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Volumn 4, Issue 2, 2000, Pages 125-149

From contour similarity to motivic topologies

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EID: 84990354058     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490000400201     Document Type: Article
Times cited : (16)

References (22)
  • 1
    • 0034159405 scopus 로고    scopus 로고
    • Timing Microstructure in Schumann’s “Träumerei” as an Expression of Harmony, Rhythm, and Motivic Structure in Music Performance
    • Beran J. Mazzola G. (2000). Timing Microstructure in Schumann’s “Träumerei” as an Expression of Harmony, Rhythm, and Motivic Structure in Music Performance. Computers and Mathematics with Applications, 39 (5/6), 99–130.
    • (2000) Computers and Mathematics with Applications , vol.39 , Issue.5-6 , pp. 99-130
    • Beran, J.1    Mazzola, G.2
  • 5
    • 0141440039 scopus 로고    scopus 로고
    • Melodic Similarity — Concepts, Procedures, and Applications
    • (eds Cambridge MIT Press
    • Hewlett W. B. Selfridge-Field E. (eds) (1998). Melodic Similarity — Concepts, Procedures, and Applications. Computing in Musicology, 11. Cambridge: MIT Press.
    • (1998) Computing in Musicology, 11
    • Hewlett, W.B.1    Selfridge-Field, E.2
  • 8
    • 77955732681 scopus 로고
    • Some New Constructs Involving Abstract Pcsets, and Probabilistic Applications
    • Lewin D. (1980). Some New Constructs Involving Abstract Pcsets, and Probabilistic Applications. PNM, 18/2, 433–44.
    • (1980) PNM , vol.18 , Issue.2 , pp. 433-444
    • Lewin, D.1
  • 12
    • 84990353842 scopus 로고
    • In Proceedings of the 1994 International Computer Music Conference San Francisco ICA
    • Mazzola G. Zahorka O. (1994). The RUBATO Performance Workstation on Nextstep. In Proceedings of the 1994 International Computer Music Conference (pp. 102–8). San Francisco: ICA.
    • (1994) The RUBATO Performance Workstation on Nextstep. , pp. 102-108
    • Mazzola, G.1    Zahorka, O.2
  • 14
    • 84923547160 scopus 로고
    • Analysis and Performance of a dream
    • In Friberg Anders Sundberg John (Eds), Krh Stockholm
    • Mazzola G. Zahorka O. Stange-Elbe J. (1992). Analysis and Performance of a dream. In Friberg Anders Sundberg John (Eds), Grammars for Music Performance (pp. 59–68). Krh Stockholm.
    • (1992) Grammars for Music Performance , pp. 59-68
    • Mazzola, G.1    Zahorka, O.2    Stange-Elbe, J.3
  • 21
    • 85136701735 scopus 로고    scopus 로고
    • “Cooking a Canon with RUBATO” Performance Aspects of J.S. Bach’s “Kunst der Fuge”
    • In San Francisco ICA
    • Stange-Elbe J. Mazzola G. (1998). “Cooking a Canon with RUBATO” Performance Aspects of J.S. Bach’s “Kunst der Fuge”. In Proceedings of the 1998 International Computer Music Conference (pp. 179–86). San Francisco: ICA.
    • (1998) Proceedings of the 1998 International Computer Music Conference , pp. 179-186
    • Stange-Elbe, J.1    Mazzola, G.2
  • 22
    • 33749463659 scopus 로고    scopus 로고
    • Fuzzy Extensions to the Theory of Contour
    • Quinn I. (1997). Fuzzy Extensions to the Theory of Contour. Music Theory Spectrum, 19/2, 232–63.
    • (1997) Music Theory Spectrum , vol.19 , Issue.2 , pp. 232-263
    • Quinn, I.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.