Verbal Art as Performance

American Anthropologist

Volumn 77, Issue 2, 1975, Pages 290-311

  BAUMAN, RICHARD ^a  

^a UNIVERSITY OF TEXAS AT AUSTIN   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84982381016     PISSN: 00027294     EISSN: 15481433     Source Type: Journal    
DOI: 10.1525/aa.1975.77.2.02a00030     Document Type: Article

References (94)

1. Introductory Remarks to a Rhetorical Theory of Folklore
2. A Performance‐Centered Approach to Gossip
3. 72 Folklore and Literature as Performance
4. Sense and Nonsense in St
5. Parallelismus
6. Verbal Art
7. Aspects of Seventeenth Century Quaker Rhetoric
8. Introduction
9. The La Have Island General Store: Sociability and Verbal Art in a Nova Scotia Community
10. Speaking in the Light: the Role of the Quaker Minister
11. Quaker Folk Linguistics and Folklore
12. Analytical Categories and Ethnic Genres
13. Toward a Definition of Folklore in Context
14. Narrative
15. Correlates of Cree Narrative Performance
16. A Structural Approach to Esthetics: Toward a Definition of Art in Anthropology
17. Metafolklore and Oral Literary Criticism
18. Transformational Models Applied to Musical Analysis: Theoretical Possibilities
19. How Ordinary Is Ordinary Language
20. Form and Function of Poetic Language
21. Our Ancestors Spoke in Pairs
22. The Formulaic Improvisation Theory of Ballad Tradition—A Counterstatement
23. Toward an Understanding of Storytelling Events
24. Take that Night Train to Selma: an Excursion to the Outskirts of Scholarship
25. Chamula Genres of Verbal Behavior
26. To Speak with a Heated Heart: Chamula Canons of Style and Good Performance
27. The Functional Differentiation of the Standard Language
28. Japanese Professional Storytellers
29. Review of Indian Tales of North America
30. Competence and Performance in Linguistic Theory
31. An Ethnographic Perspective
32. Ways of Speaking
33. Breakthrough into Performance
34. Linguistics and Poetics
35. Grammatical Parallelism and Its Russian Facet
36. Poetry of Grammar and Grammar of Poetry
37. Classifying Performance in the Study of Verbal Folklore
38. A Sliding Sense of Obligatoriness: The Poly‐Structure of Malagasy Oratory
39. Norm Makers, Norm Breakers: Uses of Speech by Men and Women in a Malagasy Community
40. The Concept and Varieties of Narrative Performance in East European Jewish Culture
41. Theory and Practice of Riddle Analysis
42. Life as Theater: Some Notes on the Dramaturgic Approach to Social Reality
43. Role of Illusion in Symbol Formation
44. Standard Language and Poetic Language
45. Speech Acts and the Definition of Literature
46. Speech, Literature, and the Space Between
47. Phenomenological Philosophy and Sociology
48. From Reality to Fantasy: Opening‐Closing Formulas in the Structures of American Tall Tales
49. I Have Nothing to Hide: the Language of Ilongot Oratory
50. An Analysis of the Course of a Joke's Telling in Conversation
51. Literature in San Blas: Discovering the Cuna Ikala
52. Namakke, Sunmakke, Kormakke: Three Types of Cuna Speech Events
53. Areal Studies and Culture History: Language as a Key to the Historical Study of Culture Contact
54. From the Guest Editor
55. The Great Tradition in a Metropolitan Center: Madras
56. Poetic Language and Non‐Poetic Language in their Interrelation
57. Paul E. Hall: a Newfoundland Song‐Maker and Community of Song
58. On the Translation of Style in Oral Narrative
59. The ‘Pretty Language’ of Yellowman: Genre, Mode, and Texture in Navaho Coyote Narratives
60. Structural Isomorphism of Verbal and Visual Art
61. On the Semantic Structure of a Language
62. Base and Superstructure in Marxist Cultural Theory