메뉴 건너뛰기




Volumn 9, Issue 1, 2005, Pages 111-136

Nonverbal behaviours in popular music performance: A case study of The Corrs

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84990350742     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490500900104     Document Type: Article
Times cited : (30)

References (54)
  • 2
    • 0002165029 scopus 로고
    • New developments in the analysis of social skills
    • In WolfgangA.,(ed. New York Academic Press
    • Argyle M. (1979). New developments in the analysis of social skills. In WolfgangA.,(ed. ), Nonverbal behaviour (pp. 139–58). New York: Academic Press.
    • (1979) Nonverbal behaviour , pp. 139-158
    • Argyle, M.1
  • 3
    • 33847151149 scopus 로고    scopus 로고
    • Spatial elements of meaning in musicians’ body movements: Pragmatic and semantic dimensions
    • Norwich University of East Anglia August
    • Ashley R. (2003). Spatial elements of meaning in musicians’ body movements: Pragmatic and semantic dimensions. Paper presented at the International Conference on Music and Gesture. Norwich: University of East Anglia, August.
    • (2003) Paper presented at the International Conference on Music and Gesture
    • Ashley, R.1
  • 4
    • 84970246165 scopus 로고
    • The ability to identity emotional content of solo improvisations performed vocally and on three different instruments
    • Behrens G. A. Green S. B. (1993). The ability to identity emotional content of solo improvisations performed vocally and on three different instruments. Psychology of Music, 21, 20–33.
    • (1993) Psychology of Music , vol.21 , pp. 20-33
    • Behrens, G.A.1    Green, S.B.2
  • 5
    • 84990354620 scopus 로고
    • Das Kunstwerk Im Zeitalter Seiner Technischen
    • In Tokyo Shobun-Sha
    • Benjamin W. (1970). Das Kunstwerk Im Zeitalter Seiner Technischen. In Werke band 2. Tokyo: Shobun-Sha.
    • (1970) Werke band 2
    • Benjamin, W.1
  • 6
    • 65849518181 scopus 로고
    • Sound, image and social space: Music video and media reconstruction
    • In Frith S. Goodwin A. Grossberg L. (eds London Routledge
    • Berland J. (1993). Sound, image and social space: Music video and media reconstruction. In Frith S. Goodwin A. Grossberg L. (eds), Sound and Vision: The Music Video Reader (pp. 25–44). London: Routledge.
    • (1993) Sound and Vision: The Music Video Reader , pp. 25-44
    • Berland, J.1
  • 7
    • 0004198404 scopus 로고
    • Philadelphia University of Pennsylvania Press
    • Birdwhistell R. L. (1970). Kinesics and Context. Philadelphia: University of Pennsylvania Press.
    • (1970) Kinesics and Context
    • Birdwhistell, R.L.1
  • 8
    • 0035534709 scopus 로고    scopus 로고
    • Children’s expression of emotional meaning in music through expressive body movement
    • Boone R. T. (2001). Children’s expression of emotional meaning in music through expressive body movement. Journal of Nonverbal Behaviour, 25(1, 21–41.
    • (2001) Journal of Nonverbal Behaviour , vol.25 , Issue.1 , pp. 21-41
    • Boone, R.T.1
  • 10
    • 0002917674 scopus 로고
    • The effects of facial control and facial mimicry on subjective reactions to comedy routines
    • Bush L. K. Barr C. L. McHugo G. J. Lanzetta J. T. (1989). The effects of facial control and facial mimicry on subjective reactions to comedy routines. Motivation and emotion, 13, 31–51.
    • (1989) Motivation and emotion , vol.13 , pp. 31-51
    • Bush, L.K.1    Barr, C.L.2    McHugo, G.J.3    Lanzetta, J.T.4
  • 12
    • 84970103667 scopus 로고
    • Visual perception of performance manner in the movements of solo musicians
    • Davidson J. W. (1993). Visual perception of performance manner in the movements of solo musicians. Psychology of Music, 21, 103–13.
    • (1993) Psychology of Music , vol.21 , pp. 103-113
    • Davidson, J.W.1
  • 13
    • 0344614764 scopus 로고    scopus 로고
    • The social in musical performance
    • In Hargreaves D. J. North A. C. (eds), Oxford Oxford University Press
    • Davidson J. W. (1997). The social in musical performance. In Hargreaves D. J. North A. C. (eds), The Social Psychology of Music (pp. 209–28). Oxford: Oxford University Press.
    • (1997) The Social Psychology of Music , pp. 209-228
    • Davidson, J.W.1
  • 14
    • 84990398479 scopus 로고    scopus 로고
    • The role of the body in the production and perception of solo vocal performance: A case study of Annie Lennox
    • Davidson J. W. (2001). The role of the body in the production and perception of solo vocal performance: A case study of Annie Lennox. Musicæ Scientiæ, 5(2), 235–56.
