Interpretation and performance in Bryn Harrison's être-temps

Musicae Scientiae

Volumn 9, Issue 1, 2005, Pages 31-74

  Clarke, Eric ^a   Cook, Nicholas ^b   Harrison, Bryn ^a   Thomas, Philip ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

^b UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84990324221     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490500900102     Document Type: Article

References (12)

1. Ashley R. (2002). Do[n’t] change a hair for me: The art of jazz rubato. Music Perception, 19, 311–32.
2. Becker H. (1989). Ethnomusicology and Sociology: A letter to Charles Seeger. Ethnomusicology, 33, 275–86.
3. Chaffin R. Imreh G. Crawford M. (2002). Practicing perfection: Memory and piano performance. Mahwah NJ: Erlbaum.
4. Chaffin R. Imreh G. Lemieux A. Chen C. (2003). “Seeing the big picture”: Piano practice as expert problem solving. Music Perception, 20, 461–85.
5. Feldman M. (1985). Essays. Kerpen: Beginner Press.
6. Ferneyhough B. (1995). Collected Writings. Amsterdam: Harwood.
7. Hill P. (2002). From score to sound. In RinkJ.,(ed. ), Musical Performance. A Guide to Understanding (pp. 129–43). Cambridge: Cambridge University Press.
8. Honing H. (1990). POCO: An environment for analysing, modifying, and generating expression in music. Proceedings of the 1990 International Computer Music Conference (pp. 364–8). San Francisco: Computer Music Association.
9. Juslin P. N. Friberg A. Bresin R. (2001). Toward a computational model of expression in music performance: The GERM model. Musicæ Scientiæ, Special Issue on Current Trends in the Study of Music and Emotion, 63–122.
10. Palmer C. (1996). Anatomy of a performance: Sources of musical expression. Music Perception, 13, 433–53.
11. Redgate R. (1997). The chamber music. In Brougham H. Fox C. Pace I. (eds), Uncommon Ground: The Music of Michael Finnissy (pp. 135–68). Aldershot: Ashgate.
12. Repp B. H. (1990). Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists. Journal of the Acoustical Society of America, 88, 622–41.