메뉴 건너뛰기




Volumn 4, Issue 1, 2000, Pages 31-54

Perceptual musical analysis: Segmentation and perception of tension

Author keywords

[No Author keywords available]

Indexed keywords


EID: 84990348444     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490000400102     Document Type: Article
Times cited : (9)

References (17)
  • 1
    • 0029705805 scopus 로고    scopus 로고
    • Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
    • Bigand E. Parncutr R. Lerdahl F. (1996). Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training. Perception and Psychophysics, 58 (1), 125–41.
    • (1996) Perception and Psychophysics , vol.58 , Issue.1 , pp. 125-141
    • Bigand, E.1    Parncutr, R.2    Lerdahl, F.3
  • 3
    • 39749155215 scopus 로고    scopus 로고
    • Music analysis and music perception
    • Cross I. (1998). Music analysis and music perception. Music Analysis, 17 (2), 3–20.
    • (1998) Music Analysis , vol.17 , Issue.2 , pp. 3-20
    • Cross, I.1
  • 4
    • 0004757520 scopus 로고
    • A perceptual approach to contemporary musical forms
    • In McAdams S. Deliège I. (eds),
    • Deliège I. (1989). A perceptual approach to contemporary musical forms. In McAdams S. Deliège I. (eds), Music and Cognitive Sciences. Contemporary Music Review, 4, 213–30.
    • (1989) Music and Cognitive Sciences. Contemporary Music Review , vol.4 , pp. 213-230
    • Deliège, I.1
  • 5
    • 4244094561 scopus 로고
    • Mechanisms of cue extraction in musical groupings: A study of perception on Sequenza
    • VI for viola solo by L. Berio
    • Deliège I. El Ahmadi A. (1990). Mechanisms of cue extraction in musical groupings: A study of perception on Sequenza VI for viola solo by L. Berio. Psychology of Music, 18 (I), 18–44
    • (1990) Psychology of Music , vol.18 , Issue.1 , pp. 18-44
    • Deliège, I.1    El Ahmadi, A.2
  • 6
    • 0040559159 scopus 로고    scopus 로고
    • Musical schemata in real-time listening to a piece of music
    • Deliège I. Mélen M. Stammers D. Cross I. (1996). Musical schemata in real-time listening to a piece of music. Music Perception, 14 (2), 117–60.
    • (1996) Music Perception , vol.14 , Issue.2 , pp. 117-160
    • Deliège, I.1    Mélen, M.2    Stammers, D.3    Cross, I.4
  • 7
    • 0345774630 scopus 로고    scopus 로고
    • Cue abstraction in the representation of musical form
    • In Deliège I. Sloboda J. (eds), Hove Psychology Press
    • Deliège I. Mélen M. (1997). Cue abstraction in the representation of musical form. In Deliège I. Sloboda J. (eds), Perception and Cognition of Music (pp. 387–412). Hove: Psychology Press.
    • (1997) Perception and Cognition of Music , pp. 387-412
    • Deliège, I.1    Mélen, M.2
  • 8
    • 0040208203 scopus 로고    scopus 로고
    • The perception of structural stability in atonal music: The influence of salience, stability, horizonthal motion, pitch commonality, and dissonance
    • Dibben N. (1999). The perception of structural stability in atonal music: The influence of salience, stability, horizonthal motion, pitch commonality, and dissonance. Music Perception, 16 (3), 265–94.
    • (1999) Music Perception , vol.16 , Issue.3 , pp. 265-294
    • Dibben, N.1
  • 9
    • 84990336192 scopus 로고
    • Les écritures du temps. Sémantique psychologique de la musique (tome 2)
    • Milano Ricordi-Unicopli 1990 Paris Bordas
    • Imberty M. (1981). Les écritures du temps. Sémantique psychologique de la musique (tome 2). (Le scritture del tempo. Milano: Ricordi-Unicopli, 1990). Paris: Bordas.
    • (1981) Le scritture del tempo
    • Imberty, M.1
  • 10
    • 79954385379 scopus 로고
    • L’occhio e l’orecchio. Sequenza III di Berio
    • In Marconi L. Stefani G. (eds), Bologna CLUEB
    • Imberty M. (1987). L’occhio e l’orecchio. Sequenza III di Berio. In Marconi L. Stefani G. (eds), Il senso in musica (pp. 163–86). Bologna: CLUEB.
    • (1987) Il senso in musica , pp. 163-186
    • Imberty, M.1
  • 11
    • 84990351213 scopus 로고
    • Teorie musicali e teorie della memoria. In Baroni M. Imberry M. Porzionato G., Memoria musicale e valori sociali Milano Ricordi
    • Imberry M. (1993). Teorie musicali e teorie della memoria. In Baroni M. Imberry M. Porzionato G., Memoria musicale e valori sociali, “Quaderni della SIEM”, 4. Milano: Ricordi.
    • (1993) “Quaderni della SIEM”, 4
    • Imberry, M.1
  • 12
    • 84990347156 scopus 로고    scopus 로고
    • Continuità e discontinuità nella musica del XX secolo
    • (in print). In Torino Einaudi
    • Imberty M. (in print). Continuità e discontinuità nella musica del XX secolo. In Enciclopedia della Musica. Torino: Einaudi.
    • Enciclopedia della Musica
    • Imberty, M.1
  • 13
    • 77954507275 scopus 로고
    • Structure de prolongation dans l’atonalité
    • In McAdams S. Deliège I. (eds), Bruxelles Mardaga
    • Lerdahl F. (1989). Structure de prolongation dans l’atonalité In McAdams S. Deliège I. (eds), La musique et le sciences cognitives (pp. 103–35). Bruxelles: Mardaga.
    • (1989) La musique et le sciences cognitives , pp. 103-135
    • Lerdahl, F.1
  • 14
    • 33749566774 scopus 로고    scopus 로고
    • Commentary
    • Meyer L. B. (1996). Commentary. Music Perception, 13 (3), 455–84.
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 455-484
    • Meyer, L.B.1
  • 15
    • 0011299279 scopus 로고    scopus 로고
    • A perceptual analysis of Mozart's Piano Sonata K 282. Segmentation, tension and musical ideas
    • Krumhansl C. L. (1996). A perceptual analysis of Mozart's Piano Sonata K 282. Segmentation, tension and musical ideas. Music Perception, 13 (3), 401–32.
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 401-432
    • Krumhansl, C.L.1
  • 16
    • 79954303554 scopus 로고    scopus 로고
    • Music tension: Cognitive, motional and emotional aspects
    • In Gabrielsson A. (ed), Sweden Uppsala University
    • Krumhansl C. L. (1997). Music tension: Cognitive, motional and emotional aspects. In Gabrielsson A. (ed), Third triennal ESCOM Conference. Proceedings (pp. 3–12). Sweden: Uppsala University.
    • (1997) Third triennal ESCOM Conference. Proceedings , pp. 3-12
    • Krumhansl, C.L.1
  • 17
    • 84990396605 scopus 로고
    • Metodi di analisi in musicologia
    • In Torino Einaudi
    • Ruwet N. (1983). Metodi di analisi in musicologia. In Linguaggio, Musica, Poesia (pp. 86–119). Torino: Einaudi.
    • (1983) Linguaggio, Musica, Poesia , pp. 86-119
    • Ruwet, N.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.