Is it is or is it Ain't: The Impact of Selective Perception on the Image Making of Traditional African Dance

Journal of Black Studies

Volumn 28, Issue 2, 1997, Pages 139-156

  Mills, Glendola Yhema ^a  

^a TEMPLE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84990380723     PISSN: 00219347     EISSN: 15524566     Source Type: Journal    
DOI: 10.1177/002193479702800201     Document Type: Article

References (11)

1. Abarry A. S. (1994). Mpai: Libation oratory. In Asante K. W. (Ed.), The African aesthetic: Keeper of the traditions (pp. 85–102). Westport, CT: Greenwood.
2. Becker S. L., (1983). Discovering mass communication. Glenview, IL: Scott, Foresman.
3. de Laban J. (1973). Criticism: What criteria for analysis. Dance Research Annual, 5, 202–205.
4. Kraus R. Hilsendager S. Dixon B. (1991). History of dance in art and education (3rd ed.). Englewood Cliffs, NJ: Prentice Hall.
5. Lachman R. Lachman J. Brittefield E. C. (1979). Cognitive psychology and information processing: An introduction. Hillsdale, NJ: Lawrence Eribaum.
6. Nicholls R. (1988). African dance in transition. The World 1, 459–462.
7. Ornstein R. E. (1977). The psychology of consciousness. New York: Harcourt, Brace, Jovanovich.
8. Thompson R. F. (1974). African art in motion. Berkeley; University of California Press.
9. Welsh Asante K. (1989). The Umfundalai dance technique: A contemporary African artistic expression. Unpublished working paper.
10. Welsh Asante K. (Ed.). (1994). The African aesthetic: Keeper of the traditions. Westport, CT: Greenwood.
11. Williams D. (1977). An exercise in applied personal anthropology. Dance Research Journal, 9(1), 16–19.