Shape constancy in pictorial relief

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 1144, Issue , 1996, Pages 149-164

  Koenderink, Jan J ^a   van Doorn, Andrea J ^a,b   Christou, Chris ^a   Lappin, Joseph S ^a  

^a UTRECHT UNIVERSITY   (Netherlands)

^b VANDERBILT UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER VISION; PHOTOGRAPHY; THREE DIMENSIONAL COMPUTER GRAPHICS;

3D SCENES; BASIC SHAPES; CARTOON RENDERING; LINEAR FEATURE; PERTURBATION ANALYSIS; PICTORIAL RELIEF;

RENDERING (COMPUTER GRAPHICS);

EID: 84978975920     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/3-540-61750-7_27     Document Type: Conference Paper

References (23)

1. Bülthoff H B, Mallot H O, 1988 "Integration of depth modules: stereo and shading" J. Opt.Soc.Am. A5 1749-1757
2. Clifton J, 1973 The eye of the artist (Westport, Conn.: North Light Publishers)
3. Erens R G F, Kappers AML, Koenderink J J, 1991 "Limits on the perception of local shape from shading", in Studies in Perception and Action Eds P J Beek, R J Bootsma, P C W van Wieringen (Amsterdam) pp. 65-71
4. Erens R G F, Kappers AML, Koenderink J J, 1993a "Perception of local shape from shading" Perception & Psychophysics 54 (2) 145-156
5. Erens R G F, Kappers AML, Koenderink J J, 1993b "Estimating local shape from shading in the presence of global shading" Perception & Psychophysics 54 (3) 334-342
6. Adams R M, 1974 The romαn stamp. Frame and facade in some forms of neo-classicism (Berkeley: University of California Press)
7. Gombrich E H, 1982 The image and the eye, further studies in the psychology of pictorial representation (Oxford: Phaidon)
8. Hale N C, 1980 Abstraction in Art and Nature (New York: Watson-Guptill)
9. Hattersley R, 1979 Photographic lighting, learning to see (Englewood Cliffs, New Jersey: Prentice-Hall, Inc.)
10. Hogarth B, 1981 Dynamic light and shade (New York: Watson-Guptill)
11. Hunter F, Fuqua P Light, Science and Magic, an introduction to photographic lighting (Boston: Focal Press)
12. Jacobs T S, 1988 Light for the artist (New York: Watson-Guptill)
13. Johnston E E, 1991 "Systematic distortions of shape from stereopsis" Vis.Res. 31 1351-1360
14. Koenderink J J, Doom A J van, 1995 "Relief: Pictorial and otherwise" Image and Vision Computing 13 (5) 321-334
15. Koenderink J J, Doorn A J van, Kappers AML, 1992 "Surface perception in pictures" Perception and Psychophysics 32 487-496
16. Koenderink J J, Doom A J van, Kappers AML, 1994 "On so-called paradoxical monocular stereoscopy" Perception 23 583-594
17. Lomazzo P, 1958, in: A documentary history of art Vol.II, Ed. E G Holt (Garden City, New York: Doubleday)
18. Nurnberg W, 1948 Lighting for portraiture (London: The Focal Press)
19. Pirenne M H, 1970 Optics, Painting and photography (Cambridge: Cambridge University Press)
20. Ramachandran V, 1988 "Shape from shading" Nature 331 Januari 14th
21. Schöne W, 1954 Über das Licht in der Malerei (Berlin: Gebr.Mann Verlag)
22. Todd J J, Akerstrom R A, 1987 JEP: Human Perc. and Performance 13(2) 242-255
23. Truxal J G, 1955 Automatic feedback control system synthesis (New York: McGraw-Hill)