID=1728. Accessed December 4, 2011.
26. Metzinger T. Consciousness. Selected bibliography 1970-2004. http://www.philosophie.uni-mainz.de/metzinger/publikationen/ConsciousnessBib.htm. Accessed December 4, 2011.
27. Chalmers D, Bourget D, eds. Mind papers. A bibliography of the philosophy of mind and the science of consciousness. http://consc.net/mindpapers. Accessed December 4, 2011.
28. Bieri P. Pain: a case study for the mind-body problem. Acta Neurochir Suppl. 1987; 18: 157–164.
29. Metzinger T. Die Selbstmodell-Theorie der Subjektivität: Eine Kurzdarstellung in sechs Schritten. In: Greve W, ed. Psychologie des Selbst. Weinheim; 2000. http://www.philosophie.uni-mainz.de/metzinger/publikationen/SMT-light2UTB.pdf. Accessed December 4, 2011. Published in English in: The Self-Model Theory of Subjectivity. Cambridge, MA: MIT Press; 2003.
30. Kern A. Wissen im Normalfall. Wittgenstein über Kriterien für innere Zustände. In: Beckermann A, Nimtz C, eds. Argument und Analyse. Akten des 4. Kongresses der Gesellschaft für Analytische Philosophie. Paderborn: Mentis; 2002: 207–221.
31. Wittgenstein L. Philosophische Untersuchungen. Teil 2, Werkausgabe Band 1. Frankfurt: Suhrkamp TB; 1997. Translated into English in: Philosophical Investigations, 4th edition. Hoboken: John Wiley & Sons; 2009.
32. Kwan M, Seah A. An Exploration of Music Therapy Support of Coping With Pain in an Acute Hospital: Three Case Studies. Poster presented at Biannual Conference of Pain Association of Singapore, Singapore, July 2008.
33. Rider M. Entrainment mechanisms are involved in pain reduction, muscle relaxation, and music-medicated imagery. J Music Ther. 1985; 22(4):183–192.
34. Dileo C. Reflections on medical music therapy: Biopsychosocial aspects of the treatment process. In: Loewy J, ed. Music Therapy and Pediatric Pain. Cherry Hill, NJ: Jeffrey Books; 1997: 125–144.
35. Neumann E. Funktionshistorische Anthropologie der ästhetischen Produktivität. Berlin: Dietrich Reimer Verlag; 1996.
36. Spitz RA. Vom Säugling zum Kleinkind. Stuttgart: Klett-Cotta; 2005. Originally published, in English, in: The First Year Of Life: A Psychoanalytic Study of Normal and Deviant Development of Object Relations. New York, NY: International Universities Press; 1965.
37. Kivy P. Sound Sentiment, An Essay on the Musical Emotions, including the Complete Text of ‘The Corded Shell’. Philadelphia: Temple University Press; 1989.
38. Metzner S, Rohlffs F, Hauck M, Engel AK. Influence of Music on Pain Processing and Perception in Human Subjects. Poster presented at: Interdisciplinary Conference “Mozart & Science”: about the Effect and the Experience of Music: How Music Affects the Body, Mind and Emotions / Music Impacts on Development, Medicine, Therapy and Society. November 16-19, 2008; Vienna.
39. Welsch W. Ästhetisches Denken. Stuttgart: Reclam; 1998. http://www2.uni-jena.de/welsch/.
40. Wellmer A. Das musikalische Kunstwerk. In: Kern A, Sonderegger R, eds. Falsche Gegensätze. Frankfurt am Main: Suhrkamp TB; 2002: 133–175.
41. Seel M. Ästhetik des Erscheinens. Frankfurt am: Suhrkamp TB; 2003. Translated into English in: Aesthetics of Appearing (Cultural memory of the present). Palo Alto, CA: Stanford University Press; 2004.
42. Damasio A. Self Comes to Mind. Constructing the Conscious Brain. New York, NY: Pantheon Books; 2010.