Adaptive characteristics of group singing: Perceptions from members of a choir forhomeless men

Musicae Scientiae

Volumn 6, Issue 2, 2002, Pages 221-256

  Bailey, Betty A ^a   Davidson, Jane W ^a  

^a UNIVERSITY OF SHEFFIELD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84990323766     PISSN: 10298649     EISSN: None     Source Type: Journal    
DOI: 10.1177/102986490200600206     Document Type: Article

References (50)

1. Adams K. (2000). How can I keep from singing: A lifetime of sweet singing in the choir. In Roberts B. and Rose A. (eds), Proceeding of the International Symposium Sharing the Voices: The Phenomenon of Singing 2 (pp. 7–15). St. John’s, Newfoundland, Canada: Memorial University of Newfoundland.
2. Adams N. (1996). Piano lessons: Music, lave and true adventures. New York: Dell.
3. Alberti L. (1974). Music through the ages. Toronto: Cassell and Company.
4. Areni C. S. Kim D. (1993). The influence of background music in consumer mood and advertising responses. Advances in Consumer Research, 20,, 336–40.
5. Ayres B. (1973). Effects of infant carrying practises on rhythm in music. Ethos, 1, 387–404.
6. Bailey B. A. Davidson J. W. (2002). [Responses to music listening and music participation survey]. Unpublished raw data.
7. Beck R. J. Cesario T. C. Yousefi A. Enamoto H. (2000). Choral singing, performance perception, and immune system changes in salivary immunoglobulin A and Cortisol. Music Perception, 18 (1), 87–106.
8. Blacking J. (1973). How musical is man? Seattle: University of Washington Press.
9. Brown R. (1986). Social Psychology. New York: Free Press.
10. Brownstein B. (2000 November). Campaign on the street: He’s starting from nothing. Montreal Gazette [Online], 2 pp.: Retrieved April 22, 2001 from the World Wide Web: http://www.montrealgazette.com/election2000/001109/4838l62.html.
11. Bull M. (2000). Sounding out the city. Personal stereos and the management of everyday life. New York: Berg.
12. Capra F. (1982). The turning point: Science, society and the rising culture. New York: Simon and Schuster.
13. Clift S. M. Hancox G. (2001). The perceived benefits of singing: findings from preliminary surveys of a university college choral society. The Journal of the Royal Society for the Promotion of Health, 121 (4), 248–56.
14. Cooper J. R. Bloom F. E. Roth R. H. (1991). The biochemical basis of neuropharmacology. New York: Oxford University Press.
15. Csikszentmihalyi M. (1997). Finding flow: The psychology of engagement with everyday life. New York: Basic Books.
16. Davis S. (1985, Summer). Pop lyrics: A mirror and moulder of society. Et cetera pp. 167–9.
17. DeNora T. (2000). Music in everyday life. Cambridge: Cambridge University Press.
18. DeNora T. (2001). Aesthetic agency and musical practice: New directions in the sociology of music and emotion. In Sloboda J. A. and Juslin P. (eds), Music and emotion: Theory and research (pp. 161–80). Oxford: Oxford University Press.
19. Gabrielsson A. (2001). Emotions in strong experiences with music. In Sloboda J. A. and Juslin P. (eds), Music and emotion: Theory and research (pp. 431–49). Oxford: Oxford University Press.
20. Gordon E. (1987). The nature, description, measurement and evaluation of music aptitudes. Chicago: G. I. A. Publications.
21. Hargreaves D. J. North A. C. (1999). The functions of music in everyday life: Redefining the social in music psychology. Psychology of Music, 27, 71–83.
22. Horton R. (1973). The Kalabari Ekine Society: A Borderland of Religion and Art. In Skinner E. P.,(ed. ), Peoples and cultures of Africa (pp. 600–27). New York: Doubleday.
23. Kaemmer J. E. (1993). Music in human life: Anthropological perspectives on music. Austin, Texas: University of Texas Press.
24. Knight S. (2000). Exploring a cultural myth: What adult non-singers may reveal about the nature of singing. In Roberts B. and Rose A. (eds), Proceedings of the International Symposium Sharing the Voices: The Phenomenon of Singing 2 (pp. 144–54). St. John’s, Newfoundland, Canada: Memorial University of Newfoundland.
