-
8
-
-
0004287966
-
-
Berkeley: University of California Press.
-
Connell, R. W. 1995. Masculinities. Berkeley: University of California Press.
-
(1995)
Masculinities
-
-
Connell, R.W.1
-
11
-
-
60949610059
-
Horror and the monstrous-feminine: An imaginary abjection
-
edited by, Austin: University of Texas Press.
-
Creed, B. 1996. Horror and the monstrous-feminine: An imaginary abjection. In The dread of difference: Gender and the horror film, edited by B. K. Grant, 35-65. Austin: University of Texas Press.
-
(1996)
In The dread of difference: Gender and the horror film
, pp. 35-65
-
-
K. Grant, B.1
Creed, B.2
-
14
-
-
80052344660
-
Birth traumas: Parturition and horror in Rosemary's Baby
-
edited by, Austin: University of Texas Press.
-
Fischer, L. 1996. Birth traumas: Parturition and horror in Rosemary's Baby. In The dread of difference: Gender and the horror film, edited by B. K. Grant, 412-431. Austin: University of Texas Press.
-
(1996)
In The dread of difference: Gender and the horror film
, pp. 412-431
-
-
K. Grant, B.1
Fischer, L.2
-
15
-
-
6044240312
-
Monsters of perversion: Jeffrey Dahmer and The Silence of the Lambs
-
edited by, New York and London: Routledge.
-
Fuss, D. 1993. Monsters of perversion: Jeffrey Dahmer and The Silence of the Lambs. In Media spectacles, edited by M. Garber, J. Matlock, and R. L. Walkowitz, 181-205. New York and London: Routledge.
-
(1993)
In Media spectacles
, pp. 181-205
-
-
Garber, M.1
Matlock, J.2
L. Walkowitz, R.3
Fuss, D.4
-
17
-
-
84894840405
-
Gender, genre, Argento
-
edited by, Austin: University of Texas Press.
-
Knee, A. 1996. Gender, genre, Argento. In The dread of difference: Gender and the horror film, edited by B. K. Grant, 213-230. Austin: University of Texas Press.
-
(1996)
In The dread of difference: Gender and the horror film
, pp. 213-230
-
-
K. Grant, B.1
Knee, A.2
-
19
-
-
60950526104
-
Horror, femininity, and Carrie's monstrous puberty
-
edited by, Austin: University of Texas Press.
-
Lindsey, S. S. 1996. Horror, femininity, and Carrie's monstrous puberty. In The dread of difference: Gender and the horror film, edited by B. K. Grant, 279-295. Austin: University of Texas Press.
-
(1996)
In The dread of difference: Gender and the horror film
, pp. 279-295
-
-
K. Grant, B.1
Lindsey, S.S.2
-
20
-
-
60950181500
-
“Beyond the veil of the flesh”: Cronenberg and the disembodiment of horror
-
edited by, Austin: University of Texas Press.
-
McLarty, L. 1996. “Beyond the veil of the flesh”: Cronenberg and the disembodiment of horror. In The dread of difference: Gender and the horror film, edited by B. K. Grant, 231-252. Austin: University of Texas Press.
-
(1996)
In The dread of difference: Gender and the horror film
, pp. 231-252
-
-
K. Grant, B.1
McLarty, L.2
-
21
-
-
79959086794
-
The terror of pleasure: The contemporary horror film and postmodern theory
-
edited by, Bloomington: Indiana University Press.
-
Modleski, T. 1986. The terror of pleasure: The contemporary horror film and postmodern theory. In Studies in entertainment: Critical approaches to mass culture, edited by T. Modleski, 155-166. Bloomington: Indiana University Press.
-
(1986)
In Studies in entertainment: Critical approaches to mass culture
, pp. 155-166
-
-
Modleski, T.1
Modleski, T.2
-
22
-
-
85067500940
-
Afterthoughts on “Visual pleasure and narrative cinema” inspired by Duel in the Sun
-
[1981], edited by, New York and London: Routledge. First published in Framework
-
Mulvey, L. [1981] 1988a. Afterthoughts on “Visual pleasure and narrative cinema” inspired by Duel in the Sun. In Feminism and film theory, edited by C. Penley, 69-79. New York and London: Routledge. First published in Framework 6 (15-17).
-
(1988)
In Feminism and film theory
, vol.6
, Issue.15-17
, pp. 69-79
-
-
Penley, C.1
Mulvey, L.2
-
23
-
-
85067515907
-
Visual pleasure and narrative cinema
-
[1975], edited by, New York and London: Routledge. First published in Screen
-
Mulvey, L. [1975] 1988b. Visual pleasure and narrative cinema. In Feminism and film theory, edited by C. Penley, 57-68. New York and London: Routledge. First published in Screen 16 (3).
-
(1988)
In Feminism and film theory
, vol.16
, Issue.3
, pp. 57-68
-
-
Penley, C.1
Mulvey, L.2
-
24
-
-
0001984576
-
-
London: British Film Institute.
-
Neale, S. 1980. Genre. London: British Film Institute.
-
(1980)
Genre
-
-
Neale, S.1
-
25
-
-
60949834596
-
Grafting David Cronenberg: Monstrosity, AIDS media, national/sexual difference
-
edited by, New York and London: Routledge.
-
Parker, A. 1993. Grafting David Cronenberg: Monstrosity, AIDS media, national/sexual difference. In Media spectacles, edited by M. Garber, J. Matlock, and R. L. Walkowitz, 209-231. New York and London: Routledge.
-
(1993)
In Media spectacles
, pp. 209-231
-
-
Garber, M.1
Matlock, J.2
L. Walkowitz, R.3
Parker, A.4
-
27
-
-
0002230093
-
Gosh, Boy George, you must be awfully secure in your masculinity
-
edited by, New York and London: Routledge.
-
Sedgwick, E. K. 1995. Gosh, Boy George, you must be awfully secure in your masculinity. In Constructing masculinity, edited by M. Berger, B. Wallis, and S. Watson, 11-20. New York and London: Routledge.
-
(1995)
In Constructing masculinity
, pp. 11-20
-
-
Berger, M.1
Wallis, B.2
Watson, S.3
Sedgwick, E.K.4
-
30
-
-
84990338097
-
What is this thing called queer?
-
edited by, London: Scarlet.
-
Smyth, C. 1992. What is this thing called queer? In Lesbians talk queer notions, edited by C. Smyth, 17-27. London: Scarlet.
-
(1992)
In Lesbians talk queer notions
, pp. 17-27
-
-
Smyth, C.1
Smyth, C.2
-
32
-
-
84898349917
-
Monsters from the id
-
Tarratt, M. 1970. Monsters from the id. Films and Filming 17 (3): 38-42.
-
(1970)
Films and Filming
, vol.17
, Issue.3
, pp. 38-42
-
-
Tarratt, M.1
|