    • (2001) Musicæ Scientiæ , vol.5 , Issue.2 , pp. 235-256
    • Davidson, J.W.1
  • 15
    • 84990372237 scopus 로고    scopus 로고
    • A “moving musician”: Exploring the stage performance of Robbie Williams
    • (in press). In Gritten A. King E. C. (eds), Aldershott Ashgate
    • Davidson J. W. (in press). A “moving musician”: Exploring the stage performance of Robbie Williams. In Gritten A. King E. C. (eds), Music and Gesture. Aldershott: Ashgate.
    • Music and Gesture
    • Davidson, J.W.1
  • 16
    • 84969184138 scopus 로고    scopus 로고
    • Cambridge Cambridge University Press
    • De Nora T. (2000). Music in everyday Life. Cambridge: Cambridge University Press.
    • (2000) Music in everyday Life
    • De Nora, T.1
  • 19
  • 23
    • 35548985229 scopus 로고
    • Youth/Music/Television
    • In Frith S. Goodwin A. Grossberg L. (eds London Routledge
    • Frith S. (1993). Youth/Music/Television. In Frith S. Goodwin A. Grossberg L. (eds), Sound and Vision: The Music Video reader (pp. 67–84). London: Routledge.
    • (1993) Sound and Vision: The Music Video reader , pp. 67-84
    • Frith, S.1
  • 24
    • 0003845952 scopus 로고    scopus 로고
    • Oxford Oxford University Press
    • Frith S. (1996). Performing Rites. Oxford: Oxford University Press.
    • (1996) Performing Rites
    • Frith, S.1
  • 25
    • 0001426450 scopus 로고    scopus 로고
    • Emotional expression in music performance: Between the performer’s intention and the listener’s experience
    • Gabrielsson A. Juslin P. N. (1996). Emotional expression in music performance: Between the performer’s intention and the listener’s experience. Psychology of Music, 24, 68–91.
    • (1996) Psychology of Music , vol.24 , pp. 68-91
    • Gabrielsson, A.1    Juslin, P.N.2
  • 26
    • 0011373263 scopus 로고
    • Emotional expression in synthesizer and sentograph performance
    • Gabrielsson A. Lindström E. (1995). Emotional expression in synthesizer and sentograph performance. Psychomusicology, 14, 94–116.
    • (1995) Psychomusicology , vol.14 , pp. 94-116
    • Gabrielsson, A.1    Lindström, E.2
  • 30
    • 0001679284 scopus 로고
    • Assesments of the emotional states of others: Conscious judgements versus emotional contagion
    • Hsee C.K. Hatfield E. Chemtob C. (1991). Assesments of the emotional states of others: Conscious judgements versus emotional contagion. Journal of Social and Clinical Psychology, 11, 119–28.
    • (1991) Journal of Social and Clinical Psychology , vol.11 , pp. 119-128
    • Hsee, C.K.1    Hatfield, E.2    Chemtob, C.3
  • 31
    • 0037734416 scopus 로고    scopus 로고
    • Communicating emotion in music performance: A review and theoretical framework
    • In Juslin P. N. Sloboda J. A. (eds), Oxford Oxford University Press
    • Juslin P. N. (2001). Communicating emotion in music performance: A review and theoretical framework. In Juslin P. N. Sloboda J. A. (eds), Music and emotion: Theory and research (pp. 309–40). Oxford: Oxford University Press.
    • (2001) Music and emotion: Theory and research , pp. 309-340
    • Juslin, P.N.1
  • 32
    • 0000646675 scopus 로고    scopus 로고
    • Emotional communication in music performance: A functionalist perspective and some data
    • Juslin P. N. (1997). Emotional communication in music performance: A functionalist perspective and some data. Music Perception, 14, 383–418.
    • (1997) Music Perception , vol.14 , pp. 383-418
    • Juslin, P.N.1
  • 33
    • 0034543675 scopus 로고    scopus 로고
    • Cue utilization in communication of emotion in music performance: Relating performance to perception
    • Juslin P. N. (2000). Cue utilization in communication of emotion in music performance: Relating performance to perception. Journal of experimental Psychology: Human Perception and Performance, 26, 1797–813.
    • (2000) Journal of experimental Psychology: Human Perception and Performance , vol.26 , pp. 1797-1813
    • Juslin, P.N.1
  • 34
    • 0042379121 scopus 로고    scopus 로고
    • The role of timing patterns in recognition of emotional expression from musical performance
    • Juslin P. N. Madison G. (1999). The role of timing patterns in recognition of emotional expression from musical performance. Music Perception, 17, 197–221.