25. Lerdahl F. Jackendoff R. (1983). A generative theory of tonal music. Cambridge, MA: The MIT Press.
26. McKay S. (2000, December). A song in their hearts. Reader’s Digest, 6 pp. Retrieved April 22, 2001 from the World Wide Web: http://www.readersdigest.ca/mag/2000/12/song.html.
27. Maslow A. H. (1968). Toward a psychology of being. New York: Van Nostrand Reinhold.
28. Merriam A. P. (1964). The anthropology of music. Chicago: Northwestern University Press.
29. Messenger J. (1958). Esthetic talent. Basic College Quarterly, 4, 20–4.
30. Milliman R. E. (1982). The influence of background music to affect the behaviour of supermarket shoppers. Journal of Consumer Research, 13, 286–9.
31. Mudrick A. W. (1998). Student motivation in four successful high school choral programs in south central Pennsylvania: A qualitative study (Doctoral dissertation, Temple University, 1998). Dissertation Abstracts International, 58 (10-A), 3869.
32. Murningham J. K. Conlon D. E. (1991). The dynamics of intense work groups: A study of British string quartets. Administrative Science Quarterly. June, 165–86.
33. Panvini R. (1998). Singing, bioenergetics, and the process of change: Theoretical constructs and case studies. (Doctoral dissertation, The Union Institute, 1996). Dissertation Abstracts International, 59 (2-B), 0883.
34. Papoušek M. (1996). Intuitive parenting: A hidden source of musical stimulation in infancy. In Deliège I. and Sloboda J. (eds), Musical beginnings: Origins and development of musical competence (pp. 88–112). New York: Oxford University Press.
35. Pascale L. M. (2000). The power of simply singing together in the classroom. In Roberts B. and Rose A. (eds), Proceedings of the International Symposium Sharing the Voices: The Phenomenon of Singing 2 (pp. 177–83). St. John’s, Canada: Memorial University of Newfoundland.
36. Patteson A. (2000). Singing a woman’s life: How singing lessons transformed the lives of nine women. In Roberts B. and Rose A. (eds), Proceedings of the International Symposium Sharing the Voices: The Phenomenon of Singing 2 (pp. 184–95). St. John’s, Newfoundland, Canada: Memorial University of Newfoundland.
37. Rossi P. H. (1989). Down and out in America: The origins of homelessness. Chicago: The University of Chicago Press.
38. Sears W. (1968). Processes in music therapy. In Gaston E. T.,(ed. ), Music in therapy (pp. 30–44). New York: Macmillan Publishing.
39. Sloboda J. A. (1985). The musical mind Oxford: Oxford University Press.
40. Sloboda J. A. Davidson J. W. Howe M. J. A. (1994). Is everyone musical? The Psychologist, 1 (8), 349–54.
41. Sloboda J. A. O’Neill S. (2001). Emotions in everyday listening to music. In Sloboda J. A. and Juslin P. (eds), Music and emotion: Theory and research (pp. 415–29). Oxford: Oxford University Press.
42. Sloboda J. A. O’Neill S. Ivaldi A. (2001). Functions of music in everyday life: An exploratory study using the experience sampling method. Musicæ Scientiæ, 5, 9–32.
43. Smith J. A. (1999). Identity development during the transition to motherhood: An interpretative analysis. Journal of Reproductive and Infant Psychology, 17 (3), 281–99.
44. Storr A. (1992). Music and the mind. New York: Ballantine Books.
45. Strouse L. (1987). From analysis to gesture: A comprehensive approach to score preparation for the conductor. Doctoral Dissertation, Ball State University, Indiana.
46. Suliteanu G. (1979). The role of songs for children in the formation of musical perception. In Blacking J. and Kealiinohomoku J. W. (eds), The performing arts: Music and dance (pp. 205–19). The Hague: Mouton.
47. Thompson W. F. Cuddy L. L. Plaus C. (1997). Expectancies generated by melodic intervals: Evaluation of principles of melodic implication in a melody completion task. Perception and Psychophysics, 59, 1069–76.
48. Trehub S. E. Schellenburg E. G. (1995). Music: Its relevance to infants. Annals of Child Development, 11, 1–24.
49. Trehub S. E. Trainor L. (1998). Singing to infants: Lullabies and play songs. Advances in Infancy Research, 12, 43–77.
50. Wright J. D. (1989). Address unknown: The homeless in America. New York Aldine de Gruyter.