    • (1999) Music Perception , vol.17 , pp. 197-221
    • Juslin, P.N.1    Madison, G.2
  • 35
    • 0016954139 scopus 로고
    • Acoustic correlates of the emotional content of vocalized speech
    • Kotlyar G. M. Morozov V. P. (1976). Acoustic correlates of the emotional content of vocalized speech. Soviet Physics & Acoustics, 22, 370–6.
    • (1976) Soviet Physics & Acoustics , vol.22 , pp. 370-376
    • Kotlyar, G.M.1    Morozov, V.P.2
  • 37
    • 0009169753 scopus 로고
    • Stimulus properties of facial expressions and their influence on the classical conditioning of fear
    • Lanzetta J. T. Orr S. P. (1981). Stimulus properties of facial expressions and their influence on the classical conditioning of fear. Motivation and Emotion, 5, 225–34.
    • (1981) Motivation and Emotion , vol.5 , pp. 225-234
    • Lanzetta, J.T.1    Orr, S.P.2
  • 38
    • 0022601757 scopus 로고
    • Excitatory strength of expressive faces: Effects of happy and fear expression and context on the extinction of a conditional fear response
    • Lanzetta J. T. Orr S. P. (1986). Excitatory strength of expressive faces: Effects of happy and fear expression and context on the extinction of a conditional fear response. Journal of Personality and Social Psycholog y, 50, 190–94.
    • (1986) Journal of Personality and Social Psycholog y , vol.50 , pp. 190-194
    • Lanzetta, J.T.1    Orr, S.P.2
  • 39
    • 0005050738 scopus 로고    scopus 로고
    • Mothers and infants and communicative musicality
    • Malloch S. N. (1999/2000). Mothers and infants and communicative musicality. Musicæ Scientiæ, Special Issue, 29–57.
    • (1999) Musicæ Scientiæ, Special Issue , pp. 29-57
    • Malloch, S.N.1
  • 41
    • 0004180744 scopus 로고
    • Evanston, Illinois Northwestern University Press
    • Merriam A. P. (1964). The Anthropology of Music. Evanston, Illinois: Northwestern University Press.
    • (1964) The Anthropology of Music
    • Merriam, A.P.1
  • 42
    • 84975939772 scopus 로고
    • Open University Course U203 Popular Culture, Unit 16. Milton Keynes Open University Press
    • Middleton R. (1981). “Reading” Popular Music. Open University Course: U203 Popular Culture, Unit 16. Milton Keynes: Open University Press.
    • (1981) “Reading” Popular Music
    • Middleton, R.1
  • 46
    • 0000618942 scopus 로고
    • Quasi-Courtship behaviour of psychotherapy
    • Sheflen A. E. (1965). Quasi-Courtship behaviour of psychotherapy. Psychiatry, 28, 245–56.
    • (1965) Psychiatry , vol.28 , pp. 245-256
    • Sheflen, A.E.1
  • 47
    • 0039953338 scopus 로고    scopus 로고
    • The acquisition of musical expressivity
    • In EricssonK. A.,(ed. Mahwah, N J Erlbaum
    • Sloboda J. A. (1996). The acquisition of musical expressivity. In EricssonK. A.,(ed. ), The road to excellence (pp. 107–26). Mahwah, N J: Erlbaum.
    • (1996) The road to excellence , pp. 107-126
    • Sloboda, J.A.1
  • 49
    • 0039003764 scopus 로고
    • A singer’s expression of emotions in sung performance
    • In Fujimura O. Hirano M. (eds), San Diego, CA Singular Press
    • Sundberg J. Iwarsson J. Hagegård H. (1995). A singer’s expression of emotions in sung performance. In Fujimura O. Hirano M. (eds), Vocal Fold Physiology: Voice Quality Control (pp. 2217–29). San Diego, CA: Singular Press.
    • (1995) Vocal Fold Physiology: Voice Quality Control , pp. 2217-2229
    • Sundberg, J.1    Iwarsson, J.2    Hagegård, H.3
  • 50
    • 84974061203 scopus 로고
    • Analysing popular music: Theory, method and practice
    • Tagg P. (1982). Analysing popular music: Theory, method and practice. Popular Music, 2, 37–67.
    • (1982) Popular Music , vol.2 , pp. 37-67
    • Tagg, P.1
  • 54
    • 84918525618 scopus 로고    scopus 로고
    • Coordinating duo piano performance
    • In Woods C. Luck G. B. Brochard R. O’Neill S. A. Sloboda J. A. (eds CD-ROM. Keele, UK Department of Psychology
    • Williamon A. Davidson J. W. (2000). Coordinating duo piano performance. In Woods C. Luck G. B. Brochard R. O’Neill S. A. Sloboda J. A. (eds), Proceedings of the Sixth International Conference on Music and Cognition, CD-ROM. Keele, UK: Department of Psychology.
    • (2000) Proceedings of the Sixth International Conference on Music and Cognition
    • Williamon, A.1    Davidson, J.W.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.